Showing posts with label Fine And Great. Show all posts
Showing posts with label Fine And Great. Show all posts

Wednesday, 3 August 2022

Gig Review: Hamburg Booze Cruise 2022 Day 3 26/6/22


It was now time for the third and final day of Hamburg Booze Cruise. It had been an incredible two days of music so far and we were very much looking forward to one final day. First we had to find breakfast though, which was harder than you might have thought. It turns out places open much later in Hamburg than they do in London so we decided to visit a local(ish) park first. It also turned out that the Hamburg half marathon was happening that morning and a lot of roads were closed. This all became quite a mission and we were sweating before we even got to see our first band of the day.


Park visited, half marathon negotiated and breakfast consumed, we headed down to the docks to once again board the MS Tonne. The first band we were seeing today was Wasted Years from Cologne. The five-piece play melodic pop punk music with some great hooks and big choruses. Given that we weren’t quite feeling our best this morning, this was a refreshing way to start the day of music. It was fun, breezy and punchy and certainly dusted off the cobwebs for us. The set did seem to go on for ten minutes more than we were expecting which meant that the following band had to cut theirs short – or so we thought. It turned out that because Shellycoat had to pull out that Wasted Years had been given extra time and the next band, The Sewer Rats would be splitting their set into two halves.


The Sewer Rats were next to play on the MS Tonne and immediately made it feel like a basement gig on a boat. Lead singer Chris prowled around the front of the stage, offering the microphone to folk in the crowd to sing along and getting everyone on the boat involved. As I mentioned earlier, we only got to see the first half of the set (we didn’t know there would be a second half) as we got off the boat when it docked to go and check out some other bands. We did get to see Rejuvenate, I’m Quittng My Job, Pch 101 and what I am told was a Social Distortion cover though and had a lot of fun. Roll on Punk Rock Holiday where we are seeing The Sewer Rats once again.

Back on my dry land we made our way to Molotow Club for The Muttnicks. Arriving at the club with a bit of time to spare, we immediately got drinks before joining the small crowd of people to watch the Hamburg band. Playing 90s inspired punk rock, The Muttnicks played through their set with a lot of passion and energy. I first became aware of the band in 2019, seeing them play on the MS Tonne. I’m really pleased I got to see them again as they played with the same magic that they did three years ago. Since seeing them for the first time, I’d gone away and listened to their music and it was nice be more familiar with their songs this time. I feel like The Muttnicks are one of the most underrated bands in Germany. They write killer songs and are fantastic live.

Next we headed down to Nochwache for a bit of emo courtesy of Fine And Great. Featuring Manu of Captain Asshole and Tooney from Call It A Comeback, Fine And Great were one of the bands I was most looking forward to on the Sunday of Booze Cruise. Heading to Nochwache I remembered the sound issues from the previous day and worried that they might affect Fine And Great as well. Thankfully the problems that happened on the Saturday seemed to be fixed and this pleased me greatly. In a set that I’m pretty sure contained their entire discography, Fine And Great wowed and astounded the crowd that had gathered at Nochwache. Both Manu and Tooney had a great presence on the stage and complimented each other perfectly. Both of their vocals were on top form, despite this being the third set Manu had performed in two days. I think the band are at their best when the pair are singing together or harmonising – it’s one of those things you really have to see live to really appreciate just how good they are. I was expecting to really enjoy Fine And Great and they still surprised me with just how good they were. Easily in my top five performances of the entire festival.


Following Fine And Great’s set we made the walk back to Molotow Club for skate punk legends Cigar. As we were walking up to the venue, we noticed a van pulling up and realised that it was actually the band just pulling up to the venue. This gave me flashbacks to the day before snd the delay with 100 Kilo Herz. Fortunately, Cigar were able to enter the venue and basically plug in and play and I don’t think there was actually any delay in starting the set. I was really impressed with this attitude and, to me, this really embodied what DIY punk should be. I only stuck around for about five songs, as I wanted to get something to eat before the final three bands of the festival, but had a great time watching the band do what they do best, playing really intricate and fast skate punk that has plenty of melody and super vocals. Cigar have been a band for a very long time now and, after seeing them live for the first time, it’s clear why they have had such longevity.

After getting a pot of falafel, salad and chips we made our way to a new venue for us named Grünspan. It’s a much bigger venue than any of the other venues Booze Cruise use and allowed for all of the festival’s attendees to gather together to end the festival, which I thought was really cool. As we entered the venue I was taken aback by the beauty of the space. Most venues of this size are soulless rooms owned by corporations, Grünspan felt like a special building to be in.

New Yorkers Tired Radio opened the show. The band had been on a European tour with Überyou on the build up to the festival and we were looking forward to finally seeing the band. The four-piece were out on the road supporting their excellent 2020 release Patterns. That album is full of raspy vocals, big soulful tunes that I’ve always thought would be great to see live in a tiny basement. It turns out that they also work seriously well in big rooms as well. I was personally surprised by the energy that the crowd still had after a long, warm weekend of punk rock but that enthusiasm that started the festival remained and was potentially even bigger than before. During the set, the band’s lead singer Anthony Truzzolino spoke about how they had stepped away from punk rock for a while before finding their way back into it and forming Tired Radio – and now they were in Hamburg playing Booze Cruise and that was really cool. The story was so heartwarming and a great advertisement for continuing to do the things you love and going after your dreams. Tired Radio played a fantastic set, warming the crowd up for the chaos that was about to come.


The penultimate band for all of Booze Cruise 2022 was Swiss DIY punk legends Überyou. The previous two times I’d seen the band I was in absolute awe of their live show and I was so excited to finally see them again. The band took to the stage and there was this sense of atmosphere in the crowd until all hell broke loose. I’ve said many times in this blog, on our podcast, or just to people I’ve been talking to in person that Überyou connect with a live crowd in a way that I’ve never seen any other band do. Front person Ian spends a big portion of the opening couple of songs with the crowd, getting everyone hyped up – not that they needed much encouragement. Throughout the entire set there were massive singalongs and a constant stream of fists high in the air. Something I always enjoy with Überyou is how the band has three main singers, I think this gives them such a dynamic. As Ian doesn’t play an instrument in the band, it allows them to work as a hype man between the moments where he’s not needed to sing and it adds so much to the band’s live performance. I use the phrase passion and energy a lot when describing bands but it definitely applies more so to Überyou than any other band I’ve ever seen. There’s also such an urgency to the way they play that I love. Songs such as Survivors, Make It Last and Overdrive obviously go down really well with the crowd, as does their cover of Journey’s Don’t Stop Believing where they are joined on stage with their friends in Tired Radio. I came away with the opinion that Überyou are the best live band in the world firmly cemented in my mind. What a moment this was.


Last and by no means least were emo legends The Get Up Kids. A lot of pals back in the UK were getting excited for their shows supporting Jimmy Eat World later that month. The packed crowd in Grünspan also seemed very excited to see the Kansan band. Now, I have to be honest and admit that I wasn’t especially excited to see the band. Not because I particularly dislike them, I just didn’t grow up with them like a lot of people did. They passed me by. In fact, I only really know one of their songs, Holiday, and that is because our friends Burnt Tapes covered it. All of this however didn’t stop me enjoying everyone else in the crowd really enjoying The Get Up Kids’ set. The band first formed in 1995 so are obviously a very polished live band. Each member of the band were so in sync with each other. Something I did like with the band is how they have two lead singers, something I was not aware of before the set. This really helped keep the set fresher for me, especially as the pair have different vocal styles. Speaking to friends after the set, they all said that they really loved the set and the band played every song that they wanted to hear. If you were a fan of the band, it was a real festival highlight and the best way to finish Booze Cruise Festival 2022.


Booze Cruise Festival 2019 was one of the best festival experiences I’d ever had and I was excited and had high expectations for 2022. The festival did not disappoint in the slightest. The bands delivered in a big way and the whole thing was very well organised but, much like in 2019, the true highlight was the atmosphere around the festival. Everyone was in such good spirits and just wanted to have a great time with friends, old and new, watching amazing punk rock bands. The punk community in Germany, and, I guess, in particular in Hamburg, is a special thing. It’s very welcoming to people from further afield and, despite being in a different country and only knowing about ten people at the festival, I felt just as at home as I do at the New Cross Inn (my regular punk venue) and that’s the best feeling. Most of us get in to the punk community because of the feeling of belonging that it brings and it’s special that this feeling spreads to different scenes all over the world. Booze Cruise remains one of the best festivals in the world and I can’t wait for 2023. If you’re reading this and have thought about attending the festival in the past but are on the fence then I couldn’t encourage you more to take the plunge.

This review was written by Colin Clark. Photos by Emma Prew.

Thursday, 7 October 2021

Album Review: How To Survive By Getting By by Fine And Great


Fine And Great are a three piece from Munich, Germany, featuring three friends who have played in different bands of varying genres for years. In 2019 they decided to get together for a new band to share their combined love of emotionally charged pop punk music. Early in 2020 they released their first single Three Sheets To The Wind before lockdown happened and put a bit of a halt to everything. Not deterred, the band managed to write and record their first EP, the appropriately titled How To Survive By Getting By which was then released in July 2021 on Midsummer Records.


The EP begins with Happy New Year. I do wonder if this is a continuation of the second song on Three Sheets To The Wind – Merry Christmas. I really hope it is and not just a happy coincidence. After a little atmospheric reverb, the song jumps into life. Immediately the song is packed with energy before guitarist Manu’s vocals come in and things slow down. The song is full of great little tempo changes that allow the song to build and the listener to get emotionally invested into it. For me the best moments are when Manu and bass player Tooney combine to create some sweet gang vocals. The second track, Ghetto Chicken, was released as a single in the lead up to the EP’s release. It begins with some welcoming “whoa-ohs” before Tooney’s vocals start and then Manu comes in to take the lead. The way in which the two interchange vocals is really good. The chorus is a real ear worm and features the EP’s title How To Survive By Getting By. The track is about realising you’re not okay but finding a place that helps you feel better. The ending of the song is a real treat with Tooney and Manu trading lines before the two combine to finish things off in real style.

Going Nowhere starts with a nice noodly guitar riff before the song really kicks in. Tooney takes the main vocals on the track whilst Manu provides some excellent harmonies. Both singers seem to strain their vocals more on the chorus creating a great sense of urgency that I really enjoyed. The track is about being in a relationship and not being sure where it’s going, giving you some emotional stress. The penultimate song is titled Stole The Liquor. Fine And Great also released this track as a single before How To Survive By Getting By came out. This was a great choice as it really encapsulates what Fine And Great are all about. The song is packed with builds, great vocals, harmonies and beautiful story telling. There’s a moment in the song where Manu lets out a shout that you would most likely expect from his other band, Captain Asshole. It’s a rare moment on the EP that really showcases the pain in his voice. Finally we have the track Okay. Once again the song starts quietly and takes a good while before really reaching its highest moments. The vocals contrast on the track with Tooney’s cleaner vocals against Manu’s gruffer style sounding brilliant. When the song reaches its final section it gives you the highlight of the entire EP. The sound, especially for a three piece, is huge and this huge climax finishes How To Survive By Getting By in a fitting way.

What a debut from Fine And Great. Obviously the band have plenty of experience from their other bands but to come together, in such a difficult time, to create something as good as this EP really shows what a talented band Fine And Great are. With gigs slowly starting to happen again around the world I would expect to see Fine And Great on many line ups throughout Germany and perhaps the rest of Europe too. This is another band that really showcases the amazing amount of talented bands that reside in mainland Europe and another I urge the fine folk of the UK to check out. You won’t regret it.

Stream and download How To Survive By Getting By on Bandcamp here.

Like Fine And Great on Facebook here.

This review was written by Colin Clark.

Thursday, 21 May 2020

Top Tens: Colin's Top Ten Band He's Discovered In Lockdown


Being in Lockdown has sucked. We can’t see our friends and families. We can’t go to gigs. We can’t do any of the things we love. It has provided us with plenty more free time to do other things though. I’ve enjoyed having more time to listen to our ever expanding record collection and I’ve started playing Football Manager again. I’ve also found the time to release a 155 track compilation raising money for Music Venue Trust that you should check out here. And I’ve also had loads of time to discover new bands. Here’s a top ten of bands that I’ve discovered so far.

Articles
I discovered Articles thanks to The Fest 19 playlist. The Gainesville Florida based trio play that typical Fest sound – raspy vocals, great melodies and catchy hooks. In March, Articles released a new two track single named Smoking Section / Pool Party that absolutely rips. FFO The Lawrence Arms, Ann Beretta, Smoke Or Fire.


Custody
Finnish punk rockers Custody were one of the highlights of the first Boatless Booze Cruise live stream festival for me. I think I was drawn to them as they played full band rather than acoustic like the majority of the acts. Melodic gruff punk of the highest order is what Custody do. Writing and performing songs that have you aching to throw your fists high and sing along. Check out their recently released second album on Brassneck Records now! FFO Leatherface, Hot Water Music, The Run Up.


Fail Sons
Washington D.C. punks Fail Sons were a recent Bandcamp discovery. It is still the best place to find new and exciting punk bands, especially if you can’t get to a gig. Focussing more on the fast paced pop punk side of things but never shying away from throwing in a guitar solo, Fail Sons are one of the most exciting bands in the genre I’ve discovered in some time. FFO Pinhead Gunpowder, Teenage Bottlerocket, Zatopeks.


Fine And Great
This wasn’t so much a discovery but I was told about them during the lockdown so I think they still count. Fine And Great consist of Manu of Captain Asshole (the person who told me about them), Tooney from Call It A Wasteland and Hannes from Kick Back. Fine And Great play emo pop punk and feature fantastic dual vocals from Manu and Tooney. This band are so new that they’re yet to play their first show, other than a live stream at Boatless Booze Cruise last weekend.


Grey Matter
Bad Time Records have earned a reputation for releasing quality ska punk music. When new UK distro Pookout Records got some new stock from Bad Time Records in, I took a punt on Grey Matter and was not disappointed. The Michigan based band take everything you think you know about ska punk and add so many other influences. In a genre that sometimes gets tarred as “all songs sound the same”, it’s great to see a band that proves that that’s really not the case. FFO experimental ska punk.


Kids On Fire
Much like Bad Time Records, Seattle’s Tiny Dragon Music have a reputation for only releasing quality punk rock. During the lockdown, the label had a big sale so I bought Chosen Family by Burn Burn Burn from them. I also decided to take a chance on an album named Songs In The Key Of Bummer by a band I hadn’t heard of called Kids On Fire. This turned out to be a fantastic decision as Kids On Fire are awesome. They play fast paced indie punk rock with fantastic vocals and plenty of opportunity for singing along and having a lot of fun. FFO The Loved Ones, Forever Unclean, The Drowns.


Postage
New Yorkers Postage are another band that I discovered because they are playing The Fest. Featuring Mike Moak from After The Fall, you might expect this quartet to be more of a hardcore sound. That, however, is not the case. Playing a mid-tempo pop punk with an edge, on my very first listen I knew this was a band for me. I don’t know how often they get out and play shows due to Mike’s After The Fall commitments so I’m going to make sure I take the opportunity to see them at Fest. FFO ALL, The Mr T Experience, Night Surf.


Stuck Out Here
Stuck Out Here are a four piece band from Canada. In their own words, Stuck Out Here play “party angst anthems” which I think is a perfectly accurate description. Like Postage, this is mid-tempo pop punk that will get you singing along with all the passion. Their 2019 release, Until We’re Each Someone Else, is packed with great moments and I implore you to check it out. FFO The Menzingers, Signals Midwest, The Penske File.


Swayze
Swayze are another band from Canada, a country that produces a crazy amount of brilliant punk rock music. One of the biggest kept secrets on this list, I was very surprised to see that they don’t have much of an online following. Their latest EP, St Angry (which you can expect to see a full review for on CPRW in the near future), is packed with high tempo punk rock with big gang vocals and fantastic harmonies. This is a band who seem to write songs with my tastes in mind. FFO Lagwagon, Captain Asshole, MakeWar.


Virginity
Wiretap Records have become one of my favourite record labels over the past few years. They release so many great records from bands of a variety of different punk genres. In Virginity they have another brilliant band on their hands. The three piece from Daytona Beach, Florida, are just about to release their new EP Death To The Party on June 5th and looks set to explode among fans of emo/pop punk music. FFO Expert Timing, Dikembe, Modern Baseball.


This top ten was written by Colin Clark.