Showing posts with label Slagerij. Show all posts
Showing posts with label Slagerij. Show all posts

Tuesday, 10 May 2022

Gig Review: Whitmore – 20th Anniversary Of Smoke The Roach at New Cross Inn, London 30/4/22


If you are of a certain age and you grew up loving UK punk rock music then I have no doubt that you have fond memories of the P-Rock TV channel. The channel, which only ran for about six months, played music videos from bands such as Rancid, The Distillers, The Vandals, Allister and Home Grown, as well as UK acts such as 4ft Fingers, King Prawn, Farse and [Spunge]. One UK act that is potentially most associated with the channel is Whitmore, because of the video for their song Alison. In 2022, the album which featured Alison, Smoke The Roach, turned twenty years old and Whitmore figured it would be a good time to celebrate this. A few shows were booked, including one at the New Cross Inn put on by Be Sharp Promotions. Of course, I had to pop along to the party.


I turned up early and caught up with Be Sharp’s Paul and Martin of Slagerij, one of the support bands for the evening. It was a bit disappointing to see the room looking a bit sparse for a band that is remembered so fondly but it was interesting to see the folk who did turn up. It looked to be mostly a bunch of folk in their mid to late thirties who have perhaps been allowed a night off from their partners for the gig. There were, however, also some young people in attendance. They were the opening act, Keep Summer Safe. The three-piece are a fairly new band but I recognised lead singer and guitarist Gian from filling in for Fastfade a few years ago. I felt like they were a great choice to open the show with their fun and energetic style of pop punk that fits perfectly between old school bands such as Blink and New Found Glory and newer bands like The Story So Far and Neck Deep. From the outset, the band made it clear they were about having fun and it was super nice to see. The between song banter was entertaining and at one point their bass player even left the stage to go to the bar for a drink! I get the feeling that I’ll be seeing Keep Summer Safe a lot at New Cross in the coming months and years.


Slagerij were next to take to the stage and had been supporting Whitmore at all of their Smoke The Roach shows. They had only been at the New Cross Inn a few months previously, supporting [Spunge] on their Room For Abuse tour. I had been impressed with the three-piece back then but this time I enjoyed them even more. This might be as I was a bit more familiar. It might be because the venue wasn’t as busy as the previous time. There’s a very good chance it was partly because I hadn’t just done my first three day festival in two years before the gig. As I watched the band bounce around the stage with relentless energy, I tried to think of some of the newer bands in ska that play this style and the only one I could think of that is remotely close were our friends Baldhead And The Dreads. Despite only being a three-piece, I was very impressed with the way they commanded the stage, using every square inch of it during their set. As they played through their set, Slagerij got more and more people dancing and got some great crowd participation during their penultimate track, Can’t Stop A Nation. This was a lot of fun and I hope it’s not long until they find themselves back in London again.


As we waited for Whitmore to take to the stage, Paul and I spent some time talking to Des and Jarv from [Spunge] who had travelled to South London for the gig. My mind is blown that not only do two members of the band that I have stated many times are my gateway band know who I am, but that they took the time to talk to me and thank me for the work I do with CPRW. It was really overwhelming but much appreciated. They also told me to write that Whitmore are shit….

I couldn’t do that though as Whitmore played a brilliant set. This was a Smoke The Roach set but when they didn’t open with Alison I soon realised that they wouldn’t be playing the album in order. I think this was a great idea as it gives you the surprise factor you don’t get if you play the album from start to finish. Much like Slagerij before them, Whitmore commanded the stage like the seasoned professionals that they are. Led by the one and only Robb Blake, who is still heavily involved in the ska scene putting on great shows at his pub in Salisbury, Whitmore worked the crowd into a frenzy. Even though there can’t have been more than sixty people at the New Cross Inn, each and every person in the crowd showed so much enthusiasm for the band. Everyone danced, sang and remembered what it was like to be twenty years younger during their set. I’ll always prefer to be in a crowd of sixty really enthusiastic people rather than one with four hundred people, most of whom aren’t that bothered. One of my thoughts during the set was how I really didn’t appreciate Whitmore nearly as much as I should have during their heyday. I was expecting to enjoy Whitmore’s set but they exceeded all expectations. I had forgotten how many bangers are on Smoke The Roach. Obviously there’s Alison but songs such as Scones, On The Ceiling, 29 Times, Hydrant and Tell You Twice still sound as good as they did twenty years ago. Hopefully Whitmore don’t leave it too long before playing more shows because they are still so good and I’d certainly love to see them again!


Here on CPRW our main focus is to always champion new and exciting bands but I always think it’s important to spend some time every now and then looking at the bands that came before and show respect. Whitmore came along at a time when I was taking my first footsteps into the world of underground UK punk and it was awesome to see them play such a good show. I’m still waiting for the day when some legend of a promoter gets all the old favourites back together for a nostalgic all-dayer to end all all-dayers. It would be magic.

This review was written by Colin Clark. Photos also by Colin.

Friday, 5 November 2021

Gig Review: [Spunge] "Room For Abuse 20+1 Years Anniversary Tour" at New Cross Inn, London 11/10/21


After three fun and fantastic (but long) days in New Cross for Till The Fest, Emma and I decided to hang out in South London for one more day. This was for what was kind of an unofficial after party for the weekend at the New Cross Inn. Following on the previous nights seeing The Filaments, Sonic Boom Six and Lightyear, it was now time to see another legendary UK ska punk band in the form of [Spunge]. The band had been on a country wide tour celebrating the twentieth plus one year anniversary of their second album, Room For Abuse. As [Spunge] are one of my all time favourite bands I had to suck it up and go for a fourth gig in four days to see it.


New Cross Inn favourites Codename Colin were the band chosen to open the gig. We arrived at the venue about fifteen minutes before the band were due to start and were pleasantly surprised by how many people were already at the venue. It did look as if it was mostly people who weren’t at the festival all weekend so there was plenty of people who didn’t feel like they were about to collapse. If there was ever a band to inject some energy into a crowd early it’s Codename Colin. It didn’t take long for the band to get the crowd invested into the set. The band’s high energy poppy ska punk never fails to put a smile on my face. The band know full well that their job is to get the crowd warmed up for the main event later in the evening and they excel at this. Favourites such as Losing Touch, Kelly’s Missing, Escape From Everything, Little Things and Friday The 19th all get run outs and by the end of the set they’ve managed to coerce a sizeable crowd down the front for a dance. Class as always from Codename Colin.


Next up were tour support Slagerij. Slagerij are a three piece who have been going for ages now. They don’t get to London very often so this was a rare chance to see them live. Slagerij, much like [Spunge], are a ska punk band that doesn’t feature horns, instead relying on bouncy, upbeat rhythms to encourage the crowd to get their knees up. I always enjoy a band that has more than one lead singer, something that Slagerij possess. The vocals contrast each other nicely allowing for some great variety in the set. The majority of the set is full of high energy songs which have the guitarist and bassist hopping around the stage, I’m sure the drummer would too if they didn’t need to be behind the kit throughout the set. On the times they did slow things down they did so with plenty of charm and wit. It’s quite clear that Slagerij are all about having as much fun as possible and the band do an excellent job portraying that. I had fun watching them too though I was a little disappointed that they didn’t play Can’t Stop A Nation – such a good song. They will be back at NXI in April next year in support of another ska punk legend – Whitmore. I look forward to seeing them again.


Next it was time for [Spunge]. By the time they took to the stage our legs were really struggling after such a long weekend, how did we used to do this? Of the band’s first three albums, Room For Abuse is probably the one I listened to the least growing up and I feel like it’s one they don’t play as many songs from live. This album show was a chance to see some songs for the first and potentially the last time ever live. Songs like Second Rate (where Al did the male and female vocal parts) and Rockabilly never get played live and it was awesome to see it. The problem with album shows is that they don’t leave much room for surprises – if you know the album, which I assume the majority of the people in the room did, then you know what’s coming next. This didn’t stop the crowd from having the most wonderful time though. There were so many people down the front skanking and moshing, having a delightful time. As ever, the between song banter between Jarv and Al entertained me, talking to each other in a way that only people who have been in a band for twenty plus years can. I believe the band had been hard at work rehearsing the set four times a week for a few months before the tour and it really paid off as they were super tight. Lesser bands would have just been a bit sloppy on some of the deep cuts but [Spunge] really put the effort in to put together a brilliant set, proving to me what a great band they are. Despite my exhaustion, I thoroughly enjoyed myself and we were even treated to a two song encore of Kicking Pigeons (where they were belatedly joined on stage by a trumpet wielding Snowy from Codename Colin) and Skanking Song, which they apparently played as I mentioned to Paul Be Sharp that I was initially glad they wouldn’t be playing it as my legs couldn’t take it.


[Spunge] are a super special band to me and it was quite a moment to see Room For Abuse in full. The Story So Far turns twenty years old next year and I assume they’ll be out on tour to play that in full next. I’ll see you back at NXI.

This review was written by Colin Clark. Photos also by Colin.