Showing posts with label Andy B & The World. Show all posts
Showing posts with label Andy B & The World. Show all posts

Saturday, 27 August 2022

Gig Review: Level Up Festival 2022


We love ska punk at CPRW. We also love nothing more than going to our favourite venue, the New Cross Inn in South London, for an evening of ska punk. What could be better? An all-dayer obviously. But what could be better than that? A three day festival full of the best ska punk bands in the UK, as well as a couple from further afield. Sounds like the perfect weekend to me. You can improve it some more? Loads of friends will also be there? Well that sounds like the dream to me!

That dream is actually a reality thanks to the wonderful people from Be Sharp Promotions, Fishlock Promotions and El Topo Bookings. July 2022 saw the long-awaited return of Level Up Festival. A festival that contains all those things mentioned in the opening paragraph. This is going to be quite a long review so I’m keeping intros to a minimum. On with the festival!



Friday

After the line-up and day splits were announced it was pretty clear that the promoters were going big on Level Up 2022. After three long years they seemed intent on welcoming the UK ska punk community – the proper ska punk community, the ones who go and see ska punk bands that weren’t formed in America thirty years ago – back to Level Up Festival with a bang. The four bands lined up for the opening night was just nuts. Unfortunately, on the day of the festival that bloody Covid struck again and the four bands became three. Sadly newcomers Till I’m Bones had to pull out due to their drummer getting sick. This was a shame as I, and a lot of other people, were very excited to see them. They were also due to announce the release of their second single Snakes at the festival – that’s now out and you can listen at all the musical places. Being true supporters of the DIY ska punk scene, some of the healthy members of the band still came along and they would get the opportunity to play a part in the night’s fun.

So, the band tasked with opening the entire festival were Filthy Militia. I told their lead singer Frosty I was going to write horrible things about the band as he made us exercise during the set and broke us for the entire weekend. I can’t do that though as, for one thing, that’s not the kind of site CPRW is but more importantly it wouldn’t be true. Filthy Militia played an incredible set. I last saw them back in February at the launch of their brilliant second EP, Coping Mechanism. That was the best I’ve ever seen them but I think they topped that set at Level Up. It was such a fun (and exhausting) way to begin the weekend. The addition of Lead Shot Hazard’s Tom on guitar allowed Frosty more freedom to dance around and be a frontman and just gives the band an even bigger sound and presence. Highlights of the set were Differences (which is one of the best ska punk songs released this year) and Land Of The Dead, where Jak and Charlotte from Till I’m Bones joined the band to sing and play saxophone respectively. During Land Of The Dead, Frosty joined the crowd to lead what was basically a ska punk exercise class where he had us all doing squats. It was knackering for my old man knees but a great way to warm up for the rest of the night.
 

Next up, we had the co-headline sets of Call Me Malcolm and The JB Conspiracy. The two bands had been on a tour around the UK and had been wowing crowds everywhere. Call Me Malcolm were first to take to the stage and were treating us to their three pronged horn section with Mark (saxophone), Lewis (trombone) and Lloyd (trumpet) all at NXI for the show. It had been eight long months since Malcolm played at NXI which, pandemics aside, is almost unheard of. This was a homecoming for the band and anticipation was high. Of course, they smashed their set – as, to be honest, every single band that played the weekend did. I’ve seen Call Me Malcolm play so many stunning sets at NXI over the years that I’m running out of ways to talk about them. The band and the venue combine to make ska punk magic every single bloody time. Playing favourites from their last two albums as well as a couple of deep cuts from their debut, there was something for everyone. Always liking to bring out a special treat for NXI, they delivered big. Before they started summer banger Restore Factory Settings, the horn section took their mics into the crowd where they were joined by The JB Conspiracy horns as well as Charlotte Till I’m Bones and Eve Filthy Militia/Lead Shot Hazard. The sound of those opening brass notes were incredible. They gave me goosebumps – it was such a big moment! I had short people problems and couldn’t really see what was going on in the crowd but it was still such a special moment that will be talked about for years to come. Naturally, the band finished on All My Nameless Friends and got one of the biggest reactions of the night. What a way to welcome Call Me Malcolm back home!


Then it was time for ska punk royalty The JB Conspiracy. Since the band released the epic Beginnings album last year, they’ve been popping up playing shows everywhere. I’ve had the pleasure of seeing them a few times since its release and each and every time they’ve been nothing short of spectacular. I’m not sure there’s a current ska punk band in the UK that can match JBC for pure musicianship. They write such technical sounding songs with multiple and complex layers and whenever I’ve seen them live they don’t seem to miss a single note. It’s so gosh darn impressive. The hour long set was comprised of many songs from Beginnings but the band didn’t forget their early favourites from This Machine and The Storm. A big highlight for me was what I think was a rare outing for Say Goodbye – it feels like a long time since I’ve seen them play that song. The band continued the theme of getting folk from other bands to join them on stage, as Eve once again took to the stage to help out with saxophone on one song and Luke from Call Me Malcolm joined them to play my favourite song from Beginnings – The Long Road To Zurich – on guitar. The JB Conspiracy have this amazing way of connecting with the crowd. Throughout their set the crowd was moving around in absolute pandemonium. The Inn was extremely warm at this point and there were a lot of sweaty ska punk fans around. I’m sure each and every one of them couldn’t have been happier dancing and singing along with the band. That’s exactly how I felt. What a way to finish the first night of Level Up Festival 2022. What a glorious return and the weekend was really only just getting started!



Saturday

The next day we arrived back at New Cross about thirty minutes before the opening act of the day was due on stage. There were a few people milling around outside the venue early which was fantastic to see. One of those people was Paul from Be Sharp Promotions. We had a quick catch up about the night before and spoke about the day ahead of us. He listed off a bunch of things that he thought could go wrong but he couldn't have predicted one thing that might have meant cancelling the entire day…

The first act of the day was Fidget of Fidget And The Twitchers playing an acoustic set. Interestingly they decided to perform the entire set on the floor rather than the stage. This was a great decision as it immediately made the crowd engage more than they perhaps would have if they'd have been on the stage. What also really helped endear Fidget to the crowd was covering Reel Big Fish's classic Beer. This got the New Cross Inn singing early. Fidget also played some stripped back acoustic versions of the Twitchers songs and performed them with such gusto, I can only imagine what they're like full band. Hopefully it won't be too long before I get the chance to see them.


Now for the dramatic part of the day. During Fidget's set armed police turned up and taped off the area between NXI and Chick Chicken (the takeaway next to the NX hostel). Nobody had any idea what was happening at the time but I know this wasn't on Paul's list of things that could go wrong during the day…

Whilst everyone stood outside the venue trying to get a peek of what was going on, Baldhead and the Dreads were getting ready to play. The band have become big favourites at the venue over the past few years and we couldn't wait for what nonsense they had in store for us. At the last Level Up Festival in 2019, the band dressed up as Paul Smith. This time they stuck a photo of Paul on the New Cross Inn logo behind the drum kit. During the set, the band made jokes thanking everyone for coming inside to watch them rather than what was happening outside and they wanted to get through the set quickly so they could go and be nosey as well. The band can be very self-deprecating about themselves at times and they really shouldn't be. They write a great combination of fun, smart and silly lyrics that always make me smile. They rolled out all the favourites from both their EPs. They teased playing the "hit" Smoke Weed, Pet Dogs a couple of times during the set before finally playing it as their penultimate song. During the song, drummer Tommy wore a dog mask which drew a laugh from the crowd as well as the band. He'd also organised a sign with the lyrics for the chorus – like anyone in the room needed them! They finished the set with an old favourite, New Cross Inn, where the band all swapped instruments to perform the song. It was pretty chaotic but I wouldn't expect anything less from Baldhead and the Dreads.
 

Next, things got a bit serious when the force known as Redeemon took to the stage. Redeemon are a band that really push the genre of ska to its limits with their own brand of “metaliska” and they are always such a treat to witness live. As they were getting ready to play, I thought to myself how the Saturday of Level Up was a day showcasing many of the different, varied sounds of ska punk. I don’t know if the organisers had planned it that way or that’s how it worked out but either way it was pretty cool. This was my third time seeing Redeemon in a year and each and every time I’m completely floored by them. The level of musicianship that’s on display here is something quite special, the guitars and brass sections shred equally and frontman Pook’s vocal switches from guttural screams to kind of singing is a thing of beauty. The whole set was intense but in the best possible way. Whenever I’ve seen Redeemon play I’ve always been completely mesmerised by what’s going on. They’re one of those unique bands that when they play it’s more than just a live set of music, it’s an experience. Redeemon released their debut earlier this year through Pookout Records and I strongly suggest you give it a spin.


Representing El Topo Booking and Belgium this year were Prize Dink Camp. Fronted by our old friend Folkert who has played every Level Up in a different band, I was keen to witness his latest project live. Prize Dink Camp are a three-piece who, instead of having a bass player, focus very heavily on keys and synths to create their own unique sound. Being from Belgium and being one of the newest bands on the line-up, not many people really knew a whole lot about them before the set began – but everyone was talking about them afterwards. I spoke with Folkert earlier in the weekend and he mentioned being a bit nervous that people wouldn’t watch as it was dinner time and nobody really knew them. This proved to be false as the band drew a sizeable crowd. With the Belgian contingent down the front of the stage, their enthusiasm for the band spread around the room and it wasn’t long before a lot of people were dancing. I believe that the band had only played a handful of shows at this point but you really wouldn’t have known with an accomplished and enthusiastic performance. Playing songs from their debut EP, Memez, Dreamz and Limousinez, as well as from their brand new full length, Unity Sausage, this set was one of the most fun and biggest surprises of the weekend. It also earned the first and only human pyramid of the weekend. And this wasn’t the last of the Belgians that we would see today…


After quickly getting something to eat, we returned to the Inn as Manchester ska legends Harijan were just beginning their set. This was a very rare trip down to London for Harijan, so it was important to take the opportunity to see them. Lead singer Mike has such a distinctive voice that almost works as an extra instrument as well as a vocal. It’s a lot more gravelly than what you might usually find in ska punk and it really sets Harijan apart. I was interested to see how the South London crowd would take to Harijan and I was very pleased to see that it was enthusiastic. The crowd began to skank almost immediately and didn’t stop throughout the entire time the band were on stage. Mike looked so overjoyed by the whole experience and that was also great to see. He danced around the stage with a huge smile on his face as his band performed one of the tightest sets of the weekend. The level of musicianship was first class. If any folk at Level Up weren’t really aware of Harijan before the weekend, I'm sure they’re now big fans. Harijan will be making the journey back down south soon when they play Wotsit Called Fest in Hastings in September.
 

Returning after the last Level Up in 2019 were Brazilian ska punks Abraskadabra. The band were just starting a month long UK and European tour where they would be playing a whole host of gigs and festivals. Since their last appearance in the UK, the band have released an excellent new album named Make Yourself At Home on Bad Time Records (distributed in the UK by Pookout Records) and have certainly gained some new fans in the UK since then. Because of this, it felt like there was a high level of anticipation in the crowd as they began to sound check. And as soon as they started the set it became very apparent that there was so much love in the room for Abraskadabra. From the opening notes we all began to dance and sing. You couldn’t help it. You just got swept away with what the band were doing. This felt like one of those Level Up sets that people will talk about for some time. I can’t really even put on a finger on one particular thing that they did that made it feel so special, they’re just a really good band – fantastic songwriters, musicians and performers. When you combine all of those things you know you’re on to a winner. Something crazy, and a little bit of a spoiler for a festival review that’s to come later, this wasn’t even the best Abraskadabra set I saw this summer yet this was a big, big highlight.


The penultimate band of Level Up Saturday were Andy B And The World. Playing what I believe was just their third or fourth performance as a band and their second at the New Cross Inn, I was super excited to see them again. If you’re unaware, Andy B And The World is the project of former Fandangle bassist Andy Baker. He set out to write and record an album featuring different musicians and singers from all over the world. He achieved this goal and produced one of the best albums of 2021. There was never any plan to perform shows as Andy B And The World but after some encouragement he put together a band for the occasional gig. Much like Abraskadabra before them, there was a big feeling of anticipation before the set. This would have been the first time that a lot of people at the festival got to witness the amazing spectacle that is Andy B. It was nice to see the room start moving as soon as they started playing and it was great to hear songs from The First One played live. It wouldn’t be an Andy B And The World set without some special guests taking to the stage. Andy’s former Fandangle bandmate Tommy made an appearance, as did Aaron from Make It Better Later, but the biggest surprise was when Al from [Spunge] took to the stage to sing Changes, as well as a special version of [Spunge] classic Kicking Pigeons which the crowd went off for. That was one of the top Level Up moments. Andy is also hard at work on two new albums and he took the opportunity to record some crowd vocals. Everyone in the room shouted “yeah” and will be on one of the new tracks. This was the most fun way to warm up for the evening's headliners.


London’s Popes Of Chillitown were the band chosen to headline the Saturday night. Over the years they have become stalwarts of the New Cross ska punk scene and it’s always a special moment when they take to the stage. Before the set we were outside as it was quite warm and we needed some air. We re-entered the venue and it was packed so we settled for a spot at the back of the room. I actually enjoyed this a bit more as there was a little room to dance and whenever someone opened the door I got a dose of fresh air. As I stood watching the band doing their thing I thought about all the times I’ve seen them over the years and I realised I’ve never ever seen them play a bad set – never even an average set. It’s always the best set I’ve ever seen them play. They are amazing each and every time. The band are so good at just working a room and building a crowd up. They played what’s arguably their most well known song, Wisdom Teeth, third in the setlist which blew my mind. This really got what was already an excitable crowd moving. From then on there was skanking, mosh pits, stage dives and crowdsurfing a plenty. From my view at the back of the room I could see everything that was happening and it was such a cool sight to see. The Popes are seriously at the top of their game right now and I can’t wait to see where they go next. With new material in the works, the band are set for an exciting year. Get out to see them whenever you can.


It was now time for the after party. Returning from 2019 were the El Topo Allstar Band. These guys went down an absolute storm in 2019 and we were all excited to see them back. I won’t write too much about them as I was too busy dancing and singing to really remember too much but what a time it was. They played Rancid’s Timebomb four or five times as well as covers of Eminem, Britney Spears, Smashmouth, an attempt at Africa by Toto, Backstreet Boys, Haddaway and Bloodhound Gang. The set was a mess but in the best possible way. It was full of fun throughout and I can’t wait for them to return in 2023.
 


Sunday

The Sunday of Level Up started in a leisurely fashion for us. It started with me purchasing some football stickers and then going to the New Cross House pub across the road from NXI for a Sunday roast. It seemed like a few people had had the same idea as us as we noticed some more attendees of the festival in the pub. It was an excellent way to start the day and fuelled us for a final day of ska punk fun.

We arrived at NXI with plenty of time to catch up with friends before the day’s opening band Boom Boom Racoon started their set. The Bristol based band are a band I’ve seen a few times since life began again and it’s always a pleasure. Despite being from Bristol, they very much feel like a NXI band due to the friendships they have made with many of the regulars over the years. The set mainly featured songs from their most recent album, Songs From The Before Times…& Some More, which got great receptions. Every time I see the Racoons I seem to say that that was the best time I’ve ever seen them and this is another of those times. They played a blinding set which got the party started early for the day. Finishing with a spirited rendition of their Vengaboys parody, Boom Boom Racoon really blew out any cobwebs the early risers for the day might still have had.


Next to take to the stage were the wonderful Plot 32 from Leeds. Seeing them soundcheck earlier in the day, I noticed that they were short of their bass player Gaz so Cat Swan was filling in instead of playing guitar. I’d last seen Plot 32 play one of my favourite sets of MPF in April and I was excited to see them again. It wasn’t long into their set until I found myself having a skank and I was very pleased to see I wasn’t the only one. Frontman Stash has so much charisma on the stage and looks like he’s having the best time of his life throughout the set. I did worry his trousers were going to fall down a couple of times though, which would have made for a memorable Level Up moment. The set was comprised with what I think was every song they’ve written so far (aside from the ode to Colin Furze) with the highlights for me being Go Hard Or Go Home, Issues and Favourite Things. There had been some chatter before the festival (mostly between me and Baldhead’s drummer Tommy) about whether or not Plot 32 would do their Vengaboys cover as Boom Boom Racoon have their parody. I can confirm they did and everyone loved it. The punks do love the Vengaboys. I was so pleased to see Plot 32 back in London, hopefully it’s not too long before they’re back again.


Lead Shot Hazard were next to take to the stage. This was the debut performance for recent addition Snowy on the trumpet, adding some more to what’s already a pretty formidable brass section. This may well have been the best I’ve seen Lead Shot Hazard. This was a seriously strong set from the NXI veterans. I’ve seen them play some really good sets over the years but there was something I can’t explain about this one that really set it apart from previous times. Everything was on point and it was great. Before their set I had noticed that Frosty had many Lead Shot Hazard T-shirts taped to him. During the set the band sent him into the crowd for everyone to claim a free T-shirt. Why on earth Frosty agreed to do this is beyond me but fair play for always being such a good sport. Unfortunately, Lead Shot ended the streak of Vengaboys songs but they did play their cover of My Friends Over You by New Found Glory which always goes down a treat. They finished the set with the awesome Between Hell And Highwater which I always love to see live.
 

Leicester’s Last Edition are notorious at NXI for breaking the venue last time they played Level Up. Luckily this didn’t happen again and the band could get through their set incident free. Last Edition are always such a fun band to see live and normally I would have a lovely skank to the upbeat ska pop punk sound but, after Plot 32 and Lead Shot Hazard, I think my body had hit a bit of a brick wall and I just didn’t have the energy left. Perhaps the roast dinner wasn’t a smart idea as it left me with a bit of a food coma! Something that always astounds me whenever I get the opportunity to see Last Edition live is saxophone player Sam. I don’t understand how they manage to make a one person brass section sound so big but they always manage it. They often do it whilst also playing keyboard as well, which is a whole extra level of mind blowing. If memory serves me correctly the set was mostly filled with newer songs that the band have written and recorded, songs like Half Drunk At Half Time, Good Luck and Shorts Until September are all welcome additions to the band's set list. Last Edition are throwing their own ska punk weekender in October in Leicester, go here to see all the details. Spoiler, the lineup is stacked.


3dBs Down were one of the bands I was most excited to see over the entire weekend. Their most recent album, Get Your Retaliation In First, is one of my favourites of recent years and I’ve only had one opportunity to see them live since it was released so I was keen to grasp this latest opportunity with both hands. We almost didn’t get this chance as drummer Joe somehow broke their foot the day before but they were determined to play the show anyway. Kudos to Joe for that. 3dBs Down offered something slightly different to the majority of the bands playing at Level Up as they are more of a punk band with ska elements rather than a full on ska punk band. This meant that a few people were slow in really getting into 3dBs but by the end of the set they had the room dancing. It was great to see a band win the crowd over like they did, it really shows just what a good band they are. The thing I really love about 3dBs is their ability to write hooks and sing harmonies. They sound great on record but to pull them off live as good as they do is something quite special. The band have been around a long time now and you can tell just because of just how in sync they are with each other. As well as playing many of my favourite tracks from Get Your Retaliation In First they also debuted their brand, brand, brand new track Unconvinced – it’s a banger, go and check it out. 3dBs don’t play many shows anymore but when they do it’s always a highlight of whatever bill they find themselves on. At the time of writing this, the first wave of MPF 2023 bands have just been announced and, oh boy golly, I’d love to see 3dBs play that festival.


The rise that Codename Colin have had over the years of Level Up Festival has been monumental. I remember them opening one of the days of the festival one year and now they’re last support before two genuine UK ska punk legends – it’s quite the rise for the band from Hemel Hempstead. It’s completely deserved though as the band keep on working hard, playing loads of shows and continuing to get better and better. They’re also fantastic people. Frontman Charlie has become an absolute master of working a crowd, leading the New Cross Inn in a series of big sing-alongs. This might have been one of the most rambunctious Codename Colin sets I’ve ever seen with the amount of people in the pit skanking away with nothing but joy in their hearts. At one point during the set Frosty joined the band on stage to do some singing, which was a nice moment. The camaraderie between all of the bands playing the festival, and the others in the UK ska punk scene, is something so special and it’s always so nice to see everyone supporting everyone else. Codename Colin have become one of my favourite live bands in recent times and it was great to see them play to so many people on what was a big night at the New Cross Inn. Love to see it.
 

So, there were two bands left for Level Up Festival 2022 and when you think about UK ska punk there aren’t many bands bigger than what we had left. Sonic Boom Six and Random Hand will have inspired many of the acts who played over the entire weekend. The two bands were such an integral part in keeping the UK ska punk scene going over the years and getting the chance to see them share a stage once again in 2022 was a very special moment. First up were Sonic Boom Six who were making their Level Up Festival debut. This wasn’t their first time at NXI however, making their first appearance at the venue in 2021 for Till The Fest. That was a superb set from the band and this was no different. SB6 are party starters, plain and simple. They’re also very good at tailoring their set to the crowd they’re playing too. This was a ska punk crowd so the band made sure to play a set that would be full of crowd pleasers. This meant that the set was full of classic Boom songs such as Monkey See Monkey Do, All In, Bigger Than Punk Rock and Meanwhile Back In The Real World, as well as newer ska tunes like No Man No Right and My Philosophy. The pit turns into a full blown riot as the crowd go crazy for the band. Watching them you realise just how many big tunes the band wrote over the years and they all sound as fresh and current as they did back when they were written. Laila and Barney are the perfect combination of front people, working seamlessly together throughout the set. I guess that’s to be expected after being in a band together for so long now. This felt very much like a headline set from the band but there was still the small matter of Random Hand to come.


I’m at a loss with what I have left to say about Random Hand. They are one of the best live bands I’ve ever seen and blow me away each and every time I’ve seen them. I’d previously seen them earlier in the year when they played Seething Is Believing in full at Islington Academy and I was now looking forward to what would be a best of set. I was surprised that I, and the rest of the crowd, had any energy left after three days of ska punk but we did. Random Hand brought every last ounce of energy out of us for one final dance. In the sweatbox that NXI had become, we danced, we sang, we sweated (a lot) and we had the absolute time of our lives. Robin remains one of my favourite frontmen in punk rock. The man oozes charisma during the songs and is extremely funny in between them. The band played a career-spanning set, I’m pretty sure they played everyone's favourite Random Hand songs and they also played a brand new one from an upcoming release they’ve been recording. It’s been seven years since we’ve had new music from Random Hand and, on this evidence ,we should be extremely excited for what is to come from the band. It’s always great to see a band play at the top of their game and that’s what we got with Random Hand. Alongside Robin, the rest of the band, Dan (guitar), Joe (bass) and Sean (drums), were as tight as ever as they bounced around the stage, helping work the crowd into a storm. There were great some sing-alongs during the set, particularly for Not A Number, Play Some Ska, Scum Triumphant, Bones and set closer Anger Management. Random Hand are back in New Cross for Till The Fest Two in October and that promises to be another special moment.
 

That brought an end to another fantastic Level Up Festival. Level Up Festival is such a beloved weekend for the real ska punk fans of the UK and it had been very much missed during the pandemic. It’s a chance for the ska punk family to reconnect, dance and share some amazing moments from our favourite genre that is so often belittled. In recent years, ska has been making moves and is once again growing in popularity. Level Up was where the die hards, the fans who never stepped away because it’s “uncool”, gathered to celebrate this thing that we all love. All the thanks and love has to go to all the bands who have kept the genre alive, as well as Be Sharp, Fishlock and El Topo for all they’ve done for the scene. Level Up 2022 was a fantastic time. It was a festival I hadn’t realised I would miss so much and it filled me with smiles from start to finish. I can’t wait for Level Up 2023 next July. To quote Adam Davis of Omnigone, “Ska now, more than ever.”

This review was written by Colin Clark. Photos by Emma Prew.

Thursday, 23 December 2021

CPRW Top Ten Albums of 2021: Part 4



2021 was supposed to be the light at the end of the 2020 tunnel. There was some optimism for the worldwide vaccine rollouts (albeit at frustratingly slow rates in the non-First World) and news of some shows and festivals starting to take place, creating hope that things could return to some kind of normal. But ultimately new variants and travel restrictions eventually led to more of the same for many of us, except with fewer live streams this time.

Despite the difficulties of the past year, I am still super thankful to have made it through with my health, family and friends, and I’m hopeful that 2022 will bring with it better vibes and more live shows that I can actually attend.

I did not make it through the year on my own, so thank you to my favourite wife, Robyn, for all the support throughout the year and to the good folk here at CPRW for regularly providing me with a much-needed dose of reviews, as well as great playlists introducing me to a bunch of fresh music. As always, taking up the task of whittling down the list of releases to ten of my favourites has not been an easy one but it has been fun and I’m excited to see what everyone else picks as their favourites.

10. Nowhere Generation by Rise Against (Loma Vista Recordings)


Nobody is more surprised by this entry than me. I’m one of those Rise Against fans who considers The Unravelling and RPM to be some of the best hardcore melodic punk albums ever and pretty much most of what they’ve put out since then only serves to remind me of how good they used to be. Maybe I’ve grown up a little (probably), but something about Nowhere Generation just made me happy and brought me the kind of joy I haven’t felt with a Rise Against release in a long time. Sure, it’s less hardcore and more melodic, and the production is just as slick as you’d expect from Rise Against at this point, but none of this takes away from the dynamics and emotion put into some super catchy head-bopping songs.

9. We’re All Doomed by Avenues (SBÄM Records, Wiretap Records)


The latest addition to this list, Avenues, is a band I discovered while browsing the Wiretap Records webstore looking to buy some records. Even though it was unavailable on the site, I was convinced by the description of “classic skate punk singalongs, social justice, love/loss, and even nerdy video games” to add the album to my library and give it a listen. I was reminded of bands like Enemy You and The Fairmounts and was hooked from the very first listen. It’s only been in my library for a few weeks, but it has had a lot of play time already and as soon as circumstances allow, I will be putting in an order for the vinyl.

8. Noise Noise Noise by The Last Gang (Fat Wreck Chords)


Noise Noise Noise is the second Fat Wreck release for The Last Gang, and no matter your opinion on Fat Mike or his label, he does have a talent for picking bands and making them sound great. Brenna Red’s raw and distinct vocals sound better than ever. The tone of the bass guitar is one of the best I’ve heard all year and the production is just right. The Last Gang have essentially kept the ingredients that made their 2018 album, Keep Them Counting, so good and added more groove and reggae-ska into the mix to create a dynamic album that will keep you entertained from start to finish.

7. Dreamers by Chaser (SBÄM Records, Thousand Island Records)


If you listen to punk and need an injection of positive energy into your life, look no further than Chaser and their latest album, Dreamers. In spite of all the negativity we experienced in 2020/1, Chaser manages to deliver a message of optimism and resilience. Musically, the songs are still filled with the tight melodies, big hooks, punchy guitars, and speedy drum beats you’d expect from Chaser. The influence from 90s “EpiFat” punk bands is unapologetic throughout the album and the last song, in particular, features a number of references and serves as a tribute to the bands of that era.

6. Hindsight Is The Sixth Sense by Belvedere (Lockjaw Records, Thousand Island Records)


After being in the game for almost thirty years and a few line-up changes, Belvedere are still one of the bands that set the benchmark for skate punk against which all other bands are measured. The benchmark is moved a little higher once again with Hindsight Is The Sixth Sense. The complex melodies and lightning-fast riffs are perfectly executed and the crisp production showcases the talent of each individual band member. There are also some great guest spots from members of Less Than Jake, Wolfrik and Protest The Hero. Throw in the impactful and topical lyrics and you have close to the perfect skate punk album.

5. Fuck Art by The Dirty Nil (Dine Alone Records)


I don’t know what I expected when Robyn told me to listen to this new song ‘Doom Boy’ by a band called The Dirty Nil and played me this hardcore-esque intro, but after hearing the melodic verse (including the Turnstile namedrop) and catchy chorus I immediately wanted more. Fuck Art is packed full of melodies and lyrical hooks that are begging to be sung/screamed back at the band on stage. There is something for a fan of almost any guitar driven genre of music here, and will have even the most timid of fans bobbing their heads, singing along or shredding the air guitar in no time.

4. Twistin’ The Knife Away by Heart & Lung (Red Scare Industries)


I can’t remember how I came across Heart & Lung, probably through a CPRW playlist or recommendation, but it was well after the release of their 2017 album You Wanna Know The Truth. I thoroughly enjoyed that album and discovering them so late meant that I didn’t have to wait too long for a new full length. Twistin’ The Knife Away has at least as many catchy melodies and Fest-worthy sing-alongs as their previous outing, but with better production and tighter musicianship. There are hints of Dead To Me, The Dopamines and The Copyrights, so if you are a fan of any of those bands then I highly recommend Heart & Lung.

3. Glow On by Turnstile (Roadrunner Records)


A late introduction to Turnstile with Time & Space in 2018 made me an instant fan of their unique brand of hardcore and I eagerly anticipated the release of anything new from the quintet. Glow On is a natural progression for Turnstile but it also feels more bold, with genre-blending experimentation that is also in-keeping with the band’s hardcore roots. I’m pretty sure this album is going to be high on many end-of-year lists and I’m not ashamed to admit that my list is no exception.

2. Radical by Every Time I Die (Epitaph Records)


For the longest time, it felt like I just didn’t get the love for Every Time I Die. I had heard of them and listened to a few songs here and there but never really enjoyed it enough to commit to a full album. I decided to give Radical a try on its release day and now I can’t seem to get enough of it. The songs are so well crafted that you can’t help but feel the pure passion and intense aggression put in by the band. Becoming a fan so late also has the added benefit of allowing me to discover the band’s entire back catalogue, which is well worth the hype.

1. Ordinary Life by We Are the Union (Bad Time Records)


I have been a fan of We Are The Union since 2011 and have loved all of their previous releases. Ordinary Life, however, takes the band to another level and has ushered in the best sounding WATU so far. Reade and the rest of the band were able to find a new level of introspection with the lyrics while staying relatable and optimistic about self-acceptance. I knew from the moment I listened to this album back in June that it would be high on my end-of-year list. The songs are catchy and sincere, with enough ska, pop, and punk to keep this album in constant rotation and to make this my favourite album of the year.

If you liked my top ten, here are some other really great bands that released new music this year and which nearly made this list: Our Darkest Days, Catapults, Gibberish, On A Hiding To Nothing, and Douglas Firs.

If you’ve got this far, thank you! You might be interested in some other things I’ve enjoyed from this year:
One of the only live shows I attended with two of my favourite local bands Monday Morning Justice and Fuzigish.
EPs from Meet Me @ The Altar, Beach Bunny, Rest Easy, and American Thrills.
The Enemy You tribute by The Lillingtons. 
Propagandhi’s Today’s Empires Tomorrow’s Ashes reissue.
The Monday Morning videos and surprise live album from MXPX.
Mare of Easttown.
Watching Breaking Bad with Robyn.
The Formula 1 season but not the FIA.



To quote The Burnt Tapes, this year’s been a weird one…

Gigs came back eventually this year and live music reminded me once again how much I love and appreciate having music in my life, which was especially important for me as I spent much of this year just not really being all that into music. I do feel like this year has not had nearly as many releases as other years – of course, we all know why that is – but those that I have enjoyed, I’ve enjoyed a lot. My list doesn’t feature as many UK (or European) artists as previous years but I fully expect 2022 to make up for that. Also, there have been a lot of good US albums released this year, so I guess that’s just how it goes…

10. Death Of A Cheerleader by Pom Pom Squad (City Slang)


I know very little about Pom Pom Squad, but what I do know is that I discovered them at some point early this year (it might even have been last year) on one playlist or another – and I instantly loved what I heard. I didn’t know if Pom Pom Squad was a band or a solo project – I’m still not entirely sure – and I only just found out that they are based in Brooklyn, NYC. In June, I happened to see that they had a whole new album out and quickly added it to my listening library. Death Of A Cheerleader is a perfect blend of exhilaratingly raw riot grrrl energy and catchy pop sensibilities. It’s well thought out as an album with a smattering of electronic interludes and sample snippets that make the whole thing feel like it could be a soundtrack – about a badass feminist cheerleader who’s out to tear down the patriarchy, obviously.

9. To Bloom Is To Grow by Passionflower (Self-released)


This album would make my list for the track Neverland alone – which might just be my favourite song of the year – without even considering the rest of it (which is also very good!). Passionflower were a new discovery for me this year and they’ve fast become a band that I’m very excited about. Based in Warrington (UK) and fronted by Kyle Richardson-Nickle, Passionflower’s music is a wonderful combination of melodic emo and energetic post-hardcore. When I first heard them (with the aforementioned Neverland), I was instantly reminded of Funeral For A Friend who are probably my favourite band from the 2000s emo era, but that’s not to say that To Bloom Is To Grow is just a nostalgic rip-off. There’s definitely a freshness to Passionflower’s interpretation of emo and I’m all for it.

8. Matador by Burning Flag (Self-released)


I am not usually much of a hardcore fan, particularly on recording, but when the band is fronted by someone as inspiring and relatable to me as Holly in Burning Flag, I can’t help but pay attention. Matador is as ferocious and cathartic as it is thought-provoking, with songs tackling subjects of toxic masculinity and misogyny as well as the general dire state of Britain and its politics. Standout tracks for me are Man Up, Toxic By Design and Eat The Rich but the whole 30 or so minutes album is intense – in the best way. Hopefully 2022 is the year I get to see Burning Flag live, assuming I’m brave enough for a hardcore show!

7. Graceful Rage by Harmony Woods (Skeletal Lightning)


I almost forgot about this album when it came to putting together my shortlist but as soon as I hit play on the first track, Good Luck Rd., again it all came flooding back to me and I knew this had made my top ten. This is an album of heartache but instead of making you feel sad, it makes you feel empowered – particularly if you are a woman. The album is about processing grief and trauma but it feels like Harmony Woods are coming to terms with these feelings throughout the album and those experiences have just left them feeling stronger. Vocalist Sofia Verbilla’s voice is absolutely incredible, like jaw-dropping-ly good – they’re undoubtedly the ‘best’ vocalist of any on my list. It’s only when I’ve come to write about this album that I’ve realised just how apt its title is. ‘Graceful Rage’ really is the best way to describe these songs.

6. Bless My Psyche by Sincere Engineer (Hopeless Records)


2021 has been another year of new musical discoveries for me but it was also the year that one artist that I was already well acquainted with, Chicago’s Sincere Engineer, would release their much anticipated second album. The wait was finally over come September and, because the band had released a fair few singles in the run up to the album’s release, I already knew that Bless My Psyche was going to be great. I was not wrong. The album is a bit of a leap forward from their 2017 debut, Rhombithian, with perhaps a bit more of a polished full ‘punk’ band sound but it still retains elements of Deanna Belos’ acoustic roots – not to mention Deanna’s self-deprecating humour. The relatability and level of emotion packed into these songs is what makes it so appealing and the melodies throughout are pretty darn catchy too. I really hope I get to see Sincere Engineer live next year.

5. Ordinary Life by We Are the Union (Bad Time Records)


Confession time: I’d not really listened to We Are The Union before Ordinary Life was announced and the band released lead single, Morbid Obsessions. It was oh so catchy – the perfect balance of ska and pop punk – and, of course, told a very personal story for vocalist Reade Wolcott, coming out as a trans woman. It’s not something that I can relate to personally but I can certainly appreciate how powerful the message of the song is – I can’t help but think that it must be a huge comfort to trans folk in the ska and punk scene. Ordinary Life is the perfect blend of honest lyrics about dysphoria and heartbreak with hook after hook and catchy choruses a’plenty. There’s been a lot of great ska punk releases this year – this is one of many on the Bad Time Records roster alone – and this is certainly one of my favourites.

4. Call In The Mess by Nervous Dater (Counter Intuitive Records)


Due to it being released way back in February of this year, Call In The Mess must be one of my most-listened-to albums of this year – and I’m not sick of it yet! After getting into Nervous Dater’s previous album, 2017’s Don’t Be A Stranger, in a big way towards the end of last year, I was very pleased when I found out that I didn’t have long to wait for the follow-up. This is an album that I fully intended to write a full album review of earlier this year but, well, life got in the way. The album is full of fuzzy indie punk melodies and some of the most wonderful vocal harmonies, thanks to all three members of the band sharing singing duties throughout. I feel like there’s a fair amount of variety throughout Call In The Mess – not just due to the different vocalists – from the country flavours of Farm Song to the crunchy upbeat pop punk of Tin Foil Hat and Red String Map. There’s a lot to love here, for sure.

3. The First One by Andy B And The World (Pookout Records)


You might not know who Andy B is (former Fandangle and New Riot bass player), but I bet you’re aware of many of musicians who make guest appearances on this album – members of Less Than Jake, [Spunge], Random Hand, Call Me Malcolm and Lead Shot Hazard, to namecheck but a few bands. The First One is an album that has been over four years in the making and features over 130 different musicians from all over the world. But that’s not what makes this album so impressive, nor why it appears so high on my end of year list this year. What makes this album so great is quite simply how good the songs are. Genre-wise, The First One is first and foremost a ska punk album but there’s an awful lot more to it than that. There’s elements of folk, reggae and straight-up punk rock on show here and no two songs sound alike. Lyrically, the album tackles themes of mental health, friendship and politics – topics that I know are incredibly relatable in the world of punk rock and beyond. Despite the amount of guest musicians involved in this project, I can’t help but feel that The First One has fallen under the radar a little bit. If you haven’t listened to it, now is the time! You won’t be disappointed.

2. Swim Out Past The Breakers by Telethon (Take This To Heart Records)


Like Sincere Engineer, the new album from Wisconsin five-piece power-pop band Telethon was one I was very much looking forward to. You might think that greatly anticipating an album could lead to disappointment but that was never going to be the case with Telethon. They’re a band who are not afraid of doing things a little differently and somehow they still managed to surpass any expectations I might have had when they released Swim Out Past The Breakers in August this year. There’s so much going on throughout the 16 track album (side note: normally I would consider 16 songs to be far too many for an album but not here) that, despite having listened to it seemingly non-stop since its release, it feels like there are always new things to discover. It spans multiple genres and features a host of recognisable guest vocalists but each and every song manages to retain that iconic Telethon sound all the same. I was a big fan of their previous album, Hard Pop, in 2019 but this definitely tops it. Now I just need to get my mitts on the vinyl…

1. Like A Stone by Remember Sports (Big Scary Monsters, Father/Daughter Records)


Like A Stone is one of those albums that just makes me FEEL things. I can’t even really begin to explain what it is about the album that connects with me like nothing else that I’ve heard this year. The album was released towards the end of April and it was a time when I just wasn’t listening to much music at all. In a way, I’d fallen out of love with music and was finding solace, that I previously would have found in music, in books and podcasts instead… But then I listened to Like A Stone by Remember Sports and something just clicked. It gives me warm fuzzy feelings from start to finish and vocalist Carmen’s lyrics just seem to speak to my soul. Every. Single. Time. Sonically it’s a flawless combination of distorted indie rock riffs, melodic hooks and subtle harmonies with a surprising amount of country twang thrown in thanks to the addition of some banjo and pedal steel guitar. I haven’t heard nearly enough people talking about this band and this album (except for CPRW Marcus!) and I don’t get it. This album is amazing and I wish that everyone I know could get that.

BONUS: Bad Operation by Bad Operation (Bad Time Records)

I have to give an extra special shout out to the self-titled debut album from New Orleans’ new-tone punks, Bad Operation, which was released on 18th December 2020. It’s one of my most played albums of this year and, even twelve months later, I still just can’t get enough. If it had been released just a few weeks later then I have no doubt that this would appear very high on my top ten albums of 2021. I am very, very excited to see what this band does next.

Other albums that didn’t quite make the cut this year include The Battle Of by Bong Mountain, Dark Hands, Thunderbolts by Crazy Arm and Heat by The High Times.

There were also a load of brilliant EPs released this year that it would be remiss to not mention. My favourites were: Attempts At Understanding by Animal Byproducts, Blame Game by Beach Bunny, Hey Tori by Cherym, The Summer I Got Good At Guitar by Fresh and Saccharine by Pinkshift.

Bring on 2022!



So, last year, during the covid times of 2020, I felt like I was mainly sinking my teeth into my traditional comfort foods when it comes to music – that being political punk rock or emotional pop punk. So it felt like I didn't do a lot of listening to new music which wasn't all a bad thing but I felt like I was missing out on some new band. This year I went out of my way to do exactly the same again this year! Whoops! Maybe next year I will manage to push that comfort zone a little further but, regardless, I'm happy to talk about my top ten records of this year! 

10. Inside (The Songs) by Bo Burnham


Like lots of people this year, I watched Bo Burnham's Inside comedy special on Netflix and fell complete head over heels for a perfect blend of jokes, songwriting and life crippling introspection like we have never seen recorded before. Then, shorty after, I ended up downloading the songs from the special and can say that I have made more connections with the darker emotions portrayed in these songs than most other music this year. It's terrifying how well these songs explore the anxiety of being an artist during a pandemic and this currently awful world we exist in. It comes across as one of the most interesting records this year that I could easily recommend it to anyone who enjoys punk!

9. Hindsight Is The Sixth Sense by Belvedere (Lockjaw Records, Thousand Island Records)


This is record is the year’s face-melter stuffed with riffs to the brim,.Belvedere's new offering is everything you could hope for from one the masters of skate punk! This one feels like it has no off switch with every song being a perfect showcase of why skate punk musicians are not humans but gods of their instruments and writing songs where all that complexity blends perfectly together. My personal favourite were "Elephant March" for one of the coolest opening hooks of all year and "Camera Obscure" for its amazing harmonies! 

8. Nowhere Generation by Rise Against (Loma Vista Recordings)


"I'm gonna skip this one, it's finally the Rise Against album that isn't aimed at me" – That's what I thought when I heard the title track. But after giving the opening track a listen, I was reminded exactly why I'm still a huge fan of this band’s tight political punk rock that is still accessible to a wider audience and that Rise Against are still the best at making. Tim's voice at this point is a honed machine belting some of the best chorus hooks of this year. The track list is varied with songs like "Talking To Ourselves" appealing to new fans while "Broken Dreams, Inc" and "Monarch" are more skate punk in sound and speed! Honestly, this one feels like it blew the doors off my expectations and I'm stoked to have it on my list. 

7. Hearts Of Gold by Dollar Signs (Pure Noise Records)


This one feels rough around the edges in all the right ways. Dollar Signs make each and every one of their gruff pop punk songs feel super personal with brutally honest lyrics that border into too much information, with the confessions of weakness and stories that don't show them in the best light but it really makes them connect! The production and writing adds to the DIY feel which adds to the charm and honesty. "I Love You" is the most real love song I have heard this year. I loved this record from the first listen and it has just grown on me even more as the year has gone on.

6. [laughs] by Kali Masi (Take This To Heart Records)


My oh my! This one is special, I would be surprised if this one doesn't top everyone else's lists! Kali Masi have created this perfect pick of gruff punk rock slow jams tugging at heart strings like losing old friends might. I'm normally the person that avoids the slower release of the year but every single verse hook held my attention and the emotion rich texture of the vocals is so good. It is a perfectly produced record with nothing sounding out of place with some of the best builds and payoffs on this list.

5. CLOUDS (THE MIXTAPE) by NF (Self-released)


As usual I'm breaking Colin's Punk Rock World by putting a single rap album on my list! NF's emotion rich rapping style and dynamic almost movie soundtrack like beats have always been the big draw but on this record his lyricism and rhymes schemes have taken centre stage, creating some of the most unique and hard hitting songs I have heard this year. The storytelling throughout in "Story" and a Tech N9ne feature on "Trust" were my personal highlights.  

4. Our Hell Is Right Here by Drones (Lockjaw Records, Thousand Island Records)


Drones’ third full length solidifies the ground work done by "Exiled" with a confident step forward. Every song is a punk rock banger with a teeth kicking chorus to match and the drumming on this record and keep the blood pumping throughout! The production is super sweet blend where the guitars and drums sound powerful without overshadowing the big chorus hooks! Also "Lost In Translation" is easily my song of the year, I must have looped it about 20 times after hearing it for the first time and I will still happily listen to it on a loop for the bass fills alone!

3. Megabear by ME REX (Big Scary Monsters)


Megabear is the most ambitious record on this list. A 32 minute 52 song masterwork which is designed to be played in any order, perfect for the streaming age! This new release from ME REX has been the sound track to every late night drive, every sad evening and every dark night long inspiration search. It is full of call backs, perfect hooks, amazing lyrics and positively chilling chords. Like last year, they have brought me to tears of joy and I barely have the words to describe why. The party is never over but I don't really mind ’cause they are playing this record from the speakers and it makes me feel safe, happy and fulfilled! 

2. Beginnings by The JB Conspiracy (Everything Sucks Music)


Not a single wasted second is how I would describe this album. The JB Conspiracy sets a new bar for UK ska punk in perfection with every unskippable song being either a powerful pulse raiser or a flawless flowing singalong. Nothing falls out of place, all the instruments play their parts adding to the fullest sounding record I have heard all year and the vocals are belted out in amazing high ranges that complement the deep and powerful sound of the instrumentation. "Egos At The Door", "Battles" and "Head/Toes" is my favourite run of 3 songs ever with the transitions from one to the next being perfection. To top it off, getting to see JB play a handful of these masterpieces live in Bristol and London made this my solid number 2 pick of the year. 

1. Rare Americans 2 by Rare Americans (Self-released)


I can name every song off this record, I can sing you every hook on this record and, until this year, I had never heard a single song by Rare Americans but I'm now one of their biggest fans. They have captured the same energy as a later Streetlight Manifesto album with the story telling through the lyrics to back it up, without ever being able to tell what is coming up next. Each note played on every instrument complements, back-ups and improves every song – I can't fault it. There is a great deal of skill in making an album that seems to contain so many different sounds and style of songs, with them all fitting together. "Brittle Bones Nicky" is the best opening song I have heard in all year and "Berlin" is the best slow song. I get inspired every time I have listened to this record and I'm sure I will come back to it every year.