Gig Review: Punk Rock Holiday 2022

Back in August of 2019, a whole bunch of our pals travelled to Slovenia for a festival named Punk Rock Holiday. Emma and I were super jealous about this. Not just because of the stacked line-up but because of the beauty of the place. If you’re unaware, Punk Rock Holiday is a five day outdoor festival that takes place in the woods beside the river Soča in Tolmin. The clear river alongside the beautiful mountain views looked incredible. Then news came through that the Slovenian government had plans to build a road through the festival site, potentially putting the festival at risk. This settled it for Emma and I, we had to experience this festival at least once!

Fast forward slightly to January 2020 and Emma and I had purchased our tickets from our friends in Eat Defeat. Punk Rock Holiday do this thing that I don’t really agree with where they get the bands who are playing the smaller Beach Stage to sell tickets. I’m not really sure what the point of this is but I believe the more they sell the more money the bands make which does seem off to me. Either way, we had tickets – as did lots of our friends – and we were excited to experience Punk Rock Holiday.

Unfortunately there was a deadly virus on the way and we all know what happened during the rest of 2020 and the majority of 2021. Punk Rock Holiday 2020, alongside everything else in the world, was cancelled.

Jump forward to 2022 and the world finally seems to be getting back to what we knew before. Punk Rock Holiday could happen and the time came for us to get organised for an event we brought tickets for over two and a half years earlier. When I say get organised, I sensibly left all organisation to Emma and our good pal Paul who, if promoting gigs and booking tours ever falls through for him, could get a job as a travel agent. Man knows what he’s doing. Transport and accommodation was booked and the time finally came around for Punk Rock Holiday.

We had a flight booked from Gatwick to Venice before we got on a coach to travel the rest of the way to Tolmin for the festival. Emma and I left Bedford at 6am in the morning in order to get to Gatwick in time for our lunchtime flight. At Gatwick, we met the majority of our group whom we were travelling with. Our flight had a hour delay which actually worked out quite well for us as it meant less time waiting outside in the sun in Venice for our coach. Flying into Venice we were treated to some beautiful views of the city. The coach ride as well, which was full of good spirited (but slightly sleepy) punk rockers, was full of breathtaking views as we traversed the Slovenian hills and got our first looks at the river. When we eventually arrived at our destination it was only a short walk to our accommodation. Emma, Paul and I dropped off our bags, freshened up and headed straight out to the festival site.

Paul also doubled up as somewhat of a tour guide for us, having been to PRH before, as he directed us to collect our festival wristbands and explained how the money card worked. Basically PRH gives you a card that you have to top-up whenever you want to buy food or drink. I guess the idea of it is to keep queues moving quickly at the various vendors on the site. With wristbands and money cards sorted we made our way through the campsite to get meet up with friends and grab some dinner. Walking through the various different camp sites was the first time it really hit me just how many people were at this festival. It was like a small town had been erected in the woods full of punk rockers from all over the world. We traversed through the site and soon found our friends Mark, Claire and Mikayla sitting on a bench in the main court area known as Slovenian Village. They had arrived earlier in the day and had already made friends with someone who can only be described as an inspiration to all of us, Johnny. In turned out that Johnny knew Paul already and friendships were formed. Being quite hungry, Emma and I hit up the vegan stall named Veni Vegi Vici. One tofu burger purchased, I sat back down and proceeded to get told a story about two girls they had met earlier. One of the two girls had only decided to go to the festival because her friend wanted to and had no interested in punk rock herself. We worried that she was going to have an awful week at Punk Rock Holiday. As the evening progressed more friends appeared, laughs were had and it really felt like we were on a proper family holiday. It was lovely. We didn’t stay out too late as we were tired from travelling and had an adventure to go on tomorrow before the business of punk rock began.

Now before we continue, I must warn the dear reader that this review is going to be a little different to our other gig and festival reviews. Punk Rock Holiday was five days of punk rock and I saw fifty three different acts. There’s no way on earth I can sit here and review them all in as much detail as I normally would. Also, Punk Rock Holiday is about far more than just the bands. The setting is beautiful, you meet all manner of punk rockers from around the world, the atmosphere (the vibe if you’re a younger person) is completely different to any other festival. I’m going to talk about that as well as my musical highlights from the week.

I’m going to start off with the setting as, for me, it was the real highlight of the entire week. The Monday of Punk Rock Holiday is classed as the warm-up day. This meant there were only a few bands playing on the main stage in the evening and we had the day to do whatever we chose to. A group of us decided to walk along to Tolmin Gorge. This was one of the prettiest places I’ve ever seen. Everything was just full of beauty. You could walk along to the stream and have a dip or climb up higher (there were steps and walkways, no actual climbing was involved) and get some incredible views. It was an amazing way to start the week. This was the part of the week that made the festival really feel like a holiday. It was also really nice to do this in our little group. Most of the people in the group I only really spend time with watching bands and it was nice to spend some time with them in a different setting. It was a nice bonding experience and it’s certainly something that I recommend anyone going to the festival in future experiences too. I also learnt that Charlie from Codename Colin, one of our travel companions, is essentially a dog and will jump into water at any time given the chance.

After our walk to the gorge, we popped back to our apartment to freshen up. From there, Emma and I made our way to the festival site and found the camping beach. As we walked through the site we bumped into friends from all over who were camping and had some quick catch ups. The thing I love about festivals is the opportunity to catch up with friends I don’t get to see that often. It was like a reunion party at a festival many miles from home. We soon found our way to the beach, dodging and admiring many, many inflatables along the way. Apparently a big thing people enjoy doing at Punk Rock Holiday is to float along the river on inflatables. I feel like I saw more in that week than I have in a lifetime of going to beaches in the UK. They came in all sorts of different shapes and sizes. There were massive ones that could fit more people than most cars, that took a whole team of people to carry down to the beach. It seemed like a lot of effort but I’m sure they all had lots of fun. Not being one for water, this camping beach didn’t do much for me but it was nice to see folk enjoying themselves and it was nice to have a quiet chat with folk before the bands started.

After the beach, we explored the festival site some more. The map on the official PRH app wasn’t especially clear and is perhaps something that could be worked on for next year. We took the opportunity to walk around the site to get our bearings and work out where the best places to get food, drink, free water and toilets was, as well as finding where the main, beach and acoustic stages and the merchandise booth were situated. The way the main site was set out was actually pretty simple as you could really only go two ways across the site, back and forth. Something I found really good about this was that it made it easier to bump into folk as you traversed the site. And when I say bump into folk I mean run into folk you know. When I say run into folk I mean find and meet up and chat with folk. I hope I made that clear.

It was really cool to wander around the site. Every now and then some ridiculously beautiful view would catch your eye and you’d remember that you were spending the week in punk rock paradise. The amount of times I’d be walking somewhere and just stop because a view caught my eye was just silly. Even when bands were playing I’d look around and it would occur to me once again where I was. It really was a phenomenal place to have a festival. One day I’d also like to go back when there isn’t a festival on and experience the woods without another 5000 people being there.

I have to admit that the first time I saw the main stage of Punk Rock Holiday I was a little disappointed. I expected everything to feel bigger than it was. This was probably based on the fact that I had only seen the stage on YouTube videos before, with packed out crowds crammed down the front, trying to get as close as possible to their favourite bands. For my first actual experience looking at the stage it was a little  underwhelming. There were only about 100 people hanging around, not actually hanging, and it didn’t live up to the image I had in my head. However when the headline bands took to the stage, the area filled up, the sun went down and the lights came on, the stage lived up to all the expectations that I had built up in my head. The really cool thing about the main stage is the platform just in front of the stage that allows people to climb up and stage dive without disturbing the band. Most of the time this creates an amazing image but every now and then you’d get someone who overstayed their welcome on the platform or would insist on getting onto the stage with the band. Most folk were good natured but at times it got a bit silly. For example, the guy who kept getting on stage and putting stickers on members of No Trigger. The joke wore thin quickly. The thing that probably impressed me the most from the main stage was the sound. So many times I’ve been to an outdoor festival and been seriously disappointed by the sound. This was not the case at Punk Rock Holiday, the sound was crystal clear for every band. In some cases, it was clearer than in some venues I’ve seen bands. I don’t know how they managed it but massive kudos to the sound engineers that made everything sound so good at the stage.

Something really unique to Punk Rock Holiday is its Beach Stage. There’s a little trail that’s lit up by loads of fairy lights that leads down to the beach where there’s another smaller stage. This is really cool as you can hang out by the beach, have a swim in the river and, if a band comes on that you like the sound of, you can just walk over to the stage and check them out. Unsurprisingly, this stage was my favourite of the two. Like most people I know in DIY punk, I prefer watching bands in a smaller setting. I also prefer watching newer bands do their thing rather than watching bands who’ve been going for twenty plus years play the same songs again and again. That’s not to say that I didn’t enjoy watching the bands on the bigger stage but I get much more excited when I can go see a band for the first time and be blown away by them. This being an international festival, I also got see newer bands from all over the world that I don’t get to see at home and I loved this. These are the bands that I travel overseas to see. I can see most of the bands on the main stage in the UK. The beach stage had that small stage atmosphere and I loved that. A couple of negatives on the Beach Stage were the lack of food (especially vegan) options at the beach. I wonder if the lack of food options was to try and keep the rubbish to a minimum, though I have to say I didn’t witness there being much rubbish around the festival, especially not compared to a festival like Slam Dunk which I guess is the UK equivalent to Punk Rock Holiday. Also, because of how hot and dry it had been (until the final day of the festival) the pit became quite dusty. Whenever a circle pit started the amount of dust that got kicked up wasn’t pleasant, I’m quite convinced that I’ve lost a couple of days use of my lungs due to this dust. Obviously, this isn’t really the festival’s fault but it’s something I feel like people should know about if they’ve not been before.

I guess the logical thing now is to move on to the atmosphere and the people of Punk Rock Holiday. We were fortunate enough to be in a group of friends of about twenty or so people at the festival. I think this really added to my whole experience. Being with a group of friends, everyone having the time of their lives, just meant there was a really positive feeling amongst us all. It was mostly (I will get on to why it was ‘mostly’ in a bit) all smiles all around. It seemed like this feeling was a common theme throughout for everyone at the festival. For the most part (there’s always some people who are dicks) everyone was absolutely lovely. The punks were really friendly, helpful, happy for a dance and a sing, or joining in with a tiny circle pit, helping with the constant stream of crowd surfers. There are a lot of crowd surfers at PRH, even if you’re stood towards the back of the crowd it’s something to be aware of. Sometimes it can be a bit annoying when it’s as constant as it is, but it’s nice to help people enjoy themselves. Not the people who try and crowd surf from the back of the crowd to the front though – those people are dickheads. It was really cool to see the amount of people helping the kids crowd surf. Each and every time a kid got carried across the crowd they looked so happy. I like to think of when they went back to school after their holiday and explained to their teacher what they did with their holiday. The kids are obviously the future so it’s great to see parents exposing their children to this scene early, so it won’t die out. I got to meet a couple of PRH legends (who aren’t on the cup). I loved seeing how they embraced the PRH spirit, had such love and positivity and how they were just so happy doing their own thing. Love to Ian the squirt-gun wielding, cartwheeling, Sponge Bob fan and Anti the incredible spinning man.

Like I said, there were some bad eggs in the crowd. Sadly there were pickpockets in the crowd. We met a lovely guy named Joel from the Australian ska punk band Operation Ibis who was telling us how one of his travelling companions had had their phone stolen. Also a member of our group had their phone stolen as well, even though it was tied around their wrist. It sucks that this was going on and, because of this, there had to be a police presence at the festival. I hope that those scumbags get caught and banned from the festival in future.

Now on to the bands, the thing you probably came to read and the thing I purposely left until the end for viewer retention. Unless you scrolled to this point, in which case, fair play.

I managed to see fifty three different acts at Punk Rock Holiday across the Main and Beach stages as well as the American Socks acoustic stage. I have to say that I enjoyed a good 97% of what I saw. From watching the established acts, personal favourites and bands I’ve never seen before, there was a good mixture of stuff.

The first group of bands we saw were on the Main Stage for the warm-up show. The whole thing was opened up by Dutch pop punks The Cool Trick, followed by Bike Age and Chump. The Cool Trick and Chump have both written songs about Punk Rock Holiday and it was cool to see them get to play on such a big stage. From there we went more hardcore with Spider and Lim Smrad In Žila, both bands added some positive aggression to the crowd and there were plenty of people having a crowd surf early on. It was then time for the heavyweights of the night. First up were The Real McKenzies. We missed the beginning of their set getting some pizza. Sadly, this was the most disappointing part of my whole week. Don’t get me wrong the pizza was very nice, but the service was absolutely atrocious and it annoyed me. It wasn’t a one off either, my friend tried to get pizza from the same place later in the week and she got the same terrible service. When we eventually got our pizza, we went to watch The Real McKenzies. They played a fun set with plenty of dancing but some of the attempts at humour fell quite flat in our group. One friend did not appreciate being called an “English cunt” and was threatening to knock out anyone she saw in a kilt the rest of the week. Ignite were up next. We watched a bit of their set and were really impressed with how their new singer controlled the crowd and the energy shown throughout. We decided to take a moment during their set to take a sit down so we had more energy for the Descendents but we made it back to Ignite to see the first stage invasion of the week. Then it was time for one of my favourite bands of all time, the mighty Descendents. I bloody love the Descendents and it’s always wonderful to see them. They smash it every time and it was quite something to witness them with the Punk Rock Holiday crowd. It was special and I was happy to be there for it. I also took great amusement in seeing my pal Paul really enjoying the Descendents despite him famously claiming not to be a fan for as long as I’ve known him.

The Tuesday was the start of Punk Rock Holiday proper and the opening of the Beach Stage. Originally the Sewer Rats were supposed to open the stage but unfortunately they pulled out last minute. Highlights of the stage on the Tuesday included Pay To Breathe, Skin Of Tears, Dowzer, Deadends and Spaced. Pay To Breathe were a Norwegian pop punk act with lots of energy and felt like a great way to start the day. I’d previously seen Skin Of Tears at Manchester Punk Festival a few years back and I was pleased to see them again. I also really enjoyed that lots of my friends came up from the beach to see them because they liked their sound. Dowzer were another pop punk band who I’d seen play at the New Cross Inn a few years ago. The crowd were very much into them and they got some great crowd surfers. Deadends were late additions to the festival, replacing Primetime Failure. I didn’t know much about them before the set but became a big fan of their melodic punk rock style. New York Hardcore act Spaced were perhaps my biggest surprise of the day. They had this powerful energy about them that made them impossible to ignore – I look forward to seeing more from them. Petrol Girls were headlining the Beach Stage but we decided to take the opportunity to see a Jason DeVore acoustic set instead. I have since heard that Petrol Girls delivered an impressive set, but I was glad I took the opportunity to see Jason as he has one of my favourite voices in punk rock and this was my first chance to hear him play acoustic. It was a beautiful moment.

Boston’s No Trigger opened the main stage. Previously having only seen them one time before in the tiny Borderline club in central London, this felt like a whole different world seeing them on a massive stage in a Slovenia nature reserve. A big crowd gathered early to see them slay their set – I look forward to seeing them again at Fest at the end of October! Get Dead were a band that I’ve heard a lot of people talk about but hadn’t really listened to before. I definitely should have checked them out sooner – what a good band they are. I definitely understand why there’s so much hype surrounding them. Authority Zero were probably my highlight of the day. I think they’re the most underrated band in punk rock. They always release great albums full of bangers and live they are one of the best bands in the world, they always deliver a stunning set. It was no different at PRH. There was a constant stream of stage dives and crowd surfers. During the set, Jason got into the crowd and a huge circle pit opened up around him – it looked awesome. Canadian hardcore heroes Comeback Kid were also a big highlight. Most of our group aren’t huge fans of hardcore but we were all amazed by what we were witnessing on the stage. Of course, it was carnage down the front of the stage and it felt like we were witnessing a bit of PRH history during the set.

The first two bands of the day on Wednesday were the two bands I was most looking forward to all weekend, Eat Defeat and Captain Asshole. I’d previously seen Eat Defeat play in London at the New Cross Inn on the Friday before we left for Slovenia, that was my first time seeing them since they became a five-piece and they were brilliant. The same can be said about their set on the Beach Stage. Despite having a really stressful morning, they played a storming set to a great sized crowd for the opening band of the day. It’s always so cool to see a band you’ve seen play countless times play really cool shows. Well done to Eat Defeat. Next was Captain Asshole who I’d recently seen play in Hamburg at Booze Cruise Festival. Our group at Punk Rock Holiday had put together a big Whatsapp group chat before the festival and I had spent a considerable amount of time really talking Captain Asshole up. I was very pleased that the majority seemed to listen to me and stuck around to check them out, though I do also suspect that a few did it just to see me get overexcited about them. I loved their set and had a great time singing along. Unlike at Booze Cruise, they had sound coming from their lead guitar which was a nice bonus. It was also really cool when they dedicated Where The Fuck Is Kyoto? to me. Other highlights on the Beach Stage were Odpisani (who were the 900th band I’ve ever seen), NOFNOG – who played an absolutely ferocious set and I’m desperate to see again – and Direct Hit! We’d also seen Direct Hit play at New Cross on the Friday before PRH and we were pleased to see them play again. I think this set was even better than the one they played in South London. Loads of energy, the crowd was really enthusiastic and it was just a big party all around.

After getting some dinner we took our place at the main stage for what was a stacked line-up. First for us was The Flatliners who I was seeing for the third time this year. The main stage crowd grew quickly for them as they played banger after banger. The Flatliners are one of those bands that I forget just how many brilliant songs they have across their back catalogue and it was once again a pleasure to see them. Next were New Jersey punk legends The Bouncing Souls. This was an incredible set with massive sing-along after massive sing-along, as you would expect from The Bouncing Souls. Singing these songs with a group of your friends is the very best way to experience them. Our friends Paul and Toby joining me in singing Prew Believers at Emma will be a moment that will live long in the memory. When the band played True Believers some folk from the crowd lit some flares – I did question if this was smart given the amount of fires that have started in Slovenia during the summer but luckily there was no harm done. The final two bands of the day were Lagwagon and Flogging Molly. We spent the majority of Lagwagon by the VIP bar with friends, catching up and having a little dance – where there was more space to do so. This was the first time that I witnessed the man who I think is the spirit of Punk Rock Holiday – Anti (aka Spinny Man). He just spent the entirety of Lagwagon’s set spinning in circles and having a lovely time. I had a go and I also had a lovely time. We then caught a bit of Flogging Molly before deciding to head home and rest up for the following two days.

Thursday had been affectionately nicknamed ‘ska day’ by our group, since it was the day when most of the ska punk bands were taking to the stage. The beach stage opened strong with French ska punks P.O. Box. It had been years since I’d seen these guys and I was quickly reminded just how good they are live. Their set was high energy from start to finish and I loved every second of it. I was a bit confused by the guy who brought a guitar on stage with them to smash during their final song though. What was that about? Next up were Steele Justice from Belgium. Playing a more melodic punk style, Steele Justice were a great find. I got quite excited for their cover of Off With Their Heads Nightlife, I learnt that some Belgian’s call a wall of death ‘doing a braveheart’ and it was nice to see Hanne from For I Am get on stage to sing with the band. Brazilian ska punk heroes Abraskadabra perhaps played the best set of the entire Beach Stage. A massive crowd came out for them, including quite a lot of folk from Brazil which, as we know, is very far away. There was so much skanking and excitement for the set that a massive dust cloud came up from the ground which, at times, made it quite hard to see what was happening on the stage. The set finished with a massive stage invasion and it had me thinking good luck to anyone wanting to top that set today – it was amazing. Belgium pop punks The Rocket did a very good job of playing after Abraskadabra. These guys were a lot of fun and kept the crowd in good spirits throughout their set. I can’t help but think they must’ve been very warm in their sweater vests though. Australian skate punks The Decline took to the stage next and it was another fun time. I hadn’t seen the band since Fest 15 in 2016 and it felt so nice to see them again. Super positive, fun skate punk – The Decline are fantastic. I hope it’s not another six years before I see them again. Finally it was time for MakeWar. I felt like the crowd were a little slow in getting going for MakeWar but when they did it was something special with some big, emotional sing-alongs. During the set, the band had to stop playing as someone in the crowd had sadly gotten hurt. Respect to the band for looking out for the crowd and being patient, and for the people who looked after the injured person as well. MakeWar were a great way to finish things on the Beach Stage on the Thursday.

After getting yet another seitan kebab, we met up with pals to watch Chuck Robertston of the Mad Caddies play an acoustic set. This was lovely but I did get distracted by Toby pointing out how much the American Socks logo looked like a penis. Cheers Toby, can’t unsee that now. It was fun to see Chuck play some Caddies songs stripped back but the undoubted highlight was when he attempted to play a cover of Sink Florida Sink by Against Me!.

When Chuck finished we headed to the main stage were Swedish political punks Misconduct had already begun their set. Paul had been telling us about his love for this band for years and I was keen to check them out. The lazy description would be a European Anti-Flag. Lots of “heys’ and “whoa-ohs’ throughout the set. They also covered Bro Hymn by Pennywise which is a superb way of getting a Punk Rock Holiday crowd on your side. California’s Zebrahead were next to take to the stage. It’s been a long time since I’ve seen Zebrahead and this was the first time with their new singer Adrian Estrella. Zebrahead aren’t a band I listen to much anymore but they are the perfect festival band. They are kings at getting parties started. The crowd was a non-stop stream of crowd surfers throughout the set. At one point they even had one of their stage techs surf on a gigantic inflatable to the very back of the crowd which was an impressive site. Next were the Mad Caddies, except it wasn’t quite the Mad Caddies we all know and love. For reasons I don’t know and don’t wish to speculate on, for this tour the band was Chuck and a group of stand-ins. It was a shame but it was still a great Mad Caddies performance. I’d go as far to say that if you didn’t know that this was a group of stand-ins then you would have just assumed it was the Mad Caddies. I enjoyed the set but was a little disappointed by the lack of faster Mad Caddies songs in the setlist. Finally on ska day it was time for the hottest band in ska at the moment, The Interrupters. It was absolutely packed in the crowd now so we decided to hang out at the back by the bars for a dance rather than being squashed in the pit. Honestly, I’d really recommend doing this, especially if you’ve seen the band before as it’s easier to enjoy the band, have a sing and a dance and not be crushed by other folk. Of course The Interrupters smashed their set, it’s what they do.

The final day of Punk Rock Holiday started very differently to every other day of the festival. There was a massive storm which turned the formerly super dusty floor of the Beach Stage to a sludgy pit. The rain got so bad that I began to wonder if they would just cancel the Beach Stage but I’m pleased they didn’t. Finnish hardcore punks Distral opened the stage for the hardy few that braved the conditions. While most of the folk who had made their way down to the stage took cover by the bar, there were a few who stood out in the mud to have their faces melted. Honestly, I think this might have been the best way to watch Distral as the atmosphere suited their moody, aggressive songs and I loved it. Next were Stagedive Suicide who had been on a massive marketing campaign for the entire festival letting people know they were there. Wherever you looked you saw one of their stickers. These guys are celebrities at this festival and at many others all over Europe. Whilst they played a style of punk that I’m not the biggest fan of, I did enjoy watching their set and seeing their singer especially clearly having the greatest thirty minutes of their life on the stage. Despite the awful weather, it was a very heart warming moment. As the rain began to ease off Stuttgart’s Hell & Back took to the stage. Unfortunately for them, the ground in front of the stage had become a swamp so there was a big gap between the band and the crowd. That just seemed to make Hell & Back work even harder to get the crowd on their side and I think everyone appreciated that. I’ve been wanting to see the band for years now, I’ve only ever seen them play a covers set before and I was pleased to finally get to see them play – I’m looking forward to the next time. Fluffy Machine were perhaps the highlight of the day on the Beach Stage. Coming on to the to the Pingu theme and then quickly jumping to some hyper EDM before launching into their set of high energy rock ’n’ roll bangers, this was a super fun set with the sun finally beginning to come out. I think the best way of describing Fluffy Machine is by saying it’s like if The Bennies played rock music. The beach stage was completed technical skate punks Thousand Oaks and Downway. Both played good sets but weren’t really my thing.

The final night of the main stage was opened by Chaser. This set gave me a big lift. It was energetic, fun and full of positivity that I really needed. We were cold after being in the rain all afternoon. This lead to Emma and I going to buy matching hoodies from the merch area. This was perhaps the downside of staying in a flat rather than camping on site, it wasn’t so easy to just go and change when we wanted to. PRH sell some top quality hoodies though, so that’s good. Belvedere were just starting when we returned to the stage. I’d seen them earlier in the year at New Cross and looked forward to seeing them again now that I’m a bit more familiar with them. I had a nice time seeing them but it was even better watching my friend Mark really get into them – he loves them. Anti-Flag were the big attraction for us on the Friday main stage. The band played a massive set, full of banger after banger as you would expect from Anti-Flag. The set went far quicker than I would have liked and I had a great time singing along to so many favourite songs. Despite being full of the band’s strong political messages, this really felt like the Anti-Flag party set and, boy, did the folk of PRH party. Once again there was a constant stream of crowd surfers. I was aware that there was a small boy on his father’s shoulders stood behind me so asked the folk around me to make sure we direct the surfers in a different direction so he didn’t have to get down or risk getting hurt. This was such a nice, friendly community that it was no bother for anyone. We love to see it. The Circle Jerks played next and that just wasn’t for me. Then it was time for the final act of the week. Originally, Bad Religion had been booked to headline but unfortunately they had to pull out late because of a family emergency. This left a lot of speculation as to how the festival would replace them. I think the festival did a great job with this. Rather than getting another “big headliner” they started the after party early with Pigs Parliament coming on stage to play their karaoke set with a whole host of singers from bands who played and some who were just attending the festival. I’m writing this review a month after the festival and can’t remember exactly who sang what so I won’t try and list them but it was an eclectic set of punk classics that the crowd lapped up. Honestly, I think this would be a great way to end the festival every year. A big highlight of Punk Rock Holiday was seeing what a community experience the whole festival was so it felt right that everyone was together singing along to the songs that brought us all together in the first place. It was a lovely time.

If you’ve got this far into the post – well done, it’s nearly finished. Now’s the time when I would sum the whole week up but if you’ve been reading intently you’ll know that I had a great time. The festival exceeded all expectations. Originally we were planning on PRH being a once in lifetime experience for us but after the week we had that might not be the case. Punk Rock Holdiay is like no festival I’ve ever experienced and I fully recommend going if you ever get the chance. And if you’re lucky enough to be able to go with a big group of friends, I really recommend doing that. PRH is best experience with many pals. And while you’re there, look out for Spinny Man and join in for a spin.

This review was written by Colin Clark. Photos by Emma Prew.

Gig Review: Hamburg Booze Cruise 2022 Day 3 26/6/22

It was now time for the third and final day of Hamburg Booze Cruise. It had been an incredible two days of music so far and we were very much looking forward to one final day. First we had to find breakfast though, which was harder than you might have thought. It turns out places open much later in Hamburg than they do in London so we decided to visit a local(ish) park first. It also turned out that the Hamburg half marathon was happening that morning and a lot of roads were closed. This all became quite a mission and we were sweating before we even got to see our first band of the day.

Park visited, half marathon negotiated and breakfast consumed, we headed down to the docks to once again board the MS Tonne. The first band we were seeing today was Wasted Years from Cologne. The five-piece play melodic pop punk music with some great hooks and big choruses. Given that we weren’t quite feeling our best this morning, this was a refreshing way to start the day of music. It was fun, breezy and punchy and certainly dusted off the cobwebs for us. The set did seem to go on for ten minutes more than we were expecting which meant that the following band had to cut theirs short – or so we thought. It turned out that because Shellycoat had to pull out that Wasted Years had been given extra time and the next band, The Sewer Rats would be splitting their set into two halves.

The Sewer Rats were next to play on the MS Tonne and immediately made it feel like a basement gig on a boat. Lead singer Chris prowled around the front of the stage, offering the microphone to folk in the crowd to sing along and getting everyone on the boat involved. As I mentioned earlier, we only got to see the first half of the set (we didn’t know there would be a second half) as we got off the boat when it docked to go and check out some other bands. We did get to see Rejuvenate, I’m Quittng My Job, Pch 101 and what I am told was a Social Distortion cover though and had a lot of fun. Roll on Punk Rock Holiday where we are seeing The Sewer Rats once again.

Back on my dry land we made our way to Molotow Club for The Muttnicks. Arriving at the club with a bit of time to spare, we immediately got drinks before joining the small crowd of people to watch the Hamburg band. Playing 90s inspired punk rock, The Muttnicks played through their set with a lot of passion and energy. I first became aware of the band in 2019, seeing them play on the MS Tonne. I’m really pleased I got to see them again as they played with the same magic that they did three years ago. Since seeing them for the first time, I’d gone away and listened to their music and it was nice be more familiar with their songs this time. I feel like The Muttnicks are one of the most underrated bands in Germany. They write killer songs and are fantastic live.

Next we headed down to Nochwache for a bit of emo courtesy of Fine And Great. Featuring Manu of Captain Asshole and Tooney from Call It A Comeback, Fine And Great were one of the bands I was most looking forward to on the Sunday of Booze Cruise. Heading to Nochwache I remembered the sound issues from the previous day and worried that they might affect Fine And Great as well. Thankfully the problems that happened on the Saturday seemed to be fixed and this pleased me greatly. In a set that I’m pretty sure contained their entire discography, Fine And Great wowed and astounded the crowd that had gathered at Nochwache. Both Manu and Tooney had a great presence on the stage and complimented each other perfectly. Both of their vocals were on top form, despite this being the third set Manu had performed in two days. I think the band are at their best when the pair are singing together or harmonising – it’s one of those things you really have to see live to really appreciate just how good they are. I was expecting to really enjoy Fine And Great and they still surprised me with just how good they were. Easily in my top five performances of the entire festival.

Following Fine And Great’s set we made the walk back to Molotow Club for skate punk legends Cigar. As we were walking up to the venue, we noticed a van pulling up and realised that it was actually the band just pulling up to the venue. This gave me flashbacks to the day before snd the delay with 100 Kilo Herz. Fortunately, Cigar were able to enter the venue and basically plug in and play and I don’t think there was actually any delay in starting the set. I was really impressed with this attitude and, to me, this really embodied what DIY punk should be. I only stuck around for about five songs, as I wanted to get something to eat before the final three bands of the festival, but had a great time watching the band do what they do best, playing really intricate and fast skate punk that has plenty of melody and super vocals. Cigar have been a band for a very long time now and, after seeing them live for the first time, it’s clear why they have had such longevity.

After getting a pot of falafel, salad and chips we made our way to a new venue for us named Grünspan. It’s a much bigger venue than any of the other venues Booze Cruise use and allowed for all of the festival’s attendees to gather together to end the festival, which I thought was really cool. As we entered the venue I was taken aback by the beauty of the space. Most venues of this size are soulless rooms owned by corporations, Grünspan felt like a special building to be in.

New Yorkers Tired Radio opened the show. The band had been on a European tour with Überyou on the build up to the festival and we were looking forward to finally seeing the band. The four-piece were out on the road supporting their excellent 2020 release Patterns. That album is full of raspy vocals, big soulful tunes that I’ve always thought would be great to see live in a tiny basement. It turns out that they also work seriously well in big rooms as well. I was personally surprised by the energy that the crowd still had after a long, warm weekend of punk rock but that enthusiasm that started the festival remained and was potentially even bigger than before. During the set, the band’s lead singer Anthony Truzzolino spoke about how they had stepped away from punk rock for a while before finding their way back into it and forming Tired Radio – and now they were in Hamburg playing Booze Cruise and that was really cool. The story was so heartwarming and a great advertisement for continuing to do the things you love and going after your dreams. Tired Radio played a fantastic set, warming the crowd up for the chaos that was about to come.

The penultimate band for all of Booze Cruise 2022 was Swiss DIY punk legends Überyou. The previous two times I’d seen the band I was in absolute awe of their live show and I was so excited to finally see them again. The band took to the stage and there was this sense of atmosphere in the crowd until all hell broke loose. I’ve said many times in this blog, on our podcast, or just to people I’ve been talking to in person that Überyou connect with a live crowd in a way that I’ve never seen any other band do. Front person Ian spends a big portion of the opening couple of songs with the crowd, getting everyone hyped up – not that they needed much encouragement. Throughout the entire set there were massive singalongs and a constant stream of fists high in the air. Something I always enjoy with Überyou is how the band has three main singers, I think this gives them such a dynamic. As Ian doesn’t play an instrument in the band, it allows them to work as a hype man between the moments where he’s not needed to sing and it adds so much to the band’s live performance. I use the phrase passion and energy a lot when describing bands but it definitely applies more so to Überyou than any other band I’ve ever seen. There’s also such an urgency to the way they play that I love. Songs such as Survivors, Make It Last and Overdrive obviously go down really well with the crowd, as does their cover of Journey’s Don’t Stop Believing where they are joined on stage with their friends in Tired Radio. I came away with the opinion that Überyou are the best live band in the world firmly cemented in my mind. What a moment this was.

Last and by no means least were emo legends The Get Up Kids. A lot of pals back in the UK were getting excited for their shows supporting Jimmy Eat World later that month. The packed crowd in Grünspan also seemed very excited to see the Kansan band. Now, I have to be honest and admit that I wasn’t especially excited to see the band. Not because I particularly dislike them, I just didn’t grow up with them like a lot of people did. They passed me by. In fact, I only really know one of their songs, Holiday, and that is because our friends Burnt Tapes covered it. All of this however didn’t stop me enjoying everyone else in the crowd really enjoying The Get Up Kids’ set. The band first formed in 1995 so are obviously a very polished live band. Each member of the band were so in sync with each other. Something I did like with the band is how they have two lead singers, something I was not aware of before the set. This really helped keep the set fresher for me, especially as the pair have different vocal styles. Speaking to friends after the set, they all said that they really loved the set and the band played every song that they wanted to hear. If you were a fan of the band, it was a real festival highlight and the best way to finish Booze Cruise Festival 2022.

Booze Cruise Festival 2019 was one of the best festival experiences I’d ever had and I was excited and had high expectations for 2022. The festival did not disappoint in the slightest. The bands delivered in a big way and the whole thing was very well organised but, much like in 2019, the true highlight was the atmosphere around the festival. Everyone was in such good spirits and just wanted to have a great time with friends, old and new, watching amazing punk rock bands. The punk community in Germany, and, I guess, in particular in Hamburg, is a special thing. It’s very welcoming to people from further afield and, despite being in a different country and only knowing about ten people at the festival, I felt just as at home as I do at the New Cross Inn (my regular punk venue) and that’s the best feeling. Most of us get in to the punk community because of the feeling of belonging that it brings and it’s special that this feeling spreads to different scenes all over the world. Booze Cruise remains one of the best festivals in the world and I can’t wait for 2023. If you’re reading this and have thought about attending the festival in the past but are on the fence then I couldn’t encourage you more to take the plunge.

This review was written by Colin Clark. Photos by Emma Prew.

Gig Review: Hamburg Booze Cruise 2022 Day 2 25/6/22

Day one of Hamburg Booze Cruise had been a brilliant day. Day two was now ahead of us and was scheduled to be our busiest day of the weekend and we were excited to get started.

After some delicious pizza at Überquell, we made our way down to the docks to board the MS Tonne. Something quite unique about Booze Cruise is that they takeover a boat and have bands playing as they do a lap of the docks. As we approached the boat, there was already a big crowd gathered and I became a little worried about getting on before capacity was hit. Thankfully it seemed as if everyone got on and were ready to see some great bands.

The first band of the day aboard the MS Tonne was Second Youth. If you have read our day one review (if you haven’t, go do so and then come back to this page), you will know that we also had the pleasure of watching them the night before at Hafenklang. On the boat, Second Youth only had a twenty minute set and the band wasted little time as they tore through their set. The good thing about seeing a band multiple times in quick succession is that you quickly become more aware of their songs. This meant I enjoyed the set even more than the evening before and even had myself a little sing-along. In a moment that really tickled me, once again the guitarist went to introduce a song and it turned out that again he skipped the song Morons. This was a great way to start the day.

Following very quickly on from Second Youth were Snareset. I was really impressed with how prompt the changeover times managed to be on the boat, given that it’s not your traditional gig setting and they were on a tight schedule. This was my first time seeing Snareset and, if I’m being completely honest, I hadn’t listened to them a whole lot before either. I should have however, as they were great. Playing a melodic and emotional form of gruff punk rock, the band had me hooked from the very start of their set. The lead singer’s vocal was phenomenal and I really loved watching their drummer as it seemed like he was having the time of his life. At one point, something went wrong with the drums and the band impressively managed to continue on with the song and pick things back up as soon as it got sorted. Sadly the boat sets were only twenty minutes long today and I would’ve loved to see more of Snareset.

After the boat returned to the dock, we raced up to Überquell to see our favourites Captain Asshole play an acoustic set. We arrived back at the venue as Manu and Basti were just getting started with their set. I’d seen Manu play an acoustic set online during the lockdown and I was really excited to see it live. The duo played through some songs from both of Captain Asshole’s albums. Between the songs, they joked about being unpractised with the set but I don’t think anyone would have noticed if they hadn’t said anything. This was a really fun and unique experience for us and it was fun to have a quieter sing-along with the band in preparation for their full band set later in the day.

After Captain Asshole finished we headed back to Molotow Club for an afternoon celebrating fifteen years of Gunner Records. By the time we reached the venue it was already in full swing with Jeff Rowe, Kirsty & Cory Call and The Carolyn already having played earlier. Learning from the heat in the venue from the day before, we made sure to get drinks quickly and we ended up getting two Fritz Colas (the best cola) and a pint of water between each band just to keep us going. We were full of sugar, refreshed and set for an evening of great punk rock. Chartreux were the first band we saw during the Gunner Records party. I first became aware of Chartreux thanks to my friend Chris (vinyl.systems on Instagram). He recommended them to me and I quickly became a fan. There’s a bit of the Hot Water Music’s about them with their two main vocalists, though their bass player also joined in with the gang vocals as well. I was really impressed with their stage presence. They felt like a band you couldn’t take your eyes off for a second and sounded every bit as good as they do on record. Chartruex are one of many bands who played Booze Cruise that more people need to be aware of!

After catching up with some friends in the Molotow backyard and picking myself up a Chartreux LP, it was time to head back inside for Little Teeth. I first saw Little Teeth back at the 2019 edition of Booze Cruise. This wasn’t the plan, they had been kind enough to fill in for another band. I enjoyed them and went on to enjoy their album Redefining Home as well. Since then, Little Teeth has gone through some line-up changes and are now a three-piece. For this gig they had the bass player of Dankeschatz filling in for them. Little Teeth were perhaps one of my biggest surprises of the festival. I really loved their set. Lead singer Cory Call has such a great vocal. If you haven’t ever heard him sing I seriously suggest you go out and do so – it’s just magic. I believe the band only played songs from Redefining Home during the set and as I was so familiar with them, from my review of the album, it really added to my enjoyment of the set. Little Teeth were superb.

Our first band in the Molotow backyard were Zurich’s The High Times. The High Times are Zurich punk heroes Überyou’s sister band. They formed just before the lockdown and this was our first opportunity to see them live. I can remember Überyou filming a live set during lockdown for Booze Cruise and during that set The High Times performed some songs and they were fantastic. They then released a superb debut named Heat. I was pumped to see them. We made sure we got ourselves a good spot down the front of the stage to watch their set. As they began their first song, the thing that struck me was how much less polished they were than on record. I don’t mean that in a bad way either, Dom’s vocals have a bit more of a raw style to them live and I really enjoyed that. The highlights came when Dom and Marc shared vocal duties and created this huge sound. The band have this great chemistry on stage and this pours out into the audience. I think there were a lot of people saying “wow” at the end of their performance.

Back inside Molotow for Arterials was next on the agenda. Arterials were my find of Booze Cruise 2019 – I was blown away by their intense take on 90s melodic punk rock. Lead singer Flo has an incredible stage presence making them a hugely watchable band, as well as excellent songwriters. Since then the Hamburg four-piece have released the excellent The Spaces In Between and I was so excited to see some songs from it live for the first time ever. It was nice to enter Molotow and see that a big crowd had gathered to see the band. They started with a bang and were every bit as amazing as I remembered. Much like in 2019, I was captivated by what I was watching on stage. Even in the Molotow Club heat the band were giving it everything, playing a mixture of songs from Spaces In Between and previous album Constructive Summer. There was little banter between songs as the band continued to tear through their set, this only added to the band’s intensity and it was absolutely great. The set sadly flew by far too quickly for my liking – I would have happily stared open mouthed at the stage for much longer – but unfortunately all things must come to an end. The set ended in quite confusing way (especially for a non-German speaker) as partway through the final song (The Spaces In Between, I think) the guitarist chucked their guitar at their amp and that was that. Despite this abrupt end, Arterials played one of my favourite sets of the entire festival.

We then ventured outside to the backyard to watch a bit of Lagwagon before moving on to our next venue. I can’t admit to being the biggest Lagwagon fan but I do always enjoy them when I see them live. I was also very intrigued to see what it would be like to see Lagwagon in a venue setting such as Molotow’s backyard. It was a packed crowd to see the Californians play their set. We only hung around for three songs (After You My Friends, Falling Apart, Violins) before heading off and letting some of the folk waiting outside the venue in. It was so packed that a one in one out system was happening.

Next we headed to Nochwache to see Hell’s Ditch. The band had been one of my highlights from Bristol Booze Cruise a week earlier and I was keen to see them again. I was especially keen after speaking to bass player Christian earlier in the day and learning of Nick and Jonny’s travel woes. Their flight had been cancelled and the pair had chosen to drive 600 miles to get to the festival instead. That’s some dedication to playing their first show on the mainland! If you read the first part of our Hamburg review you will know about my dislike of the Nochwache long thin stage with the drummer in the corner. It’s weird. It looked even stranger when a band has six members like Hell’s Ditch do. Unfortunately there were some sound issues in the venue that plagued not just Hell’s Ditch but Captain Asshole after them as well. This didn’t prevent Hell’s Ditch playing a stunning set however, having seen them the week before and at MPF in April there weren’t any new surprises in the set for me – except when Nick got on someone in the crowd’s shoulders to sing during the set, that was new. It was a super fun set with bangers such as Vacant Hearts, Hope Is Hope and The Likes Of Us sounding great despite the sound issues. Hell’s Ditch are playing gigs here, there and everywhere and I seriously suggest that you go see them, they are the real deal.

Next were the band I was most excited for over the entire weekend/month/year of music, Munich’s Captain Asshole. Gosh, I love this band. I had already christened the day Captain Asshole day as soon as I’d woken up that day and everything was leading up to this next thirty minutes. I positioned myself at the front of the stage, right in front of singers Manu and Max and I was giddy. This is what I expect that people who care about Christmas feel the morning of the big event. Sadly there were some issues getting the sound right, especially with the lead guitar, but that didn’t stop the band playing an excellent set and me having the time of my life. As soon as they began set opener Dave Lizewski, I sang as loudly as I could and my fist was constantly found punching the air above me. This was my first opportunity to see the band since they released their brand new album of the year contender, Successfully Not Giving Up, and all the songs they played from it fit the set list perfectly. Even with the lack of lead guitar, they sounded great. It was during this set that the ska kid in me came out and I sang the guitar solos like I would a horn line in a ska song. This might be too much of being a fanboy nerd but I was having the best time so didn’t really care. Of course, they also played plenty of bangers from What An Awful Life, the album that started my love for the band as well as being a big influence into my exploration into the brilliance of European punk rock. Captain Asshole played a set that lived up to all my build up, even with the guitar problems, and I’m so excited to see them again this year at Punk Rock Holiday in Slovenia and The Fest in Gainesville. I look forward to the next Captain Asshole day!

After Captain Asshole’s set we made the trek to Hafenklang/Goldener Salon for Career Suicide and 100 Kilo Herz. When we arrived, Career Suicide were well under way playing to a super packed room in Goldener Salon so we went and found somewhere to sit and wait for 100 Kilo Herz. Enjoying a delicious Fritz Cola, I noticed that all of the band’s flight cases were still on the floor and it was about fifteen minutes before they were due on. They eventually got the cases cleared and began to soundcheck just before they were due to start playing. Then there seemed to be some difficultly with the monitors and it was getting well into their scheduled set time. By the time they seemed to be ready it was time for us to leave to go to Überquell for The Sewer Rats and The Jukebox Romantics. I was quite disappointed with what happened with 100 Kilo Herz but these things happen so I just hope I’ll get the chance to see them again.

We arrived at Überquell for the final two bands of our day and it was safe to say we were quite exhausted. I can’t think of two better bands to give you that last dose of energy to get you through the night than The Sewer Rats and The Jukebox Romantics. The Sewer Rats were the first to take to the stage. The band had become a firm favourite of mine since the last Booze Cruise and I was pleased for the opportunity to see them once again. Since I last got to see them, they have released the excellent Magic Summer album. If memory serves correctly, they opened the set with the album’s lead single Rejuvenate which was the perfect choice. It’s a song about recapturing your youth and forgetting about your day-to-day struggles. That’s what Booze Cruise and all festivals are really, a chance of escapism that everyone needs from time to time. The Sewer Rats are one of the most fun bands to watch. They write catchy songs with great sing-alongs and are played in such a fun loving spirit that makes it hard not to smile when seeing the band. I enjoyed The Sewer Rats set so much that I made plans to catch them again on the MS Tonne the next day.

Our final band of the day was New York’s Jukebox Romantics. It seems I only ever see the band in Hamburg and I’m fine with that because they are absolutely loved and pull such a good crowd. Starting the set with Buried With Children, which included frontman Mike Terry running through the crowd during the extended intro to get the crowd pumped up (not that they really needed it), from then on it was one big party. The band’s passionate style of punk rock is made to shout along with and that’s exactly what the crowd at Überquell did. It was great to hear older songs such as the aforementioned Buried With Children and Breaking Rad alongside newer songs like Hey Nora. The Jukebox Romantics also love to throw in a cover or two during their set as well, on this occasion it was True Believers by The Boucning Souls and Blink-182’s Go, they smashed both songs. JBR are one of those bands that seem to unite a room which, I guess, is a big reason why they get so much love. They come across as genuine fans of the festival and are so pleased to be able to travel and play Booze Cruise. It seems like Hamburg is just as much a home for them as New York is and it’s a wonderful thing to witness. This was a party and the best way to end the Saturday.

Captain Asshole day was a wonderful day!

This review was written by Colin Clark. Photos by Emma Prew.

Gig Review: Hamburg Booze Cruise 2022 Day 1 24/6/22

In 2019, Emma and I attended Hamburg Booze Cruise and agreed it was one of the best festival experiences of our lives. We got tickets for the 2020 edition as soon as possible and got excited as the line-up was announced. Unfortunately, for reasons we’re all painfully aware of, we had to wait patiently until 2022 before we could go back again. But the time finally arrived and no pandemics, train strikes or awful airports were going to stop us!

Hamburg Booze Cruise takes place in five different venues, as well as on a boat, around the St Pauli area and hosts a selection of top quality international bands as well as a whole host of amazing bands from Germany. For me, I was especially excited to see the European bands as there is a whole host of brilliant bands in mainland Europe and now, because of Brexit, it’s going to be extremely difficult for them to come to the UK to tour which is really disappointing. When the schedule was announced we made our plans and, as with all festivals that have seriously stacked line-ups, we had to make some decisions over clashes but when the plan was finished we knew we were in for a fun-filled weekend.

After getting our festival wristbands from the lovely Cruise Records, our first band of the day was at Molotow Club. Originally we were hoping to see Bikini Beach open the festival for us but unfortunately they had to pull out and were replaced by Abramowicz. The five piece are from Hamburg, which I guess explains how they were able to jump on to the bill at the last minute. I was quite pleased about this as I’d been aware of the band for a while and this was my first opportunity to check them out. If you haven’t heard before Ambramowicz before, they play a soulful style of melodic punk rock, with the band’s lead singer having a deep a husky vocal. I really enjoyed Ambramowicz and they were a great start to the festival for us.

Next we made the fifteen minute trek to Hafenklang and Goldener Salon for the next group of bands. Due to the distance between venues, you do kind of have to make a bit of a commitment to venues for a sustained amount of time so you don’t tire yourself out jumping from venue to venue throughout the weekend. We arrived at Hafenklang not long after Saarbrücken’s Sidewalk Surfers had begun their set. The four piece play what I think is best described as street punk music. I had listened to Sidewalk Surfers a little bit in preparation for the festival and enjoyed it but seeing them live really took my enjoyment to the next level. I think a big part of this was due to the fact they were clearly enjoying themselves on the stage and I love when I see that. The band’s bass player in particular looked so stoked to be playing Booze Cruise. With plenty of songs about friendship, growing up and partying, Sidewalk Surfers were a perfect choice for the festival. I enjoyed the set so much I made sure to grab a record before leaving the venue.

Upstairs in Hafenklang there is a venue named Goldener Salon. I actually only ended up seeing one band there the entire festival and that was Friends With Boats. Friends With Boats are a new band in the German punk scene who have thus far only released one song. This was enough to make me want to see them live however as it’s a superb song. After seeing them live I can confirm that they have a few more superb songs. On the CPRW Podcast, I spoke about how Friends With Boats are a collection of older gentleman who all looked as if they were having the time of their lives on stage. I guess playing in the band acts as a bit of escapism for them. They played a hugely enjoyable set and I look forward to them releasing more music soon.

Back in Hafenklang it was time for Italy’s Second Youth. The band had been on a tour of Germany on the lead up to the festival and had had all kinds of van trouble on their adventures. They were probably quite relieved to have made it to Hamburg to play the festival. I wasn’t overly familiar with the band before the festival, aside from the small amount of research I did, and I was really keen to check them out. Playing music that’s a bit oi!, a bit melodic punk, a bit gruff and a lot of energy, Second Youth capture a sound that I don’t hear a lot of and I loved it. Down the front they seemed to have a bit of a fan club who knew every word, which is always great to see. I recognised Friday Night, On And On and 1992 from my brief listening before the festival and had a great time hearing them live. There was a funny moment where the band’s guitarist introduced Friday night when in fact they were supposed to be playing a song named Morons. This was a brilliant first time seeing Second Youth and I was now looking forward to seeing them again the next day aboard the MS Tonne.

After Second Youth we made the walk back up to Molotow Club for The Carolyn. The trio had travelled all the way from Atlanta, Georgia, to play the festival and I was pleased to see that a very nice sized crowd had gathered to see them. The thing that struck me hard when we went back in to the venue was just how hot it was. We were not expecting this and had no recollection of the venues being so warm back in 2019. It had been a very warm day in Hamburg and it definitely affected the venues. (Why don’t they have air con?) Trying to ignore the stream of sweat that had begun falling down my back, I settled in to watch The Carolyn. Something I really enjoyed and didn’t notice when I had listened to them previously is how the band had two lead singers. This always adds such a cool dimension to bands and does a great job in keeping them sounding fresh. I assume that the setlist was majorly made up of songs from their recent Gunner Records release, Rhythm Of My Own Decay, and they got a great reception. I hope I get the opportunity to see The Carolyn again soon, at a time where I’m not so distracted by being so overly warm and uncomfortable.

Next we made our way into the Molotow Club’s backyard where a stage had been constructed since the last time we were in here. The first band we saw play the stage were Australia’s Press Club who were on a huge European tour. I know a lot of people talk extremely highly of Press Club’s live show and I was very keen to experience it for the first time. What an incredible band Press Club are! Natalie is one of the best front people I’ve seen in some time, doing an incredible job in controlling the crowd. They played to one of the most rambunctious crowds I saw at the whole festival with Natalie at times jumping into the crowd to join in the fun. The energy that the whole band displayed during the set was something else, I guess being from Australia they are better equipped to cope with the heat than we were as we had to take a little break during their set to grab something to eat before going back to enjoy the rest of the set. Songs such as Headwreck and Suburbia were the big stand outs for me but what a set it was. The band are back in the UK in November and I think we’ll do our best to get tickets to one of their shows. Press Club are a band that everyone should be talking about.

After Press Club’s stunning set we ventured back into the Molotow sweat box for Between Bodies. The four piece were only playing their eighth show ever which made their set even more impressive. The Internet tells me they released their debut EP just before the pandemic hit which sadly put a stop to any shows that they had planned to promote it. With no shows to play, the band focussed their energy into writing and recording their upcoming debut full length. But now they can play shows and it seemed that it wasn’t just us who were super excited to catch them. Playing a punchy emo style with elements of early Alkaline Trio and Spanish Love Songs, listening to the songs and getting the opportunity to see them live has me convinced that Between Bodies are on the track to some very big and exciting things. With three lead singers it means that they have so many options with the way that they approach their music and this works so well for their live dynamic. I was well and truly captivated by their set. Following a band as good as Press Club must have surely been quite daunting for a new band but Between Bodies absolutely delivered during their set. There was a tightness which given that they had to borrow Snareset’s drummer as a stand in was all the more impressive. I’m so excited about Between Bodies and I can’t wait to be that guy that says ‘I saw them play their eighth show’ when they’re taking over the music world. Get on board the Between Bodies train now!

Following the Between Bodies set, we hurried to a new venue for us – Nochtwache. After only one wrong turn we eventually found our way to the venue. I have to admit that I was a little disappointed by Nochtwache as a venue. It looked a cool spot from the pictures I saw online before the festival but upon arriving I realised that the stage was quite a long, thin one. This meant that the drummer, rather than being behind the band, was in a long line with them. This took a little getting used to and I think this did affect my enjoyment of Custody. I also messed up with my timings as the band were well into their set by the time we arrived. They started earlier than I thought they did and we sadly ended up missing quite a chunk of their set. I was really impressed by how tight they were however, as well as how good lead singer Sami’s vocals were live. I just struggled with the layout of the stage, it was weird to see a band play in that formation and took some getting used to. I look forward to seeing Custody again at some point.

The final band of our night was Shellycoat performing a No Use For A Name cover set at Überquell. In 2019 we’d seen Shellycoat do a Get Up Kids cover set but didn’t managed to see their own live set. This ended up being the case again as we managed to see the NUFAN cover set but sadly one of the members of the band got sick which meant Shellycoat had to drop out of their own set. I’m not the most hardcore of NUFAN fans but always enjoyed them whenever I listened and I was looking forward to seeing what Shellycoat would do with their songs. I expected an emotional set full of big sing-alongs and that’s exactly what I got. Karen Eumes’ vocals suited the songs so well and really gave the songs this extra emotion that I’m sure most of the room got caught up in. Running through timeless NUFAN classics such as Dumb Reminders, Soul Mate, Justified Black Eye, Not Your Saviour and, of course, International You Day. This was a special Booze Cruise moment and one I’m so pleased I got to experience.

That concluded the first day of Hamburg Booze Cruise 2022 and what a way to start the festival it was! We still had two busy days of music ahead of us and were so pumped for what was to come.

This review was written by Colin Clark. Photos by Emma Prew.