Showing posts with label Ska Punk. Show all posts
Showing posts with label Ska Punk. Show all posts

Saturday, 27 August 2022

Gig Review: Level Up Festival 2022


We love ska punk at CPRW. We also love nothing more than going to our favourite venue, the New Cross Inn in South London, for an evening of ska punk. What could be better? An all-dayer obviously. But what could be better than that? A three day festival full of the best ska punk bands in the UK, as well as a couple from further afield. Sounds like the perfect weekend to me. You can improve it some more? Loads of friends will also be there? Well that sounds like the dream to me!

That dream is actually a reality thanks to the wonderful people from Be Sharp Promotions, Fishlock Promotions and El Topo Bookings. July 2022 saw the long-awaited return of Level Up Festival. A festival that contains all those things mentioned in the opening paragraph. This is going to be quite a long review so I’m keeping intros to a minimum. On with the festival!



Friday

After the line-up and day splits were announced it was pretty clear that the promoters were going big on Level Up 2022. After three long years they seemed intent on welcoming the UK ska punk community – the proper ska punk community, the ones who go and see ska punk bands that weren’t formed in America thirty years ago – back to Level Up Festival with a bang. The four bands lined up for the opening night was just nuts. Unfortunately, on the day of the festival that bloody Covid struck again and the four bands became three. Sadly newcomers Till I’m Bones had to pull out due to their drummer getting sick. This was a shame as I, and a lot of other people, were very excited to see them. They were also due to announce the release of their second single Snakes at the festival – that’s now out and you can listen at all the musical places. Being true supporters of the DIY ska punk scene, some of the healthy members of the band still came along and they would get the opportunity to play a part in the night’s fun.

So, the band tasked with opening the entire festival were Filthy Militia. I told their lead singer Frosty I was going to write horrible things about the band as he made us exercise during the set and broke us for the entire weekend. I can’t do that though as, for one thing, that’s not the kind of site CPRW is but more importantly it wouldn’t be true. Filthy Militia played an incredible set. I last saw them back in February at the launch of their brilliant second EP, Coping Mechanism. That was the best I’ve ever seen them but I think they topped that set at Level Up. It was such a fun (and exhausting) way to begin the weekend. The addition of Lead Shot Hazard’s Tom on guitar allowed Frosty more freedom to dance around and be a frontman and just gives the band an even bigger sound and presence. Highlights of the set were Differences (which is one of the best ska punk songs released this year) and Land Of The Dead, where Jak and Charlotte from Till I’m Bones joined the band to sing and play saxophone respectively. During Land Of The Dead, Frosty joined the crowd to lead what was basically a ska punk exercise class where he had us all doing squats. It was knackering for my old man knees but a great way to warm up for the rest of the night.
 

Next up, we had the co-headline sets of Call Me Malcolm and The JB Conspiracy. The two bands had been on a tour around the UK and had been wowing crowds everywhere. Call Me Malcolm were first to take to the stage and were treating us to their three pronged horn section with Mark (saxophone), Lewis (trombone) and Lloyd (trumpet) all at NXI for the show. It had been eight long months since Malcolm played at NXI which, pandemics aside, is almost unheard of. This was a homecoming for the band and anticipation was high. Of course, they smashed their set – as, to be honest, every single band that played the weekend did. I’ve seen Call Me Malcolm play so many stunning sets at NXI over the years that I’m running out of ways to talk about them. The band and the venue combine to make ska punk magic every single bloody time. Playing favourites from their last two albums as well as a couple of deep cuts from their debut, there was something for everyone. Always liking to bring out a special treat for NXI, they delivered big. Before they started summer banger Restore Factory Settings, the horn section took their mics into the crowd where they were joined by The JB Conspiracy horns as well as Charlotte Till I’m Bones and Eve Filthy Militia/Lead Shot Hazard. The sound of those opening brass notes were incredible. They gave me goosebumps – it was such a big moment! I had short people problems and couldn’t really see what was going on in the crowd but it was still such a special moment that will be talked about for years to come. Naturally, the band finished on All My Nameless Friends and got one of the biggest reactions of the night. What a way to welcome Call Me Malcolm back home!


Then it was time for ska punk royalty The JB Conspiracy. Since the band released the epic Beginnings album last year, they’ve been popping up playing shows everywhere. I’ve had the pleasure of seeing them a few times since its release and each and every time they’ve been nothing short of spectacular. I’m not sure there’s a current ska punk band in the UK that can match JBC for pure musicianship. They write such technical sounding songs with multiple and complex layers and whenever I’ve seen them live they don’t seem to miss a single note. It’s so gosh darn impressive. The hour long set was comprised of many songs from Beginnings but the band didn’t forget their early favourites from This Machine and The Storm. A big highlight for me was what I think was a rare outing for Say Goodbye – it feels like a long time since I’ve seen them play that song. The band continued the theme of getting folk from other bands to join them on stage, as Eve once again took to the stage to help out with saxophone on one song and Luke from Call Me Malcolm joined them to play my favourite song from Beginnings – The Long Road To Zurich – on guitar. The JB Conspiracy have this amazing way of connecting with the crowd. Throughout their set the crowd was moving around in absolute pandemonium. The Inn was extremely warm at this point and there were a lot of sweaty ska punk fans around. I’m sure each and every one of them couldn’t have been happier dancing and singing along with the band. That’s exactly how I felt. What a way to finish the first night of Level Up Festival 2022. What a glorious return and the weekend was really only just getting started!



Saturday

The next day we arrived back at New Cross about thirty minutes before the opening act of the day was due on stage. There were a few people milling around outside the venue early which was fantastic to see. One of those people was Paul from Be Sharp Promotions. We had a quick catch up about the night before and spoke about the day ahead of us. He listed off a bunch of things that he thought could go wrong but he couldn't have predicted one thing that might have meant cancelling the entire day…

The first act of the day was Fidget of Fidget And The Twitchers playing an acoustic set. Interestingly they decided to perform the entire set on the floor rather than the stage. This was a great decision as it immediately made the crowd engage more than they perhaps would have if they'd have been on the stage. What also really helped endear Fidget to the crowd was covering Reel Big Fish's classic Beer. This got the New Cross Inn singing early. Fidget also played some stripped back acoustic versions of the Twitchers songs and performed them with such gusto, I can only imagine what they're like full band. Hopefully it won't be too long before I get the chance to see them.


Now for the dramatic part of the day. During Fidget's set armed police turned up and taped off the area between NXI and Chick Chicken (the takeaway next to the NX hostel). Nobody had any idea what was happening at the time but I know this wasn't on Paul's list of things that could go wrong during the day…

Whilst everyone stood outside the venue trying to get a peek of what was going on, Baldhead and the Dreads were getting ready to play. The band have become big favourites at the venue over the past few years and we couldn't wait for what nonsense they had in store for us. At the last Level Up Festival in 2019, the band dressed up as Paul Smith. This time they stuck a photo of Paul on the New Cross Inn logo behind the drum kit. During the set, the band made jokes thanking everyone for coming inside to watch them rather than what was happening outside and they wanted to get through the set quickly so they could go and be nosey as well. The band can be very self-deprecating about themselves at times and they really shouldn't be. They write a great combination of fun, smart and silly lyrics that always make me smile. They rolled out all the favourites from both their EPs. They teased playing the "hit" Smoke Weed, Pet Dogs a couple of times during the set before finally playing it as their penultimate song. During the song, drummer Tommy wore a dog mask which drew a laugh from the crowd as well as the band. He'd also organised a sign with the lyrics for the chorus – like anyone in the room needed them! They finished the set with an old favourite, New Cross Inn, where the band all swapped instruments to perform the song. It was pretty chaotic but I wouldn't expect anything less from Baldhead and the Dreads.
 

Next, things got a bit serious when the force known as Redeemon took to the stage. Redeemon are a band that really push the genre of ska to its limits with their own brand of “metaliska” and they are always such a treat to witness live. As they were getting ready to play, I thought to myself how the Saturday of Level Up was a day showcasing many of the different, varied sounds of ska punk. I don’t know if the organisers had planned it that way or that’s how it worked out but either way it was pretty cool. This was my third time seeing Redeemon in a year and each and every time I’m completely floored by them. The level of musicianship that’s on display here is something quite special, the guitars and brass sections shred equally and frontman Pook’s vocal switches from guttural screams to kind of singing is a thing of beauty. The whole set was intense but in the best possible way. Whenever I’ve seen Redeemon play I’ve always been completely mesmerised by what’s going on. They’re one of those unique bands that when they play it’s more than just a live set of music, it’s an experience. Redeemon released their debut earlier this year through Pookout Records and I strongly suggest you give it a spin.


Representing El Topo Booking and Belgium this year were Prize Dink Camp. Fronted by our old friend Folkert who has played every Level Up in a different band, I was keen to witness his latest project live. Prize Dink Camp are a three-piece who, instead of having a bass player, focus very heavily on keys and synths to create their own unique sound. Being from Belgium and being one of the newest bands on the line-up, not many people really knew a whole lot about them before the set began – but everyone was talking about them afterwards. I spoke with Folkert earlier in the weekend and he mentioned being a bit nervous that people wouldn’t watch as it was dinner time and nobody really knew them. This proved to be false as the band drew a sizeable crowd. With the Belgian contingent down the front of the stage, their enthusiasm for the band spread around the room and it wasn’t long before a lot of people were dancing. I believe that the band had only played a handful of shows at this point but you really wouldn’t have known with an accomplished and enthusiastic performance. Playing songs from their debut EP, Memez, Dreamz and Limousinez, as well as from their brand new full length, Unity Sausage, this set was one of the most fun and biggest surprises of the weekend. It also earned the first and only human pyramid of the weekend. And this wasn’t the last of the Belgians that we would see today…


After quickly getting something to eat, we returned to the Inn as Manchester ska legends Harijan were just beginning their set. This was a very rare trip down to London for Harijan, so it was important to take the opportunity to see them. Lead singer Mike has such a distinctive voice that almost works as an extra instrument as well as a vocal. It’s a lot more gravelly than what you might usually find in ska punk and it really sets Harijan apart. I was interested to see how the South London crowd would take to Harijan and I was very pleased to see that it was enthusiastic. The crowd began to skank almost immediately and didn’t stop throughout the entire time the band were on stage. Mike looked so overjoyed by the whole experience and that was also great to see. He danced around the stage with a huge smile on his face as his band performed one of the tightest sets of the weekend. The level of musicianship was first class. If any folk at Level Up weren’t really aware of Harijan before the weekend, I'm sure they’re now big fans. Harijan will be making the journey back down south soon when they play Wotsit Called Fest in Hastings in September.
 

Returning after the last Level Up in 2019 were Brazilian ska punks Abraskadabra. The band were just starting a month long UK and European tour where they would be playing a whole host of gigs and festivals. Since their last appearance in the UK, the band have released an excellent new album named Make Yourself At Home on Bad Time Records (distributed in the UK by Pookout Records) and have certainly gained some new fans in the UK since then. Because of this, it felt like there was a high level of anticipation in the crowd as they began to sound check. And as soon as they started the set it became very apparent that there was so much love in the room for Abraskadabra. From the opening notes we all began to dance and sing. You couldn’t help it. You just got swept away with what the band were doing. This felt like one of those Level Up sets that people will talk about for some time. I can’t really even put on a finger on one particular thing that they did that made it feel so special, they’re just a really good band – fantastic songwriters, musicians and performers. When you combine all of those things you know you’re on to a winner. Something crazy, and a little bit of a spoiler for a festival review that’s to come later, this wasn’t even the best Abraskadabra set I saw this summer yet this was a big, big highlight.


The penultimate band of Level Up Saturday were Andy B And The World. Playing what I believe was just their third or fourth performance as a band and their second at the New Cross Inn, I was super excited to see them again. If you’re unaware, Andy B And The World is the project of former Fandangle bassist Andy Baker. He set out to write and record an album featuring different musicians and singers from all over the world. He achieved this goal and produced one of the best albums of 2021. There was never any plan to perform shows as Andy B And The World but after some encouragement he put together a band for the occasional gig. Much like Abraskadabra before them, there was a big feeling of anticipation before the set. This would have been the first time that a lot of people at the festival got to witness the amazing spectacle that is Andy B. It was nice to see the room start moving as soon as they started playing and it was great to hear songs from The First One played live. It wouldn’t be an Andy B And The World set without some special guests taking to the stage. Andy’s former Fandangle bandmate Tommy made an appearance, as did Aaron from Make It Better Later, but the biggest surprise was when Al from [Spunge] took to the stage to sing Changes, as well as a special version of [Spunge] classic Kicking Pigeons which the crowd went off for. That was one of the top Level Up moments. Andy is also hard at work on two new albums and he took the opportunity to record some crowd vocals. Everyone in the room shouted “yeah” and will be on one of the new tracks. This was the most fun way to warm up for the evening's headliners.


London’s Popes Of Chillitown were the band chosen to headline the Saturday night. Over the years they have become stalwarts of the New Cross ska punk scene and it’s always a special moment when they take to the stage. Before the set we were outside as it was quite warm and we needed some air. We re-entered the venue and it was packed so we settled for a spot at the back of the room. I actually enjoyed this a bit more as there was a little room to dance and whenever someone opened the door I got a dose of fresh air. As I stood watching the band doing their thing I thought about all the times I’ve seen them over the years and I realised I’ve never ever seen them play a bad set – never even an average set. It’s always the best set I’ve ever seen them play. They are amazing each and every time. The band are so good at just working a room and building a crowd up. They played what’s arguably their most well known song, Wisdom Teeth, third in the setlist which blew my mind. This really got what was already an excitable crowd moving. From then on there was skanking, mosh pits, stage dives and crowdsurfing a plenty. From my view at the back of the room I could see everything that was happening and it was such a cool sight to see. The Popes are seriously at the top of their game right now and I can’t wait to see where they go next. With new material in the works, the band are set for an exciting year. Get out to see them whenever you can.


It was now time for the after party. Returning from 2019 were the El Topo Allstar Band. These guys went down an absolute storm in 2019 and we were all excited to see them back. I won’t write too much about them as I was too busy dancing and singing to really remember too much but what a time it was. They played Rancid’s Timebomb four or five times as well as covers of Eminem, Britney Spears, Smashmouth, an attempt at Africa by Toto, Backstreet Boys, Haddaway and Bloodhound Gang. The set was a mess but in the best possible way. It was full of fun throughout and I can’t wait for them to return in 2023.
 


Sunday

The Sunday of Level Up started in a leisurely fashion for us. It started with me purchasing some football stickers and then going to the New Cross House pub across the road from NXI for a Sunday roast. It seemed like a few people had had the same idea as us as we noticed some more attendees of the festival in the pub. It was an excellent way to start the day and fuelled us for a final day of ska punk fun.

We arrived at NXI with plenty of time to catch up with friends before the day’s opening band Boom Boom Racoon started their set. The Bristol based band are a band I’ve seen a few times since life began again and it’s always a pleasure. Despite being from Bristol, they very much feel like a NXI band due to the friendships they have made with many of the regulars over the years. The set mainly featured songs from their most recent album, Songs From The Before Times…& Some More, which got great receptions. Every time I see the Racoons I seem to say that that was the best time I’ve ever seen them and this is another of those times. They played a blinding set which got the party started early for the day. Finishing with a spirited rendition of their Vengaboys parody, Boom Boom Racoon really blew out any cobwebs the early risers for the day might still have had.


Next to take to the stage were the wonderful Plot 32 from Leeds. Seeing them soundcheck earlier in the day, I noticed that they were short of their bass player Gaz so Cat Swan was filling in instead of playing guitar. I’d last seen Plot 32 play one of my favourite sets of MPF in April and I was excited to see them again. It wasn’t long into their set until I found myself having a skank and I was very pleased to see I wasn’t the only one. Frontman Stash has so much charisma on the stage and looks like he’s having the best time of his life throughout the set. I did worry his trousers were going to fall down a couple of times though, which would have made for a memorable Level Up moment. The set was comprised with what I think was every song they’ve written so far (aside from the ode to Colin Furze) with the highlights for me being Go Hard Or Go Home, Issues and Favourite Things. There had been some chatter before the festival (mostly between me and Baldhead’s drummer Tommy) about whether or not Plot 32 would do their Vengaboys cover as Boom Boom Racoon have their parody. I can confirm they did and everyone loved it. The punks do love the Vengaboys. I was so pleased to see Plot 32 back in London, hopefully it’s not too long before they’re back again.


Lead Shot Hazard were next to take to the stage. This was the debut performance for recent addition Snowy on the trumpet, adding some more to what’s already a pretty formidable brass section. This may well have been the best I’ve seen Lead Shot Hazard. This was a seriously strong set from the NXI veterans. I’ve seen them play some really good sets over the years but there was something I can’t explain about this one that really set it apart from previous times. Everything was on point and it was great. Before their set I had noticed that Frosty had many Lead Shot Hazard T-shirts taped to him. During the set the band sent him into the crowd for everyone to claim a free T-shirt. Why on earth Frosty agreed to do this is beyond me but fair play for always being such a good sport. Unfortunately, Lead Shot ended the streak of Vengaboys songs but they did play their cover of My Friends Over You by New Found Glory which always goes down a treat. They finished the set with the awesome Between Hell And Highwater which I always love to see live.
 

Leicester’s Last Edition are notorious at NXI for breaking the venue last time they played Level Up. Luckily this didn’t happen again and the band could get through their set incident free. Last Edition are always such a fun band to see live and normally I would have a lovely skank to the upbeat ska pop punk sound but, after Plot 32 and Lead Shot Hazard, I think my body had hit a bit of a brick wall and I just didn’t have the energy left. Perhaps the roast dinner wasn’t a smart idea as it left me with a bit of a food coma! Something that always astounds me whenever I get the opportunity to see Last Edition live is saxophone player Sam. I don’t understand how they manage to make a one person brass section sound so big but they always manage it. They often do it whilst also playing keyboard as well, which is a whole extra level of mind blowing. If memory serves me correctly the set was mostly filled with newer songs that the band have written and recorded, songs like Half Drunk At Half Time, Good Luck and Shorts Until September are all welcome additions to the band's set list. Last Edition are throwing their own ska punk weekender in October in Leicester, go here to see all the details. Spoiler, the lineup is stacked.


3dBs Down were one of the bands I was most excited to see over the entire weekend. Their most recent album, Get Your Retaliation In First, is one of my favourites of recent years and I’ve only had one opportunity to see them live since it was released so I was keen to grasp this latest opportunity with both hands. We almost didn’t get this chance as drummer Joe somehow broke their foot the day before but they were determined to play the show anyway. Kudos to Joe for that. 3dBs Down offered something slightly different to the majority of the bands playing at Level Up as they are more of a punk band with ska elements rather than a full on ska punk band. This meant that a few people were slow in really getting into 3dBs but by the end of the set they had the room dancing. It was great to see a band win the crowd over like they did, it really shows just what a good band they are. The thing I really love about 3dBs is their ability to write hooks and sing harmonies. They sound great on record but to pull them off live as good as they do is something quite special. The band have been around a long time now and you can tell just because of just how in sync they are with each other. As well as playing many of my favourite tracks from Get Your Retaliation In First they also debuted their brand, brand, brand new track Unconvinced – it’s a banger, go and check it out. 3dBs don’t play many shows anymore but when they do it’s always a highlight of whatever bill they find themselves on. At the time of writing this, the first wave of MPF 2023 bands have just been announced and, oh boy golly, I’d love to see 3dBs play that festival.


The rise that Codename Colin have had over the years of Level Up Festival has been monumental. I remember them opening one of the days of the festival one year and now they’re last support before two genuine UK ska punk legends – it’s quite the rise for the band from Hemel Hempstead. It’s completely deserved though as the band keep on working hard, playing loads of shows and continuing to get better and better. They’re also fantastic people. Frontman Charlie has become an absolute master of working a crowd, leading the New Cross Inn in a series of big sing-alongs. This might have been one of the most rambunctious Codename Colin sets I’ve ever seen with the amount of people in the pit skanking away with nothing but joy in their hearts. At one point during the set Frosty joined the band on stage to do some singing, which was a nice moment. The camaraderie between all of the bands playing the festival, and the others in the UK ska punk scene, is something so special and it’s always so nice to see everyone supporting everyone else. Codename Colin have become one of my favourite live bands in recent times and it was great to see them play to so many people on what was a big night at the New Cross Inn. Love to see it.
 

So, there were two bands left for Level Up Festival 2022 and when you think about UK ska punk there aren’t many bands bigger than what we had left. Sonic Boom Six and Random Hand will have inspired many of the acts who played over the entire weekend. The two bands were such an integral part in keeping the UK ska punk scene going over the years and getting the chance to see them share a stage once again in 2022 was a very special moment. First up were Sonic Boom Six who were making their Level Up Festival debut. This wasn’t their first time at NXI however, making their first appearance at the venue in 2021 for Till The Fest. That was a superb set from the band and this was no different. SB6 are party starters, plain and simple. They’re also very good at tailoring their set to the crowd they’re playing too. This was a ska punk crowd so the band made sure to play a set that would be full of crowd pleasers. This meant that the set was full of classic Boom songs such as Monkey See Monkey Do, All In, Bigger Than Punk Rock and Meanwhile Back In The Real World, as well as newer ska tunes like No Man No Right and My Philosophy. The pit turns into a full blown riot as the crowd go crazy for the band. Watching them you realise just how many big tunes the band wrote over the years and they all sound as fresh and current as they did back when they were written. Laila and Barney are the perfect combination of front people, working seamlessly together throughout the set. I guess that’s to be expected after being in a band together for so long now. This felt very much like a headline set from the band but there was still the small matter of Random Hand to come.


I’m at a loss with what I have left to say about Random Hand. They are one of the best live bands I’ve ever seen and blow me away each and every time I’ve seen them. I’d previously seen them earlier in the year when they played Seething Is Believing in full at Islington Academy and I was now looking forward to what would be a best of set. I was surprised that I, and the rest of the crowd, had any energy left after three days of ska punk but we did. Random Hand brought every last ounce of energy out of us for one final dance. In the sweatbox that NXI had become, we danced, we sang, we sweated (a lot) and we had the absolute time of our lives. Robin remains one of my favourite frontmen in punk rock. The man oozes charisma during the songs and is extremely funny in between them. The band played a career-spanning set, I’m pretty sure they played everyone's favourite Random Hand songs and they also played a brand new one from an upcoming release they’ve been recording. It’s been seven years since we’ve had new music from Random Hand and, on this evidence ,we should be extremely excited for what is to come from the band. It’s always great to see a band play at the top of their game and that’s what we got with Random Hand. Alongside Robin, the rest of the band, Dan (guitar), Joe (bass) and Sean (drums), were as tight as ever as they bounced around the stage, helping work the crowd into a storm. There were great some sing-alongs during the set, particularly for Not A Number, Play Some Ska, Scum Triumphant, Bones and set closer Anger Management. Random Hand are back in New Cross for Till The Fest Two in October and that promises to be another special moment.
 

That brought an end to another fantastic Level Up Festival. Level Up Festival is such a beloved weekend for the real ska punk fans of the UK and it had been very much missed during the pandemic. It’s a chance for the ska punk family to reconnect, dance and share some amazing moments from our favourite genre that is so often belittled. In recent years, ska has been making moves and is once again growing in popularity. Level Up was where the die hards, the fans who never stepped away because it’s “uncool”, gathered to celebrate this thing that we all love. All the thanks and love has to go to all the bands who have kept the genre alive, as well as Be Sharp, Fishlock and El Topo for all they’ve done for the scene. Level Up 2022 was a fantastic time. It was a festival I hadn’t realised I would miss so much and it filled me with smiles from start to finish. I can’t wait for Level Up 2023 next July. To quote Adam Davis of Omnigone, “Ska now, more than ever.”

This review was written by Colin Clark. Photos by Emma Prew.

Monday, 30 May 2022

Gig Review: Tree House Fire at New Cross Inn, 13/5/22


You know that when Be Sharp Promotions put on a ska and reggae show at the New Cross Inn that it’s going to be an evening full of great music, great times and great peoples. On Friday the 13th of May Tree House Fire were back in South London to play their Rocket album in full to celebrate its ten year anniversary. Along the with Tree House Fire, we had a stacked line-up to enjoy thanks to Zen Baseballbat, Till I’m Bones and Lo(u)ser.


We arrived at NXI quite early and used the time to catch up with our friends. It was nice to see a lot of people had arrived early to catch LA native Lo(u)ser open the show. Armed with just his electric guitar and a Nintendo-themed video projected behind him, I got the impression that not many people in the room knew what to expect from this performance. What we got was a fun, upbeat ska pop half an hour. This was one of the freshest and most creative sets I’ve seen at NXI in quite some time. Lo(u)ser (real named Chris Graue) quickly got the crowd on side and there was a lot of folk saying super positive things about the set when it was completed. There was a moment midway through the set where Chris left the stage and with an advert playing on the projector screen, before returning wearing just a pair of TMNT shorts and socks. I’m not sure why but he joked that he’s just a man with a guitar and that he needed to do something else as he’s just a man with a guitar. This was a very special treat to open the show and I’m glad I got to witness it.


Next up was the debut performance from Till I’m Bones. The band formed earlier this year and features Jak Coleman and Charlotte Corry, formerly of NXI favourites Just Say Nay. It would be super easy and extremely lazy to just say that Till I’m Bones are a continuation of Jak and Charlotte’s former band, which I understand to an extent as Jak has such a recognisable vocal and distinctive songwriting style there will be comparisons, but after getting to see them live it’s clear that this new project is a whole new beast – and I loved it. There’s a whole new intensity to the sound which I would assume is partly the influence of the bands other members, Beth (bass), Gary (guitar) and Aaron (drums). As mentioned, this was their first ever show as Till I’m Bones and my goodness they’ve set the standard very high for their future performances. What an absolute pleasure to witness what will be a big player in the UK ska punk scene in the very near future take their first steps into the world. Till I’m Bones have a handful of gigs all over the UK lined up already and I seriously suggest you get to one near you – what a band!


The penultimate support act of the evening were Zen Baseballbat. Despite being around forever now, this was astonishingly the band’s first ever time at New Cross Inn. Coming down from Manchester, it was nice to see a sizable crowd gathered to check them out, I would imagine it was the first time for a lot of people in attendance. For the next half hour or so we got to witness some great ska/new wave from an extremely watchable band. I’ve long said that ska bands have some of the best musicians in the DIY scene, this allows the band to play their songs perfectly whilst also having a dance around the stage. There was a real charm to the set which added to my enjoyment. Playing a set full of tracks from the newest album, Better Ways To Love & Offend, Zen Baseballbat showed there’s plenty of life in the long running band and look set to earn a whole new generation of fans.


Now it was time for the evening’s final act, Tree House Fire. Despite being all the way from Wales, Tree House Fire feel like a NXI band. They are absolutely loved in South London and return again and again. When it was announced that the five-piece would be playing their debut album Rocket in full, there was much excitement among the regulars at the venue who have been going to see them for years. The band first came to my attention long after Rocket was released so I didn’t have the same excitement that a lot of people had but was still looking forward to seeing one of the best live acts in the UK ska scene. As soon as they began playing the whole room began to sway, I looked at so many friends with big smiles on their faces as they sang and danced along with the band and I loved seeing it. Something that always impresses me whenever I see Tree House Fire is just how tight they are musically, they are some seriously talented musicians. Lead singer Sam oozes charisma on stage and commands the room throughout the set, they seriously have the crowd in the palm of their hand. With each song they play they get an even bigger reaction and it’s just an absolute pleasure to be in the room. This was another great set from Tree House Fire and I’m sure it won’t be long until the next one.


This review was written by Colin Clark.

Tuesday, 10 May 2022

Gig Review: Whitmore – 20th Anniversary Of Smoke The Roach at New Cross Inn, London 30/4/22


If you are of a certain age and you grew up loving UK punk rock music then I have no doubt that you have fond memories of the P-Rock TV channel. The channel, which only ran for about six months, played music videos from bands such as Rancid, The Distillers, The Vandals, Allister and Home Grown, as well as UK acts such as 4ft Fingers, King Prawn, Farse and [Spunge]. One UK act that is potentially most associated with the channel is Whitmore, because of the video for their song Alison. In 2022, the album which featured Alison, Smoke The Roach, turned twenty years old and Whitmore figured it would be a good time to celebrate this. A few shows were booked, including one at the New Cross Inn put on by Be Sharp Promotions. Of course, I had to pop along to the party.


I turned up early and caught up with Be Sharp’s Paul and Martin of Slagerij, one of the support bands for the evening. It was a bit disappointing to see the room looking a bit sparse for a band that is remembered so fondly but it was interesting to see the folk who did turn up. It looked to be mostly a bunch of folk in their mid to late thirties who have perhaps been allowed a night off from their partners for the gig. There were, however, also some young people in attendance. They were the opening act, Keep Summer Safe. The three-piece are a fairly new band but I recognised lead singer and guitarist Gian from filling in for Fastfade a few years ago. I felt like they were a great choice to open the show with their fun and energetic style of pop punk that fits perfectly between old school bands such as Blink and New Found Glory and newer bands like The Story So Far and Neck Deep. From the outset, the band made it clear they were about having fun and it was super nice to see. The between song banter was entertaining and at one point their bass player even left the stage to go to the bar for a drink! I get the feeling that I’ll be seeing Keep Summer Safe a lot at New Cross in the coming months and years.


Slagerij were next to take to the stage and had been supporting Whitmore at all of their Smoke The Roach shows. They had only been at the New Cross Inn a few months previously, supporting [Spunge] on their Room For Abuse tour. I had been impressed with the three-piece back then but this time I enjoyed them even more. This might be as I was a bit more familiar. It might be because the venue wasn’t as busy as the previous time. There’s a very good chance it was partly because I hadn’t just done my first three day festival in two years before the gig. As I watched the band bounce around the stage with relentless energy, I tried to think of some of the newer bands in ska that play this style and the only one I could think of that is remotely close were our friends Baldhead And The Dreads. Despite only being a three-piece, I was very impressed with the way they commanded the stage, using every square inch of it during their set. As they played through their set, Slagerij got more and more people dancing and got some great crowd participation during their penultimate track, Can’t Stop A Nation. This was a lot of fun and I hope it’s not long until they find themselves back in London again.


As we waited for Whitmore to take to the stage, Paul and I spent some time talking to Des and Jarv from [Spunge] who had travelled to South London for the gig. My mind is blown that not only do two members of the band that I have stated many times are my gateway band know who I am, but that they took the time to talk to me and thank me for the work I do with CPRW. It was really overwhelming but much appreciated. They also told me to write that Whitmore are shit….

I couldn’t do that though as Whitmore played a brilliant set. This was a Smoke The Roach set but when they didn’t open with Alison I soon realised that they wouldn’t be playing the album in order. I think this was a great idea as it gives you the surprise factor you don’t get if you play the album from start to finish. Much like Slagerij before them, Whitmore commanded the stage like the seasoned professionals that they are. Led by the one and only Robb Blake, who is still heavily involved in the ska scene putting on great shows at his pub in Salisbury, Whitmore worked the crowd into a frenzy. Even though there can’t have been more than sixty people at the New Cross Inn, each and every person in the crowd showed so much enthusiasm for the band. Everyone danced, sang and remembered what it was like to be twenty years younger during their set. I’ll always prefer to be in a crowd of sixty really enthusiastic people rather than one with four hundred people, most of whom aren’t that bothered. One of my thoughts during the set was how I really didn’t appreciate Whitmore nearly as much as I should have during their heyday. I was expecting to enjoy Whitmore’s set but they exceeded all expectations. I had forgotten how many bangers are on Smoke The Roach. Obviously there’s Alison but songs such as Scones, On The Ceiling, 29 Times, Hydrant and Tell You Twice still sound as good as they did twenty years ago. Hopefully Whitmore don’t leave it too long before playing more shows because they are still so good and I’d certainly love to see them again!


Here on CPRW our main focus is to always champion new and exciting bands but I always think it’s important to spend some time every now and then looking at the bands that came before and show respect. Whitmore came along at a time when I was taking my first footsteps into the world of underground UK punk and it was awesome to see them play such a good show. I’m still waiting for the day when some legend of a promoter gets all the old favourites back together for a nostalgic all-dayer to end all all-dayers. It would be magic.

This review was written by Colin Clark. Photos also by Colin.

Sunday, 17 April 2022

Interview: Plot 32 Interview For Manchester Punk Festival


Ahead of their performance at Manchester Punk Festival, Colin caught up with Plot 32 for a lovely chat.

How did Plot 32 start?

Gaz: Myself, lead guitarist Adam and Stash were at Rebellion 2016 and we just watched Bar Stool Preachers play an acoustic set and were all feeling very emotional and said “there doesn’t seem to be that much ska punk going on in Leeds at the moment besides the usual suspects, how about we form a band.” Then Stash said “well aye man, that sounds cannae.”

Liz: I remember recruiting Rachel, we were on a Rocky Horror night out, we dressed up, and I was like “you’d be the perfect person to join our brass section and then you agreed so that was nice.”

Rachel: “I somehow ended up accidentally in a ska band when I was at school and I randomly mentioned that to you on a night out.

Liz: I Had to learn drums for this band, Gaz had to learn the bass.

Stash: A few had to start from scratch.

Liz: We started in February and we had our first gig in May which was very soon as I’d never played any drums before.

Stash: That’s pretty punk rock that, innit.

Who are the members of Plot 32?

Liz: I’m Liz and I play the drums, shall we tell you our favourite vegetable as well?

If you want, the answer is broccoli.

Liz: Yeah, my answers broccoli.

Gaz: I’m Gaz, I play bass guitar and my favourite vegetable is a beetroot.

Stash: My name is Stash, I’m 42 years old, my favourite vegetable is mushroom and I’m the singer.

Cat S: I’m Cat, I’m the rhythm guitarist and my favourite vegetable is a carrot.

Rachel: I’m Rachel, I play saxophone and my favourite vegetable is fresh peas.

Liz: We’ve got Adam, he plays guitar and his favourite vegetable is sweetcorn because he’s a sweet person and he’s pretty corny and then there’s Cat Robbins, she plays the trumpet, she love an aubergine apparently.

Who are your influences?

Stash: I think we’ve all got different influences. The bands probably influenced by bands like Operation Ivy, Bosstones, ska punk….

Cat S: I listen to a lot of Reel Big Fish, Less Than Jake, also I love anything a bit pop punky like New Found Glory as well.

Liz: Cat and Adam tend to write most of our songs but then other people chip in, Gaz and Rachel and Stash have all written some things, I haven’t written anything so I guess my influences wouldn’t come out that strongly but I love things like drum n bass, dance music but all of my favourite gigs growing up were Reel Big Fish. I think me and Cat spent years going to every single Reel Big Fish gig. I used to love King Prawn and saw lots of ska punk in Leeds back in the day.

This is your first time playing MPF, have you been before as attendees?

Stash: I’ve volunteered there before. We’ve been there as punters.

Liz: I’ve been almost every year. Infact I met Cat Robbins at the thing that was before MPF. There was some sort of anniversary show that the same people put on the year before MPF and I met Cat Robbins in the queue so we wouldn’t even have her as a friend or band member if it wasn’t for MPF. This sounds like a proper geeky thing to say but my drum teachers reminded me of it last week. I was talking about playing MPF and the stuff I wanted to work on and they were like “ooh, they said last year that playing MPF was your dream” and I was like “I wouldn’t of said that would I?” but clearly I did.

Gaz: You say it all the time Liz, when you’re drunk.

Cat S: I’ve never been, I’m really looking forward to it. It’s normally difficult for me to get time off work to get to it. But we’re playing some I’m forced to get time of work for it so it’s great. I can’t wait! It’ll be a good opportunity to see loads of bands that I’ve never seen before and get introduced to new stuff  and seeing some old friends as well.

Stash: It’s nice when all you’re mates are there from all different cities coming together. You can spend a lot of time chatting to people with people you’ve not seen for a while.

Liz: It’s one of those few festivals where you know that everyone you know from across the country will be in the same place and you’ll bump into them at some point over the weekend. And they always have an amazing line up too.

Stash: I normally miss a lot of bands just through nattering and smoking.

Who are all you looking forward to seeing?

Liz: I have been doing so much research on this, I’ve got a playlist that I made myself. They do have an MPF playlist but I wanted to extra curate it. Shai Hulud, I know they’re quite famous but I’ve never listened to them before I knew they were playing MPF. Really love them. Really love Belvedere, Elephant March is a great song, just love all that relentless, fast pop punk stuff. And then there’s some really nice ska like Popes, JB Conspiracy, all the people that we love seeing and have maybe played with before. I quite like Riskee, some of that rappy stuff, Karl Phillips, we’ve played with him before haven’t we. Jeff Rosenstock. I’m trying not get my hopes up too much with anybody because you don’t know who’s gonna clash and you don’t know who’s going to have to pull out.

Cat S: We’ve had Brassick at Nice As Pie before so I’m looking forward to seeing them.

Liz: There’s all of our friends bands as well. Smoking Gives You Big Tits, I love them. Great name, great band. Monolithian, that’s Simon from Rash Decision’s band with that lady in Bobby Funk. They’re gonna be great.

What can people expect to see from your live set?

Stash: They’re probably see seven drunkards falling about all over the stage.

Liz: We’re not a polished performance but we’ll be very friendly.

Stash: If we’re anything we’re friendly.

Cat S: We want everyone to have fun and we’ll be having fun and hopefully that’s all that matters.

Liz: There might be some cheesy, bad jokes. You might get some very light political and environmental messaging  but the overriding theme will be fun.

What’s your best experience at a Plot 32 gig?

Stash: Outciders always a good thing.

Liz: Remember when we played that really weird festival and then somebody came up to us and told us and told us that she was Miss Chesire 2018. I don’t know if this was the same person or I’ve got it confused in my head…

Stash: Didn’t she call us weirdos?

Liz: She said you’re the weirdest bunch of weirdos that I’ve seen in the same place at the same time and I thought to myself that I really understand what you mean; we are all quite different to each other, we’ve got quite different opinions and we act quite differently and I just loved that she thought we were so strange.

Cat S: Illusive Festival was dead good as well.

Liz: That was definitely the weirdest festival that I’ve ever been too.

Stash: It was like a drum n bass festival with a random ska stage.

Liz: Everyobdy was off their face to the point where they’ve built little sort of caves under the stage for people to go and hide if they want to have some private time.

Stash: That sounds rude.

Gaz: We played two sets that weekend. We played one of the first sets on the Friday and we were all fresh and energetic and there weren’t that many people watching us. Then on Sunday we were all a bit worse for wear, we were depleted with serotonin and dopamine and I think the majority of us were hung over and we played the other set and people were absolutely loving it.

Stash: I think between us we probably introduced ourselves to everybody at the festival by that point .

Liz: They really had no choice but to come and watch us after we bombarded them with our friendship for the whole weekend.

That’s a solid plan, are you going to do that in Manchester as well?

Liz: We’ve already said that we really hope we play the Sunday so we get so we get to make friends with absolutely everybody at the festival and then relentless pressure them into coming to see us.

Do you know where you’re playing yet?

Liz: It doesn’t really matter. Early is good, late is good, middle is good. They’ve all got there advantages.

Have you got a venue that you particularly want to play?

Liz: I love the Zombie Shack which I guess might be where we play as it’s a bit of a small one. It’ll be lovely to play in a smaller venue that’s packed out.

Stash: I’d rather play a smaller venue with more people in than a bigger venue with the same amount of people.

Cat S: Somewhere with a big enough stage to fit seven of us.

Liz: Yeah, so basically we want a venue where the stage is half as big as the crowd space so we’ve got room but no-one else does.

Stash: Not too high though, as I’m prone to falling off.

Liz: I would like a drum riser so we could have a combination of those things.

Cat S: Are you going to build our ideal stage here Colin?

I will send Tree a message and ask him very nicely.

Stash: It would be good if the drum rose over from the floor, that would be good.

Liz: We played for Tree the other day didn’t we and the drums were on a bit of a riser. It was the first time that I thought people could see me and I loved it.

Stash: I mean coming up from the floor as you’re playing.

Just fly across the room.

Liz: Who is it that does that?

Cat S: Do Slipknot do that?

Stash: A zip wire would be good. A good entrance on a zip wire.

Liz: Nobody had done zip wire drumming have they? Perhaps I could be the first.

That would be a lot of wires that you would have to time very precisely to make sure all the kit is in the same place.

Stash: You’d imagine that the kit would already be on stage and you’d just arrive and land on the chair.

Liz: Oh no, I imagine you’re going to zipwire a platform with the drums set up already.

Gaz: This is just sounding like a death clock out of metalopolis with the ridiculous stage set up.

Stash: When people book us we should start requesting these things and see what we can get.

Liz: We must be halfway between getting nothing on a rider and getting some flying drums. Perhaps if we aim high we might get a crate of beer.

Stash: We’ll take £20 if we can get a zipwire.

Is there anything you’d like to add?

Gaz: I guess we could say we’d like people to come along and make friends with us. We’ve been told we either get the party started or we keep the party going or we end the party really well so really your choice is across the board.

Stash: Take care of yourself and each other.

Plot 32 play at Zombie Shack at 22.15 tonight!

Check out Plot 32 on Facebook here and Bandcamp here.