Showing posts with label Till The Wheels. Show all posts
Showing posts with label Till The Wheels. Show all posts

Wednesday, 3 November 2021

Gig Review: Till The Fest Day Two 9/10/21


Day two of Till The Fest (read day one here) started with a 5-a-side football tournament organised by Giles Bidder. I won’t talk too much about the highs and lows of the tournament but I will say my team, Atheltico Shit Show, battled bravely to a third place finish with Be Sharp’s Paul Smith finishing as our top scorer and Harsh Buzz’s Adam “sixpence” Dray as the assist machine.


After the football tournament finished we hurried up to The Amersham Arms to catch Our Lives In Cinema. Because of the timing of the football I was unsure whether or not I’d have time to catch OLIC, this made me sad as they’re a great band and their lead singer Mark Bartlett is the biggest sweetheart in punk rock. I haven’t seen Our Lives In Cinema since they kindly opened Do It Together Fest in January 2020 (that was potentially the last time they played?) and I was keen to have another sing song with them. This was also their first show with Mike from Müg on drums, a fantastic addition to the band. The band opened their set with the amazing It’s Always Sunny In Patterson Park and I was immediately loving the set. The set was made up of tracks from their two exceptional EPs. They may have also played a brand new song but I could have potentially made that up? It was a joyful start and set up what was going to be a lovely day brilliantly.


After OLIC finished their set, I rushed back to the Air BnB to get showered properly after football. There was no way I wanted to spend another eight or so hours in my sticky football gear so off I went. Definitely the first time I’ve showered between sets at a festival!

I made it back to Amersham with plenty of time to spare for what was one of my most anticipated sets of the entire weekend – the return of Triple Sundae. I was actually back in plenty of time as the band were only just getting ready to set up when I got back to Amersham. It was nice to have more time to catch up with folk we’ve not seen for ages! Soon enough, after drummer Zandro had sorted out some drum stool issues, the band were ready to go. The band had only had one practice prior to the gig and had a stand in bass player in the form of Connor from SKIV so you could forgive the band if they were a bit rusty. Instead they played what was potentially the best Triple Sundae set I’ve ever seen. From the opening of Fabricated to the end of Indecisive it was all big, passionate and emotional sing-alongs. They took us back to 2014 with a rare play of Unseen from The Brainfreeze EP which included New Cross regular Theo jumping on stage to sing with the band. Other highlights included the huge singalongs for Everything’s Cool and Dazed and just seeing the smiles on the band members’ faces throughout. You could see there was a feeling of “this is why we do this” whilst the band played their set. Triple Sundae were due to have a massive year in 2020 only for the pandemic to cruelly ruin all of their plans but on this evidence they seem to have a new wind in their sails, ready to go bigger than ever before. It’s something they really deserve; the folk of London have known for years just what an amazing band they are and it’s time for the rest of the UK and beyond to find this out as well. I can’t wait to see them get back on stage again with their friends in Burnt Tapes on November 13th at the Old Blue Last. See you all there.


When I originally worked out my schedule for Till The Fest I had planned to see Transit Plan next but unfortunately they had to pull out of the festival. Instead of seeing another band we decided to take the opportunity to grab some dinner at Radio Delicious which is a pizza place just across the road from New Cross Inn. The pizza was delicious and gave us a great opportunity to hang out with some friends in a quieter location. Great pizza, great friends, great times.

After our pizzas, we made our way down to Matchstick Piehouse for the first time today to see Party Boss. Party Boss are a three piece from London who had spent the week on tour with Dutch punks Sweet Empire. We arrived at the venue a little while after the band had started playing and it was great to see an enthusiastic crowd had gathered for them. Kyle of Resuscitators was having a particularly good time dancing around in front of the band. The set up in the Piehouse had the band on the floor, which gave the venue a fantastic DIY punk feeling that worked so well for Till The Fest. I imagine Ollie has promoted many floor shows over the years so it seemed very fitting. Despite only being a three piece I was very impressed with the band’s stage presence, they had me captivated throughout. I think the only time I looked away from the band was to tell John Allen of Disconnect Disconnect Records (who released the Party Boss single) how good I thought they were. So far Party Boss have only released two songs, both are melodic punk bangers that are crying out to be shouted along too. This was the theme of the entire set and they got me so excited to hear more from the band.


After Party Boss finished their set, we left the Piehouse to make our way to the New Cross Inn to see Redeemon. On our way there I had a message from the beautiful Matt Speer of Ear Nutrition fame telling me that unfortunately they were stuck in traffic and wouldn’t be able to make the show. Disappointing news but it did mean we would be able to see all of Sweet Empire who were the next band at Piehouse. It was great to see Sweet Empire back in the UK. There’s an amazing amount of great bands in Europe and since the morons of the UK decided to vote to leave the EU, there’s been a real concern on whether they could come over here for shows. Sweet Empire found a way though and played a brilliant set. The Dutch four piece play a unique brand of melodic skate punk and always impress when I’ve seen them live. A big crowd squeezed into the Piehouse to see them. It seems that Sweet Empire have made a lot of great friends in the UK who were all very pleased to be able to see them live again. One of my highlights of the weekend for sure.


Next for us was Drones at the NXI. I have to be honest and say that Drones aren’t a band I often listen to at home but whenever I see them live I’m always extremely impressed. The band were in the middle of a UK tour so they were really on form. A decent sized crowd had gathered at the New Cross Inn for Drones who were already tearing the roof of the venue. Drones are one of those bands that always seem to kill it live, playing with so much passion and energy. Each member of the band is extremely watchable on stage, it doesn’t seem to be one person doing the bulk of the performance work (if that makes sense?). During the last year the band released their latest album, Our Hell Is Right Here, on Lockjaw Records and it was great to hear some of these songs live. During the set I popped down to the downstairs bar, when I returned I noticed the crowd had split down the middle and singer Lois was perched on top of the bar singing Rorschach from the Exiled album. Drones have earned themselves a reputation for being one of the best live punk bands in the UK at the moment and it’s clear to see why on this evidence.


Soon it was time for Call Me Malcolm to once again take to the NXI stage. We were fortunate enough to be able to attend the band’s album launch show a few weeks earlier but were just as keen to see the band again. This was also a great chance for a lot of the people from out of town to see Malcolm play at their home venue. If you’re a regular reader of CPRW you will know that Malcolm did not disappoint. As you might expect, the set was packed with songs from their newest album, Me, Myself & Something Else, as well as some favourites from I Was Broken When I Got Here. As soon as the band kicked off the capacity New Cross Inn crowd really lost it. I don’t think there was a stationary body in the room. Lucias and Mark’s dual vocals were on top, top form and every word was lovingly sung straight back at the band. When I reviewed Me, Myself & Something Else last year I commented on how Mark seems to have taken extra vocal responsibility, and this has enhanced the Call Me Malcolm live experience even more. It was already a pretty special thing but now, wowzas! The way the crowd reacted and the way the band played, you could’ve been forgiven for thinking this was a headline slot but there was in-fact another band to go. Call Me Malcolm are gigging all over the place for the rest of the year, make sure you go and see them ASAP.


I think you have to be one hell of a live band to follow Call Me Malcolm and still keep the energy in the room high. That was the task for UK ska punk legends Sonic Boom Six. Amazingly the band were making their very first appearance at the New Cross Inn. This was also the band’s first live appearance in two years. Any worry I might have had about the band keeping the energy up after Malcolm was soon forgotten as soon as the band started Bigger Than Punk Rock and the crowd, especially some die hard Boom fans down the front, began to move. I did feel like Laila’s vocals were a bit quiet but that was most probably down to where we were stood at the side of the stage. SB6 were showing exactly why they’re so highly thought of in the UK scene, bringing out big tune after big tune. It’s easy to forget just how many great songs the band have written throughout their career. From old favourites such as Sound Of A Revolution and All In to newer tracks like No Man, No Right and My Philosophy to everything in between. It was nice for the band to bust out Sunny Side Of The Street, I joked with a friend that it was because they hadn’t played a show for two years and needed a breather. It was awesome to hear that track live again. Another highlight was For The Kids Of The Multi-culture, a song that is still so relevant despite being released nearly a decade ago. Barney Boom added an extra, updated verse to the song which was a nice touch. The band then finished with Piggy In The Middle followed by a special surprise cover of Operation Ivy’s Sound System. A great way to finish the day…or was it the end?


Triple Sundae’s Hassan would be performing a special after party set as Lounar down in the NXI basement. A small and hardy crowd gathered to watch Lounar perform their hip hop songs, assisted by Till The Wheels Ollie on the decks/laptop. I know that earlier in the day Hassan wasn’t really feeling doing the set so late as he was tired but was convinced to do it anyway and I’m glad he did. This was such a nice, chilled way to finish what was an exhausting day surrounded by friends watching one of the most talented people I know perform his second set of the day. If you haven’t yet, check out Lounar’s debut EP, Daye3, here. All proceeds go to Medical Aid for Palestinians.


This was another brilliant day at Till The Fest, I was starting to feel broken but was also really excited for the third and final day. Also known as Lightyear day!

This review was written by Colin Clark. Photos by Colin and Emma Prew.

Tuesday, 2 November 2021

Gig Review: Till The Fest Day One 8/10/21


As rewarding as being a DIY punk gig promoter can be it can often be thankless, frustrating and hit you very heavily financially. Speaking to many friends who have promoted gigs over the years, they have often become jaded and disillusioned and leave promoting gigs to the other people. To reach twenty years in the game is an incredible achievement and that’s something the legend that is Ollie Ward of Till The Wheels recently achieved. To celebrate the big milestone, Ollie decided to put on a three day festival in New Cross named Till The Fest.

Ollie originally announced Till The Fest whilst the UK was in the midst of a lockdown and, if I’m 100% honest with you, I was very sceptical on whether or not the weekend would be allowed to go ahead. As time went on and restrictions gradually began to ease, my confidence in the festival actually happening began to grow. I quickly bought weekend tickets and even began to get very excited. As the months went on, more and more amazing bands continued to get added to the line-up and it soon became a three day, three venue, over 50 bands behemoth of an event.


Till The Fest would be taking place at the New Cross Inn, The Amersham Arms and Matchstick Piehouse. There would also be a record fair happening upstairs in the New Cross House pub and a five aside tournament happening at Fordham Park. There was absolutely loads going on! It was also a wonderful opportunity to have a punk rock family reunion, with friends from all over the UK making the pilgrimage to South East London. As the weekend grew closer, I was just as excited to see people I hadn’t seen for nearly two years as I was to see some of my favourite bands. It was due to be an emotional weekend.

We arrived in New Cross, dropped our bags off at our Air BnB, freshened up and made our way to Matchstick Piehouse. This was our first time going to Matchstick Piehouse and Emma and I were very grateful to bump in to our pal Tommy of BaldHead And The Dreads to help show us the way. We arrived at the Piehouse and immediately bumped into loads of friends and it was a bloody lovely feeling. Music hadn’t even begun yet and we were already having a magical time.

After saying lots of hellos to lots of people, we needed to get some food before the bands began. We met up with CPRW member Lara and her husband Nicky, who had travelled from South Wales for Till The Fest, and took them to our favourite falafel spot, Beirut. Unfortunately I got us lost on the way there, shout out to Tommy for helping out again, so we sadly missed SKIV. I’m sure they put on a 10/10 show to open up the festival at The Amersham Arms.

Thankfully we did get to New Cross Inn in plenty of time to see the band tasked with opening the festival there, our lovely friends Goodbye Blue Monday. Despite it not even being 7pm, a very decent sized crowd had turned out for the Scottish boys and were treated to another superb GBM set. Graham noted that they would be opening with a brand new song for their first show back since the lockdown. This new song, along with the couple of others, sound amazing and has me even more excited for their debut album, whenever they’re able to get it recorded and released out in to the world. Of course there was also big sing-alongs for favourites such as Misery-Punk Ruined My Life, Love Is A Noose For Two, Trigger Alert, Take Your Pills and Exile (which was my first time seeing it live since it was released). Seeing Goodbye Blue Monday always fills me with the warm, fuzzy feeling and leaves me with a sore throat. What a band. What a time.


We didn’t get a chance to hang around NXI and have a proper chat with the GBM boys as another of our lovely friends, Katie MF was taking to the stage at Amersham as soon as they finished. After a power walk for the five minute journey between the venues, we made it with a couple of minutes to spare. This was somehow our very first time in the Amersham Arms and I was immediately impressed with it as a venue. There was a nice wide stage, with no pesky pillar blocking the view of the stage. In fact, you could probably get a decent view of the stage from anywhere in the venue. Before the band started, Katie announced that the band hadn’t been in a room together since March 2020 so hadn’t practiced their set. If Katie hadn’t have said that I don’t anyone would’ve noticed as they played a cracking set. Playing the more uptempo tracks in the band’s catalogue, really tailoring for the punk crowd, for me it was another set of sing-alongs. I’ve said many times over the years that Katie has this magnetic quality on stage that cannot be ignored. Backed by one of the best rhythm sections in punk rock, this was another superb performance. Just like GBM before them, Katie MF have a load of high quality songs that are yet to be recorded and I can’t wait for them to get released.


Unfortunately we had to leave Katie’s set one song early as Just Say Nay were starting back at NXI. I always say that it’s a sign of a good festival to have clashes but, for me at least, this was a stinger. We arrived back at very full looking NXI to see Just Say Nay already well into their set. Sadly during lockdown trombone playing goblin king Mikey T decided to leave the band, so on this occasion they were only playing as a seven piece. Yes, seven members is the fewest amount of people I’ve ever seen on stage when I’ve watched Just Say Nay perform. This did allow lead singer Jak to move around the stage more freely and he did a magnificent job in getting the crowd amped up. Not that Just Say Nay need to do much to get a NXI crowd warmed up as they are much loved at the venue. We arrived back at the venue as the band were playing Tempted from their debut EP Shit Out Of Luck before moving on to crowd favourite, With A Twist Of Lemon. With A Twist Of Lemon has a great ending that gets the entire crowd chanting along with the band. It always goes down well but on this occasion it went down so well that the crowd did their own extra verse of the song. They probably would’ve done another one if the band hadn’t have moved on to the next song, Pass Me A Cloud. The band finished with Low Blow which earned another huge sing-along. Just Say Nay are one of the best live bands in the country – make sure you see them as soon as you have the chance!


We hung around at New Cross for the next band, The JB Conspiracy. We’d recently been able to see JB in Bristol for Fishstock but that didn’t dampen any excitement for seeing them again. I said in my review of Fishstock that JB get better each and every time I see them live and this trend continued once again. Playing a mix of old favourites and new ones from 2021’s Beginnings, this was the band’s second London gig since Beginnings’ release and it was clear that the crowd had spent plenty of time with it. It’s always tricky for a band releasing new music so long after they released two absolute beloved albums. Will people care about the new stuff or do they just want the classics? It really says a lot about just how good Beginnings is as songs like The Long Road To Zurich (one of my favourite songs of 2021) and Guiding Lights got just as good receptions as The Escape or This Machine did. It’s always nice to see a band on stage, who’ve been doing this for so many years, still clearly having the time of their lives. Between songs there was always a big smile on lead singer Lank’s face. I was sad that the band only had a forty minute set because I would have happily watched, sung and danced along with the band for much longer. Every time I see JB they prove that they are one of the very best ska punk bands that the UK has ever produced.
 

The choice of the night’s headliner through up another tricky decision on who to see. It was between The Bar Stool Preachers and The Filaments. Both are phenomenal live acts so I shouldn’t complain about having to pick between two fantastic bands. We decided to go with The Filaments at Amersham Arms. The choice was made because BSP were the last band we saw before lockdown started and we hadn’t seen The Filaments for years. Plus I always love seeing Pook bounce around on stage and he was playing in The Filaments. We made the walk back to Amersham with our new friend and NXI legend Fred The Punk. If you’ve not made friends with him yet, this is something I recommend you do. He’s a lovely man who really understands what this whole punk community thing is about. Amersham was already pretty full when we reached the venue but we managed to find a good spot from the side of the stage. The Filaments were a little late to take to the stage, I didn’t mind this though as it gave us time to have a little chat with pals. When the band did get on the stage they quickly began to tear the roof off the venue. The set was mostly comprised of the band’s more ferocious songs which got the mosh pit going hard. Unfortunately there was one person in the pit who was going too hard and ended up causing a fight. This lead to the band stopping a song midway through and jumping in to the crowd to sort it out. I believe that the instigator of the fight was then removed from the venue. It’s a shame that after almost two years of not having nice things like Till The Fest there was an idiot who didn’t know how to behave but big love and respect to the band and venue for making sure everyone was safe and the show could continue. I feel like this incident could’ve put a lot of bands off their stride but not The Filaments who stormed through the rest of their set. The highlight for me was a rare run out of Trevor, a song I’ve not seen the band play for years and it remains my favourite Filaments song. This was a great way to finish off night one of Till The Fest.


Night one of Till The Fest had been a massive success and all around us there were big smiles everywhere. There were positive vibes all around and there was much excitement for what was to come for the rest of the weekend.

This review was written by Colin Clark. Photos by Colin and Emma Prew.