Friday, 21 February 2020

Gig Review: The Menzingers at The Forum, London 15/2/20 (by Emma Prew)

Whenever The Menzingers – one of my all-time favourite bands – are in town, you can bet that I’ll be keen to go. I admit that I preferred when they were playing smaller venues than The Forum in Kentish Town and I begrudge giving my money to a) Ticketmaster and b) an O2 venue but they’re a great band and, unfortunately for me, more people have realised this over the years. Grumbles about venue size aside, I was also extra excited to attend this show when they announced that Spanish Love Songs would be touring with the Philly foursome. If The Menzingers are one of my all-time favourite bands then Spanish Love Songs are one of my most favourites of the past two or three years – so, basically, soon to be all-time favourites. Add to the tour Mannequin Pussy, a band that I hadn’t listened to before but, after checking them out briefly, was keen to see live. This was bound to be a brilliant gig.

As Colin had taken the day off work in order to join me at the gig (Saturday night gigs are generally not good for us), we headed in to London earlier than usual to make the most of the day – and also because we didn’t know what impact the dreaded Storm Dennis was going to have on the trains. Surprisingly, no problems whatsoever was the answer! We went to the London Calling exhibition at the Museum Of London in Barbican which was a small collection of artefacts and information about The Clash’s classic album. As it was a miserably rainy day in London, the museum was very busy so, if you can, I’d recommend going on a week day and not a Saturday to have space to take it all in – the exhibition is on until 19th April. After that we headed to Temple Of Seitan with our pals Paul and Taj, to fill our tummies before the big punk rock show. I’m fairly certain there were several other people at Temple Of Seitan who were also going to see The Menzingers. What can I say, us punks like vegan junk food. Stomachs satisfied, it was time to head to The Forum…

Mannequin Pussy are a four piece from Philadelphia who released their third album, Patience, on Epitaph Records last year and they were first on. I always love how The Menzingers tend to bring a band from their hometown on their European tours with them. It’s often bands that we perhaps won’t know so well over here so the fans get to discover a potential new favourite band and the band get to play to big new audiences – everyone’s happy! As I mentioned earlier, I listened to Mannequin Pussy a little ahead of the gig to get a vague idea of what they were like. I must admit that I was a little put off by their band name at first but their songs more than made up for it, with a sound ranging from indie-style pop punk to ferocious feminist hardcore. It was that ferocity that really stood out to me when watching the band perform live with lead vocalist and guitarist Marisa’s voice ranging from angelic softness to intense mosh-pit inducing screams. I would say I enjoyed the louder and livelier songs the most, particularly Drunk II. Mannequin Pussy are a great band and I’d happily watch them live again.

Spanish Love Songs just keep getting better and better, both in terms of live performances and in terms of new music. Their third album, Brave Faces Everyone, was released during this tour with The Menzingers (on the 7th February) and so this has been as much an album release tour as a killer support slot for them. In the 15 or so months since Spanish Love Songs made their debut appearance in the UK, I have seen them live six times – with their set at The Forum being my seventh. To say that I love Spanish Love Songs would be an understatement. I’d spent the week running up to this gig listening to Brave Faces Everyone (it’s great – I will get around to writing a full review at some point) and learning the words. Of course, when the band took to the stage, I wasted no time in losing my voice singing along to some of my favourite songs – with those around me doing the same. From opening hit single Losers through to Schmaltz classics such as Buffalo Buffalo, The Boy Considers His Haircut and set closer Beer & Nyquil with newer tunes Routine Pain, Kick and Losers, Pt. 2 thrown in between, I adored every second of Spanish Love Songs’ performance. The new songs sound better than ever live and fit in nicely alongside songs from Schmaltz. It’s a little sad that I don’t think we’ll be hearing songs from their first album, Giant Sings The Blues, again any time soon but, when the new songs are this good, I guess I can live with that. What a performance from a ‘support’ band. It won’t be long before Spanish Love Songs are headlining venues of this size themselves!

It had been over a year since I last saw The Menzingers headline their own show, having only seen them once last year at Slam Dunk Festival (not a prime example of a Menzingers gig, to be honest) so I was rather looking forward to their set. Of course, since I last saw them, The Menzingers have released their sixth album. I must admit to not being a huge fan of Hello Exile as a whole – I did review the album if you want to know more of my thoughts. Basically, I like the singles and a couple of other songs but it just didn’t meet the high standard set by 2017’s After The Party for me. However, I was hoping that by hearing the new songs live, I might see something in them that I was otherwise missing. Opening their set with Anna, the lead single from Hello Exile, seemed to go down a treat with the crowd and we certainly had no problem singing along to it as if it was an old favourite. The song has a big anthem-like feel and so it didn’t sound at all out of place being played to 2000 people. But what’s better than that many people singing along to ‘I have so much to yell you, Please come back to Philadelphia’? That many people yelling ‘I will fuck this up, I fucking know it’! To follow a newer song with The Obituaries, from the iconic album On The Impossible Past, was pretty perfect if you ask me. I certainly had a nice time screaming along to one of my favourite songs. From then on, it was a combination of songs from the last four albums including Rodent, Portland, Good Things, Burn After Writing, Tellin’ Lies and Strangers Forever. Tom was his typical bouncy self, truly having the best time on stage – not that the rest of the band weren’t, he’s just such a joy to watch. There was certainly no tiredness on show from the band due to this being this being the last night of the tour. Whether The Menzingers were playing songs from OTIP or Hello Exile, those around me were singing along to every single word with plenty of fists thrown in the air for the rowdier tunes. Clearly much of The Menzingers’ fan-base, or at least those that had come out to see them on this tour, didn’t have such doubts about the band’s latest album. I’m not sure hearing the songs live has changed my opinion all that much but there’s no denying that I still have the best time whenever I’m at a Menzingers show. They are still one of my favourite bands of all time.

Unfortunately, due to the questionable nature of Storm Dennis and the fact that our last train that didn’t involve a rail replacement bus service was at 10:35pm we had to leave the gig quite early. I was hoping to hear After The Party before we had to leave, as that’s always such a joy to scream along to, but I later found out that it was the very last song of the encore – understandable really as it’s such an awesome song! We missed about five or six songs, including a cover of Death Of Glory by The Clash which I’m sure would have been brilliant, but we did manage to get home without any hiccups. And, besides, I’m seeing The Menzingers (and Spanish Love Songs) again later this year anyway, when they play Booze Cruise Festival in Hamburg which is going to be ridiculously good! The whole line-up is incredible and having been to the DIY fest last year, I’d highly recommend it.

This gig review was written by Emma Prew. Photos also by Emma.

Thursday, 20 February 2020

Top Tens: Colin's Top Ten Reasons To Go To Bristol Booze Cruise

Last year, Hamburg punk rock festival Booze Cruise branched out and started a sister festival in Bristol. Running during the second May bank holiday weekend, at one of the best DIY venues in the UK – The Exchange – it features a whole host of the best new bands from the UK, Europe and the Unites States. Unfortunately, the weekend clashes with long running alternative music festival Slam Dunk, providing a difficult decision for people about which to go to. Here's my top ten reasons to go to Bristol Booze Cruise.

1. Support DIY Festivals

It's important to support smaller festivals to help them grow and continue to exist. The more festivals there are, the more choice people have with what they want to do and the more chances there are for bands to get on bills and potentially play to a new audience. For me personally, supporting a DIY festival is more rewarding than attending a big, corporate sponsored festival. I know I'll have fun at both but I'll feel more a part of something exciting at Booze Cruise.

2. Support Small Bands

I touched on this on point one, but at Booze Cruise you will have the opportunity to see some bands you probably haven't before and no doubt you'll become a fan of those bands. Something that's put me off of Slam Dunk over the past few years is the use of the same collection of bands. A lot of time, it's also bands from twenty years ago and not many who are current. Admittedly, we all like to get a bit nostalgic now and again but we need to support the up and coming bands. If we don't, the scene won't be able to survive and exist like it does today.

3. Non Cis/Females On Stage

A big complaint many people have about festivals is the lack of representation of non-male people. It's nice to see Booze Cruise (along with other DIY festivals like MPF) tackle this. On the line-up this year, they have seventeen out of the forty-three bands that feature non cis/female members which is just fantastic. On the Sunday, the weekend finishes with three of those bands – Ramona, Worriers and Petrol Girls. To me, that's a great statement of intent from the Booze Cruise organisers that they want it to be a festival of diversity and inclusion. I love to see it.

4. International Bands In The UK For The First Time

Booze Cruise offers newer bands from abroad a chance to come to the UK for the very first time. I love seeing bands such as these come over for the first time and gaining more fans each time they come back. Among the bands coming over to the UK for the first time this year are Ramona, Captain Asshole, Moonraker, Typesetter, Disaster Jacks, Higley, Hit Like A Girl, Alright, Late Bloomer and Jabber. So, come see them before they start playing bigger venues!

5. The Exchange

As I said in the introduction, Booze Cruise will be taking place at The Exchange in Bristol. The Exchange is one of the UK's premier DIY venues and has become a regular stop on tours for many DIY bands. The great thing about The Exchange is that it's not just a venue. It's also a vegan café and the headquarters of Specialist Subject Records. If you have time between bands, you can go and enjoy some fantastic cake or buy some records from the shop. It's got everything you could possibly need all in one place!

6. A Friendly Community

From my experience of Hamburg Booze Cruise last year and DIY festivals in general, there's always such a friendly atmosphere at these events. I expect Bristol Booze Cruise to be no different. The crowd of people who attend, whether you know them or you don't, can usually make a good festival a great festival. This is the sort of festival you can expect to come away from having a lot of new friends to meet at other festivals throughout the year.


One of the biggest headaches from all festivals is the potential for clashes. Something wonderful about Bristol Booze Cruise is that there are no clashes at all. The only thing stopping you from seeing all forty-three bands is the need to eat occasionally. But, with the Exchange café, you won't need to go far for some grub before getting back to the punk rock fun times.

8. Bristol

This isn't really a festival related reason as such. Rather, just a letter of love to the city of Bristol. It's such a beautiful and vibrant place with plenty of things to offer if you've got time either side of the festival. In my experience, it's definitely one of the friendliest cities in the UK and I always look forward to going back there whenever I get the opportunity.

9. Value For Money

All three days of the festivals is just £55. That's a cracking bit of value when you consider it is possible to also see every single band. That's less than £1.30 a band! Compare that to the £75 that it costs to go to Slam Dunk where you'll do well to see ten different bands, you know which one financially makes the most amount of sense.

10. Get Out Of A Rut And Start A New Tradition

A lot of people I speak to continue to go to Slam Dunk every year just because it's what they do. Even if they don't enjoy it as much as they once did, they continue to go out of habit. Bristol Booze Cruise offers such a fantastic chance to do something different, perhaps start a new yearly tradition or even a new bi-yearly one where you alternate between festivals. Booze Cruise offers a fantastic choice that we haven't really had before.

You can buy tickets for Bristol Booze Cruise here.

Check out the Facebook event here.

This top ten was written by Colin Clark.

Wednesday, 19 February 2020

Album Review: Capture Phase by Capture Phase (by Marcus Pond)

Capture Phase is a four piece group out of the great city of Austin, Texas.

Their three-song self-titled EP was released in December of 2019, but didn’t drift onto my radar until the second week of January, when I was combing through the show listings of some of my favorite Austin venues. Their Bandcamp page has quite a few other genres listed, so much so that I wondered if this would be an enjoyable entry for CPRW readers/listeners. However, in addition to having the labels “experimental”, “progressive”, and “noise rock”, they also had “punk” listed twice, so I’ll allow it.

If I had to file them into one of punk’s many sub-genres, I’d probably go with “post-hardcore”, since “Minute Man” scratches the itch in the part of my brain that really likes Hot Snakes and Fugazi. It opens up the EP with a burst of frenetic drumming and angular guitars screeching, before a humming bass line leads to some Ian MacKaye-esque vocals. I can hardly make out the lyrics, but themes of corruption and the repeated line “Screaming / At the ceiling” tell you what you need to know about this track.

My favorite tune is the closer, “Bone Consulate”, which was featured on the January CPRW playlist. Here, Capture Phase utilized some time signature changes and jazzy drumming to worm the line “Inside the Bone Consulate” into my brain. I don’t know what (or where?) the Bone Consulate is, but it’s sung with such a swagger that I’m pretty sure it’s cool and maybe a little dangerous but has good music playing on the PA. I sort of want to go there.

On display in this EP is Capture Phase’s ability to create a swirling ocean of sound in each verse, and pull the listener out of the water for a few moments during the chorus, catching their breath before getting pulled back in. On repeat listens, I was able to better appreciate what I had already seen live, especially the top-notch drum work and alternating vocals.

The unofficial/official motto of Austin is “Keep Austin Weird”, so it makes sense that Capture Phase don’t fit perfectly into a niche. The Texas capital is a musical melting pot, and it wouldn’t surprise me if each of the band members’ previous groups were from totally different genres.

While they may not sound like your typical fist-in-the-air, mosh-pit punkers, Capture Phase still have a punk streak that’s evident in their delivery and attitude. I don’t personally have a ton of other bands in my music library that I’d compare them to, but in this case, it’s the variety that’s the spice of life.

RIYL: Fugazi, Hot Snakes, Jawbox, breakfast tacos and kolaches.

Stream and download Capture Phase here.

Like Capture Phase here.

This review was written by Marcus Pond.

Tuesday, 18 February 2020

Album Review: Saving The Genre, And You Know It… Split by Jagger Holly & The Windowsill

If I had a pound for every time I spoke of my love of splits then I would probably have an even bigger collection of vinyl and band t-shirts. Splits are such a great way to discover new bands. In December, Ramonescore bands Jagger Holly and The Windowsill released Saving The Genre, And You Know It... on Shield Recordings. Featuring four songs from each band, it promised to be a lot of fun.

The first half of the split features Jagger Holly. Featuring members of Johnie 3, Dee Cracks and On My Arms, Jagger Holly play melodic and catchy pop punk. This is something you would expect from a band who have previously released music on Monster Zero and Out Loud Records. Their first song on the split is titled Nobody Wants You. This is pop punk at its finest – no thrills, catchy, melodic and fun. Jagger Holly will have you singing along in no time with this song about wanting somebody more than anyone else does. Out Of Luck continues down the same musical path but picks up some more delightful harmonies along the way. Something I really enjoy about the sound of the track is how much it reminds me of one of my favourite bands ever – The McRackins. A lot of bands have combined pop punk and summer beach vibes over the years and Jagger Holly do a smashing job of it here.

Better Off (Without You) is a slightly slower almost ballad-like song. It's about trying to convince yourself that you're doing well by yourself after a break-up. The song has a slow build throughout that leads wonderfully to the final chorus which quickly takes up residence in your head and will have you singing along extra passionately. What I love about the song is the simplicity of it all. I feels like a conversation with the band’s singer being backed subtlety by the band and it works brilliantly. The final Jagger Holly track is named All The Boys. This song actually has a bit of an intro that allows you to get excited for what the song is about to go into. All The Boys is perhaps my favourite of the four Jagger Holly tracks on the split. It bridges the gap between pop punk and melodic gruff punk wonderfully. It's got a great fist-in-the-air chorus with some great harmonies and gang vocals. The song is about competing with other people for someone’s affections

The first song from The Windowsill is titled Cigarettes Kill. The Dutch punk rockers play a much more traditional Ramonescore style. Which isn't surprising given that three members of The Windowsill used to play in The Apers and the fourth is a member of Accelerators. The Windowsill certainly have some pedigree. I say Ramonescore and I assume you know what to expect – buzzing guitars, a pounding drumbeat and an urgent sounding vocal with plenty of harmonies. It's a simple formula and The Windowsill do it really well. Cigarettes Kill has a great amount of energy around it and will have you bopping along in no time at all. Don't Worry Baby is another great example of simple brilliance. There's a no thrills feel that makes the track really accessible but there's enough about the way in which everything is delivered to keep the song feeling fresh. This is very impressive songwriting. Don't Worry Baby is about being there for the person you care about when they're going through the tough times.

Lead Back To You has the best harmonies of the entire record on them. They happen in the last act of the song and has me itching to see it live. This is a break-up song, as lead singer Marien Nicotine looks back over a past relationship about how and why things fell apart. There's a sadness about the song that you don't often feel in this style of music and, do you know what, I like it. The harmonies at the song’s ending make it feel as if this should be the last song but there's still one to go – Last September. Wow, I loved how Last September starts. It's surprising and a bit startling but will welcome everyone into the song brilliantly. It's a punchy yet somehow melodic opening that will get you singing along from the outset. The chorus continues in that fashion but picks the pace up somewhat, adding some fantastic urgency to this final song.

This is a fantastic split by two brilliant pop punk bands. I was very impressed with both band’s sides of the split and both have me wanting to check out more from Jagger Holly and The Windowsill. I guess this was the idea of the split and it was quite the success.

Stream and download Saving The Genre, And You Know It… here.

Like Jagger Holly here and like The Windowsill here.

This review was written by Colin Clark.

Monday, 17 February 2020

Album Review: Glad For A Moment by Kick Back

Kick Back are a three piece skate punk band. They formed in Munich in 2017. After releasing a demo in August of 2018, in December of 2019 they released their first EP named Glad For A Moment. Playing a blend of skate and pop punk, I had a feeling that this was going to be something I was really going to enjoy.

The opening song on Glad For A Moment is titled Try. It starts out with a ferocious drum beat and a guitar riff that's urgent and will get you bouncing around, you know that standard skate/pop punk sound. It's when the vocals came in that I really began to get excited. MULTIPLE VOCALISTS! You know I'm in for that. Kick Back's two singers do a fantastic job bouncing off one another as well as combining for the chorus. I always mention how having gang vocals on a chorus can make it sound absolutely massive. Try is a great way to begin the EP and introduce people to Kick Back. The second song on the EP is Prostitute. Prostitute sees Kick Back step away from the poppier side of their sound and produce a full on punk rock song. I enjoyed this switch of styles, it shows a nice variation of their sound as well as their influences. The bass playing on the song is a big stand out, really driving the song forward. The song itself is about being a stripper and thinking about taking things further and becoming a prostitute and the mental anguish such a decision might cause. The final track is named Have Hope and sees Kick Back revert back to the sound of the opening track. Personally I think that this is where Kick Back really excel, it's a lot of fun and is full of energy. Vocals come from everywhere and quickly have you wanting to sing along. It's a positive song about calling your friends when you're not feeling great and they will look after you. That's what friends do.

A big trend of 2019 was discovering incredible German bands. This trend looks to continue in 2020. Kick Back are awesome. Looking forward to what is to come from the band.

Stream and download Glad For A Moment here.

Like Kick Back here.

This review was written by Colin Clark.

Friday, 14 February 2020

Gig Review: Pkew Pkew Pkew at Boston Music Room, London 8/2/20

Less than a year after their last London appearance, everyone's favourite Canadian boys Pkew Pkew Pkew were back! Making their first appearance at Boston Music Room in Tufnell Park, as always the evening promised to big a night of big sing-alongs and even bigger smiles.

Curiously the promoters had only added one support act to the show (which to me felt like a waste) which was a band I'd never heard of before named Gloo. It turns out they are a three piece band from Littlehampton in West Sussex. The band play a brand of noisy garage rock similar to bands such as The Hives and The Vines. They had plenty of punk rock swagger about them during their set and were pretty engaging, even if they weren't really my kind of thing. Clearly a band that are extremely tight, they blew through their set in no time at all. I particularly enjoyed mention of their "Gloo-tique" which was a bunch of shirts bought from charity shops that they've then screen printed themselves, I thought this was a fantastic idea. If you're into the noisier side of punk and rock 'n' roll, I'd recommend checking out Gloo.

Boston Music Room was getting pretty full by the time Toronto's Pkew Pkew Pkew took to the stage. The band's popularity has been quickly increasing in the UK over the past couple of years due to their catchy and energetic style of pop punk where the band tackles subjects that are hugely relatable for people approaching their thirties. Something I've always enjoyed whenever I've seen Pkew live is how, whatever the show is, they always put 100% into their performance – they love what they do and their fans love them for it. Opening the set with Passed Out before jumping into Stop Calling Us Chief got the crowd going pretty quickly and from then onwards the set was full of big sing-alongs and plenty of fists in the air. Everyone was having a fun-filled Saturday night and the band were too. It's crazy just how many big songs Pkew have despite only having released two albums at this point. Now that album number two, Optimal Lifestyles, has been out for a little while it has settled into the setlist nicely and both albums seem to blend perfectly together. The band also seem slicker than ever, with all three guitar and bass players seemingly knowing exactly the right moments to tune without having to spend ages between songs doing it. This is great because it really helped to keep the flow of the set going without breaking it up too much. The set absolutely flew by, far quicker than anyone wanted it to and before we knew it they were smashing out their biggest hit Mid 20s Skateboarder to the adoring crowd. That wasn't enough for the crowd though and pretty quickly Pkew returned to the stage for a three song encore which included The Prime Minister Of The Defence and Blood Clot. My mind is a bit fuzzy on the third song.

This was a fun night in a room full of lovely people all having a great time. What more could you possibly want?

This gig review was written by Colin Clark. Photos by Emma Prew.

Thursday, 13 February 2020

Top Tens: Colin's Top Ten Punk Rock Love Songs

Commercialised love day is tomorrow. Whilst we're not really into the day itself, we do appreciate a great love song. I'm also really struggling to come up with ideas for top ten so it all fits. Following on from Robyn's top ten punk rock love songs from a couple of years ago, Colin has decided to share his own.

Aerial Salad – Romance?
Aerial Salad's brand new single from their upcoming new album, Dirt Mall, asks the question ‘do you want romance?’. It's about wanting to offer a girl something different from the usual way that "lads" would attempt to attract a girl – old school romance and a heavy dose of respect. It's a sweet song with a great message, trying to prove that not all men are dicks.

The Apers – Moonlight Kisses
Dutch punks The Apers wrote the loveliest of love songs on their final album Confetti On The Floor. On the track, Kevin Aper sings about being blown away by the kisses from his loved one. How they make him feel better and how he couldn't do without them. In the world of pop punk, every song seems like it's about getting dumped so this happy and positive song proves to be a breath of fresh air.

Big D & The Kids Table – We Can Live Anywhere
I think that this is one of Big D & The Kids Table's best songs and it makes me sad that I've never seen them play it live. It shows the softer side of the Boston ska punk legends. It opens with a sexy sax riff, before David McWane begins to croon his way through a song about home being anywhere you want it to be as long as you're together. It's so lovely that it's almost sickening but also always puts a massive smile on my face. As someone who has moved towns to live with the person they love, I relate to the song hard.

The Bouncing Souls – Favorite Everything
New Jersey's Bouncing Souls have never shied away from the soppy love song during their long and illustrious career. In 2019 they topped the soppy league table with the song Favorite Everything. On the song, Greg Attonito sings about how his partner is the best and lists plenty of reasons why. I can remember seeing them live last year and singing along with this song and directing it at Emma. Given that we were with our friends and public displays of affection are gross, she wasn't keen on this. She's such a punk.

Descendents – Nothing With You
I think it's every punk rock geek’s dream to hang out with the girl or guy they like and do literally nothing but have the best time. Those times doing nothing are the best times you can have with people. Milo brilliantly describes what we were all yearning for when we were growing up and now it happens I treasure the moment even more.

MakeWar - Tiger Lili
You might not have expected a band with the name MakeWar to write a love song, but they did – and it's bloody good. On Tiger Lili, Jose Prieto has written a love letter to his partner thanking them for helping him through the tough times and just making life better whenever you spend time together. This is a song straight from the ‘Colin & Emma’ playlist. Before I met Emma, I was going through one of the hardest times in my life and Emma came along and things all seemed to get better and fall into place. When I first heard this song, I got a lump in my throat at just how hard I related.

Masked Intruder – Heart Shaped Guitar
The first song on this list that's a duet. Technically it's only half a love song as Intruder Blue sings of his love for Maura Weaver (Mixtapes/Ogikubo Station) while she sings about her repulsion for him. This repulsion really serves as a way to make Blue's lyrics even more sweet and make you almost feel sorry for him and his unrequited love. We've all been there, except without the balaclavas.

New Town Kings – Grabbed My Hand
Colchester ska heroes the New Town Kings wrote this beautiful song back in 2014 about how life really gets started when you meet somebody you love. It shows the band venturing off into a newer style that came after Dabs Bonner joined the band. Another song that's oozing with positivity, I have to imagine it's been a few people’s first dances at their weddings.

The Skints – Lay You Down
Let's be frank, this song is about the s-e-x. The Skints are at their poppy ska finest on this bouncy number where Josh sings a song about wanting to get a girl into bed. It's forward, there's no denying it, but Josh has a cheeky charm that allows him to get away with it. It's also a catchy track that you can't help but sing along with and grin like a fool.

Teenage Bottlerocket – I Found The One
With lyrics such as "the star of all my wet dreams" and "I'm so horny that I don't know what to do, and now my balls are turning blue" Teenage Bottlerocket give a crude and humorous take on what it's like to fall for someone and wanting to ask them out. Despite the rude lyrics (sorry if you're reading this, Mumma C), Teenage Bottlerocket manage to come across as being pretty endearing and sweet on this song. They probably shouldn't, but they do.

This top ten was written by Colin Clark.