Gig Review: Slam Dunk Festival 2022 at Hatfield House 4/6/22

Slam Dunk Festival 2022 has come and gone and it was another great day of friends, fun, food and fantastic music. After a train journey where I accidentally got on the wrong train and brought some strangers with us, Emma and I arrived an hour before the opening band was due to start and met up with our group. Once everyone had gathered, we made our way into the festival. After getting through the ticket barrier, we were held in some kind of holding area before we were allowed in to the main festival arena. We later found out there was a problem with the card reader machines at the bars so the organisers made the decision to get people to wait outside for longer before they let us in.

 

Once inside we made our way to the Dickies stage, where we would spend the majority of our day, to see opening act The Suicide Machines. Their set started at 11.40am which was pretty silly but showed just what a stacked line up the stage had in store for the day. This was the band’s first time back in the UK in almost twenty years and it was good to see a nice sized crowd gathered early to see them. When the band appeared and began their set you could certainly tell from the crowd’s stillness that it was still oh so early for a punk show. So, after playing one song, the band’s lead singer Jay Navarro climbed into the crowd and decided to spend the rest of the set there. This was a masterclass on how to control a crowd, as from then on the set got rowdier and rowdier. Jay was passing the microphone around the crowd giving plenty of people the chance to have a sing and it was a lot of fun. I was really impressed with how smoothly things ran despite the chaos that was happening. They played a mixture of old favourites such as Break The Glass, High Anxiety and of course New Girl, alongside some songs from their most recent album, Revolution Spring. This was the perfect way to start the day and I was pumped to see them do a full set the next night at the New Cross Inn.

After Suicide Machines we made our way to the Rock Scene stage for Meet Me @ The Altar. Meet Me @ The Altar are one of the most exciting new bands in the scene and I was keen to check them out – it was great to see that I wasn’t the only one as the tent was very busy. Playing a mixture of pop punk and easycore, MMATA were the perfect Slam Dunk Festival band, displaying plenty of energy on the stage as the band jumped around the stage. This energy poured over into the crowd who responded in kind. One of the highlights of the set was when they played Hit Like A Girl and dedicated it to all the women in the crowd. This lead to a couple of ladies in the crowd getting on their friend’s shoulders. Then a chap also decided to do this, I get that he was having fun and enjoying the band but perhaps read the room, mate. The band also did a fun and slightly cheesy cover song medley where they played Sweetness by Jimmy Eat World, My Friends Over You by New Found Glory, My Own Worst Enemy by Lit and Break Stuff by Limp Bizkit. This was a fun moment that was a nice nod to the band’s musical roots and something very fun for the crowd. This was the band’s first time in the UK but I expect that we’ll be seeing them many more times in the future.

Next on the agenda was seeing a bit of Hot Water Music. We had a while to kill before then though so decided to grab some food. I enjoyed a delicious vegan hot dog before heading back to the Dickies stage. We had only planned to see a bit of Hot Water Music as they clashed with another band but we did manage to get four songs, including my personal favourite HWM song Wayfarer. The band had had some issues with their airline misplacing their gear but thankfully they were able to borrow stuff from the other bands and the show was able to go on. The band sounded in top form and it was difficult to pull myself away to go see and the next band.

Pinkshift were one of the bands I was most excited to check out. We headed over to the Key Club tent, a tent with two stages dedicated to the newer bands on the scene, as the band were just about to start. Pinkshift were another band who were making their first appearances in the UK and I was very pleased to see the size of the crowd that had gathered. It was also a super enthusiastic crowd which is always great to see. Pinkshift play a fun mix of 90s grunge and 2000s pop punk that works wonderfully well. I was under the impression that the band was a three piece but for the tour they have become a five piece which gave them a massive sound. Their front person Ashrita Kumar was extremely powerful onstage, I struggled to keep my eyes off them. With a big voice and an endless supply of energy, they put everything they had into the performance and it’s so pleasing to see. The same can be said of their bandmates who bounced around the stage throughout. Pinkshift are the future of pop punk. They’ve just signed to Hopeless Records so expect to hear some exciting new songs soon!

After Pinkshift, we headed back to the Dickies stage for the band I was probably most excited for – actual punk rock legends in the form of The Vandals. I’ve been wanting to see The Vandals for the best part of twenty years and have never managed it. They were the last of the bands I loved when I was getting into punk rock that I was desperate to see live but never have. I had kind of resigned myself to the fact that I was probably never going to get the chance. I was very happy to be proven wrong. When they took to the stage I left our group of friends who were hanging out by the sound tent and near enough ran down towards the front to get the best possible position. Now, I said in our preview podcast that I was fully expecting to be disappointed by the set, as I had hyped it up to myself so much and I wondered how well their humour would translate in 2022, but I was very pleased to see my concerns were unwarranted. The Vandals were everything I hoped they would be. They played a set full of my favourite songs, played really well and cracked me up. Any band that has Brooks Wackerman playing drums for them is going to be super tight and I was so impressed by Warren Fitzgerald’s incredible guitar playing whilst also being the silliest person at the festival. The Vandals are all about having as much fun as possible and the crowd responded really well to them. I assume there were a lot of other people in the crowd who had waited years to see the band and everyone lapped it up. Highlights of the set included People That Are Going To Hell, It’s A Fact, Oi To The World, I’ve Got An Ape Drape, My Girlfriend’s Dead and cover Don’t Stop Me Now where Warren took over lead vocals and hid behind a banner having off the side of the stage. It was wonderful and I hope it’s not so long before The Vandals return, hopefully for their own tour.

Streetlight Manifesto were next to take to the Dickies stage and there was an excitement in the air. Streetlight are another band that rarely play anywhere and haven’t been to the UK for a long, long time. We’d gone for a quick lap of the festival site to stretch our legs between the Vandals and Streetlight Manifesto sets but made it back as the band were soundchecking. It seemed as if they had been having some trouble with the sound which I think delayed the start of their set. However, as soon as the band started the set with A Moment Of Violence, all of the waiting was forgotten and the crowd went off. It felt like everyone around me was not only singing along to every word but every horn line as well. I stood in awe witnessing the technical proficiency that the band play with. I’ve been fortunate enough to watch some very skilled bands over the years but not many come close to touching Streetlight. If it’s possible, they’re potentially too good. Streetlight aren’t a band that talk much between songs (which was a big contrast to The Vandals), instead they focus on blasting through their set. If I’m being completely honest, this took something away from the set for me as it felt too well rehearsed but, as the songs are so long, I guess it meant they could squeeze more in to the set. And let’s be honest, we see Streetlight for the music not the banter. Dan #2 and I spoke on the CPRW Podcast about how next time we see Streetlight we hope it will be at their own show rather than a festival so we can get more deep cuts in the set, hopefully that’s a thing that will happen again one day.

Mom Jeans were next on our itinerary. The four piece were playing on the Key Club stage and we made our way over as soon as Streetlight Manifesto finished their set. Earlier in the week Emma and I had been in North London for The Flatliners gig at Tufnell Park. Before the gig we stopped in Camden for some pizza and passed the Underworld where Mom Jeans had been headlining. They had a huge queue waiting to get in at around 6pm and from everything I’ve heard from friends who went it was a very special night. I had listened to them a bit in preparation for Slam Dunk and enjoyed their take on jangly emo/pop punk so decided I would go and check them out. This was a fantastic decision (well done me) as they put on a fantastic show. Despite not knowing the songs they played well at all, I felt super included in the set just from the fantastic atmosphere that the crowd had created. We were all there to see a top band do their thing and have a great time. Festivals are always a great opportunity to go and see bands that you perhaps wouldn’t normally and I’m very pleased I caught Mom Jeans. Also the best dancer of the weekend award has to go to the band’s bass player, supplying some sick and dope moves.

After a brief comfort break, we headed back to the Dickies stage to see the end of Pennywise’s set. We caught Society, their cover of Stand By Me, Fuck Authority and Bro Hymn and that was enough to keep me happy. Pennywise are such a good festival band, they have such a big following and they always play the big hits that’ll keep their fans happy. Even if you don’t know much of Pennywise’s back catalogue, there’s no doubt you know Fuck Authority and Bro Hymn and will have sung your lungs out with the band to the choruses of both songs. It’s been a long time since I’ve seen Pennywise and I’m glad they never change.

I think one of the bands our group was most excited to see was The Interrupters. The Californians have played a huge role in making ska punk cool again and are one of the best live bands in the world at the moment. They’re also an absolutely perfect festival band with their songs about family, friendship, unity and empowerment. Being surrounded by so many friends and likeminded people seeing The Interrupters is a special feeling, especially with the content of their songs. After the last couple of years, these messages hit home harder than ever. With only forty-five minutes for their set The Interrupters powered through, seemingly trying to squeeze as many songs in as possible and I personally really appreciated it. We got to hear so many favourites, a couple of brand new songs and I nice covers medley. I’ve seen them play a similar covers medley before where they teased playing songs from bands from San Francisco. They’ve now changed this up a bit where they teased playing songs from Epitaph Records releases instead. They played intros to Keep Em Separated by The Offspring, Linoleum by NOFX and Ruby Soho by Rancid, before settling on playing a full cover of Sorrow by Bad Religion. I’d love to hear a recorded version of the cover. This was my fourth time seeing The Interrupters live and something that’s always seriously impressed me was how tight and slick the band are, there aren’t many better at the moment. They’re back in the UK for a full tour in a couple of months and they’ll have UK ska favourites The Skints and Bar Stool Preachers as support. Those will be special nights.

We headed back to the Dickies stage next to see The Flatliners. It was kind of weird to see the band play this tent as it seemed to be more of a new band stage and The Flatliners are anything but new. After seeing them play a full headline set a couple of days earlier we knew they were in top form and were looking forward to seeing the band playing more of a ‘best of’ set. And that’s exactly what we got. Songs such as Resuscitation Of The Year, Carry The Banner, Count Your Bruises, Monumental and set closer Eulogy sounded as good as ever. Chris Cresswell has one of the most consistently brilliant voices in punk rock. In the space of a few days I’d heard him sing in a venue, outside with Hot Water Music and then inside a tent with the Flatliners. All three times he sounded brilliant. The Flatliners provided half an hour of pure sing-along joy before we headed back to the Dickies stage.

When we arrived at back to the Dickies stage Boston’s Dropkick Murphys were already in full swing. We met back up with our group and all quickly realised something was not right at all with the sound. We were stood very central with the stage and all we could really hear was the bass. Admittedly, from looking at the set list from the day before, we knew that we wouldn’t know many of the songs they were playing (the majority of our group were a bunch of old school DKM fans who hadn’t listened to a lot of the band’s newer material) so that didn’t help but even songs like Worker’s Song and Barroom Hero sounded off because of the loud bass. I had theorised that the setlist was as it was because lead singer Al Barr hadn’t been able to make the tour due to important family commitments so you’ve got to commend the rest of the band for soldiering on without him. Unfortunately, I did find this set quite disappointing and I don’t think I was the only one. Maybe I should have taken the time to really listen to the band’s latest album Turn Up That Dial before going to see them.

While most of our group stayed at The Dickies stage for headliners Sum 41, we decided to head back to the Key Club one last time to see Nova Twins before catching the end of the Canadian pop punk legends. Nova Twins are a band from London who have been making waves in the UK alternative scene. I didn’t know much about them other than the bit of research I had done for my preview but I was looking forward to witnessing them live. As they confidently strode onto the stage it felt like something big was about to happen. Despite Sum 41 playing just two minutes away, I was impressed by the size of the crowd that gathered. I also enjoyed how diverse the crowd looked. There were folk from all walks of life ready to party with the band. Mixing punk, hip hop and rave music, the set offered something for everyone. It was a powerful set which I have no doubt moved a lot of people in the crowd. Whether you were a long time fan of Nova Twins or you popped in because you didn’t fancy watching Sum 41, I am certain you were transfixed on what was happening on the stage. The band’s singer had this great swagger about them whilst the bassist gleefully hopped around the stage with boundless energy. Coming away from the set I was of the opinion that, of all the bands in the UK at the moment, Nova Twins should be band that the mainstream press should be really getting behind. Not only are they an excellent band but they feel important and something the alternative music scene really needs right now.

After Nova Twins, we made our journey back to the Dickies stage one last time for Sum 41. Sum 41 are a band I grew up on as a teenager but had never seen live. We arrived back at the stage as the band were halfway through their set. We attempted to get back to the spot we had been in all day with our friends but it was so crowded there was no way of getting back in. Unfortunately, we were really far back and struggled to get any kind of decent view. We could see that the band had a massive inflatable devil on stage with them as well as fire and a full light show. It looked to be a very impressive sight and it was nice to have something interesting to look at, as I could barely see the members of the band. I think this was part of the problem of having no real clashes for the headliner. There were sooooo many people there. From what I’ve heard from friends after the festival, Sum 41 put on a superb show and showed why they have achieved all they have in their career. The songs I did get to hear the band play included In Too Deep, Queen’s We Will Rock You, Fat Lip and Still Waiting. Some top tier Sum 41 and a classic cover.

After Sum 41’s set, everyone in the festival made the slow walk back to the buses and trains in an attempt to get back home. This sadly proved harder than we had hoped due to disruptions on the train line but we eventually made it home after what was a fun filled day. For whatever reason, Slam Dunk does seem to get a lot of stick from people. I’m sure a lot of the time it’s warranted but I always see Slam Dunk as a great day out with my friends watching bands we perhaps wouldn’t normally go and see. No doubt you’ll see me back at Hatfield House in 2023.

This review was written by Colin Clark.

Robyn's Top Ten Albums of 2020

There is no doubt that this has been a difficult year, filled with uncertainty, frustration, trauma, and a strange sense of unreality. But what it has also shown is the vitally important role that art plays in our lives. It was the film and television producers, the writers, the content creators, and the musicians who kept us company, provided escape, gave us something to share in, and buoyed our spirits when we couldn’t see friends or family and felt increasingly frustrated by everything happening on the news. So it feels even more fitting to take the time to pay tribute to the albums that I really enjoyed this year.

10. Folklore by Taylor Swift

I’m sure that this is going to be a controversial choice for my top ten, but I truly love this album and it simply had to make my list. While I don’t regularly listen to a lot of music that falls outside of punk or its subgenres, I follow a lot of popular artists and I’m generally interested in keeping up with what’s happening in other genres. So when Taylor Swift dropped a surprise new album that sees her collaborating with The National’s Aaron Dessner, I was immediately interested. What I found is a beautifully-crafted storybook of an album, brimming with wistful imagery and outstanding lyricism. As a literary student who essentially reads for a living, it’s perhaps unsurprising that I am drawn to the exceptional storytelling on Folklore; but I also love its indie sound. The album is stripped-down, giving a sense of intimacy and increased emotion, but also layered and well-produced. My favourite track is “Epiphany”, which compares Taylor’s grandfather’s act of service in WWII to the frontline healthcare workers serving during the pandemic. It compares the sense of loss and daily trauma encompassed by these events, simultaneously honouring those who place themselves at risk (both physically and mentally) in helping others and mourning an international tragedy. This album captures so much of the mood of this year, and it’s certainly deserving of being named one of 2020’s best releases.

9. Sad In The City by Broadway Calls

I’ve never met a Broadway Calls album I didn’t like, so it’s unsurprising that I’ve really enjoyed the band’s latest offering. The opening line asking “if my country collapses, can I crash on your couch?” captures the dystopian energy of the last year (or four in America), and sets the scene for some joyful catharsis. So even while you sing along, chanting “everyone’s sad in the city”, you can’t help but have a huge smile on your face. These are high-quality pop-punk bangers, and would seriously have scored higher on my list if it weren’t for the other exceptional albums released this year.

8. Death In Venice Beach by The Bombpops

The Bombpops are a band I’ve always liked but never fully committed to. But after just one listen to the new album, I was totally hooked. Death In Venice Beach delivers a stream of ultra-catchy pop punk jams with clever lyrics and great production. There is also a hidden seriousness to this album, since it details Poli van Dam’s battle with addiction. A song like “13 Stories Down” is really fun and upbeat, even as it describes the lowest points of alcoholism. This personal side of the album and the light it shines on the problem of addiction give the songs a little more heft, and the quality of the songwriting shines through the entire album. This is some of the best music The Bombpops have put out and certainly some the best music produced this year.

7. Wonderful Hell by War On Women

War On Women’s call to “raise some wonderful, beautiful hell” is the perfect rallying cry for a year that saw a major resurgence in the Black Lives Matter movement and where the pandemic exacerbated pre-existing social inequities. I enjoyed War On Women’s previous release, Capture the Flag, but this album just hit differently in the current moment and I think the band’s songwriting is just getting better with each release. The album is full of heavy guitar riffs, big melodies, and Shawna’s unmistakable vocals. A triumphant combination of righteous anger and defiant positivity.

6. 20/20 Vision by Anti-Flag

Back in March, South Africa went into a hard 3-week lockdown (which of course ended up being extended). We weren’t allowed to leave our property, not even for short walk around the block, and just one family member could make the weekly trip to the grocery store to stock up on essentials. I had a large stack of marking to get through and many student concerns to deal with, and the new Anti-Flag album became my refuge. This is the band’s answer to Trump’s America: the hate it fostered and the deep divisions it widened. It’s full of the anthemic choruses you would expect from Anti-Flag, providing high-energy social commentary and calling for sustained resistance. The quality does not lag across the 11 tracks, which are full of great hooks and catchy lyrics. It’s an excellent addition to an already impressive music catalogue of a band who have been playing together for almost thirty years.

5. Revolution Spring by The Suicide Machines

It’s been a very long time since we’ve had a new Suicide Machines album, but hot damn it was worth the wait. The incredible bass tone on this album alone would be enough to make it a contender for my top ten, but it also delivers a delicious mix of punk and ska, with a few hardcore elements thrown in for some added flavour. Actual conversations Brett and I have had about this album include simply saying “it’s so good”, “yeah, right?!” to each other over and over again. A bop from start to finish.

4. Seamless by Pardon Us

Less than a year after their first album, Pardon Us dropped a new release absolutely packed with fun melodic-punk tunes. There are so many things I love about this album: the gruff lead vocals, the background harmonies, the incredibly catchy melodies, the thoughtful lyrics, and the sheer danceability of these songs. The band have really built upon their previous success and delivered a tight and polished sophomore album.

3. Life, Death And Everything In Between by Stöj Snak

The latest album from Danish folk punks Stöj Snak opens with an intense and haunting call to life that hit me like a physical force the first time I put this album on. Niels Højgaard Sørensen’s vocals are unlike any other singer out there: powerful, textured, and highly emotive; and the music brings together a brash punk energy with more soulful and folksy elements. The album really has ‘everything’: want to dance even while the world’s burning? Put on “Trees”; want the most perfect singalong about sticking it out even when life gets hard? “Bliss Point” has got you covered. It closes with a ballad about identity, change, and the journey of life that is beautifully expressed and incredibly moving. Just perfection.

2. You or Someone You Know by Worriers

Worriers’ previous album, Survival Pop, made my top ten list in 2017; but for some reason the first couple of times I listened to You Or Someone You Know I just didn’t connect with it. Then one afternoon, it finally all made sense and I marvelled once again at Lauren Denitzio’s fantastic songwriting and vocal skills. Despite the first track dealing with living through what often appears to be the “End Of The World” and many of the songs tackling difficult personal issues, the mood of the album is self-assertive and uplifting. And between the big melodies, deep grooves, and gorgeous guitar flourishes, the lyrics are direct and honest. A fantastic new release from Worriers that I’ve come to love more and more.

1. Brave Faces Everyone by Spanish Love Songs

Little did we know back in February when this came out that “Brave Faces Everyone” would become the perfect slogan for this year. I already knew then that this would take the number one spot on my list, and no matter how much I have listened to the other albums on this list, I have still listened to this one more. This is an album about facing up to daily fears and struggles, and choosing to try. This is something that I think everyone can relate to, whether that’s dealing with the drudgery of your job, mental health issues, or major life changes. Although the previous releases from Spanish Love Songs have been excellent, I think this is their best album to date. With its soaring choruses, flawless vocals, and a sound so big that it feels wrapped around me, it may possibly be one of my favourite albums of all time.

* Entries 3 and 4 on this list came to me via endorsements from Emma. This is not the first time I owe Emma thanks for an excellent recommendation, and I’m sure it won’t be the last (but thanks once again!)

This top ten was written by Robyn Pierce.

Brett's Top Ten Albums of 2020

To describe 2020 as a rollercoaster year would be an understatement. Although the cancellation of our plans to travel to MPF and Fest due to well-justified lockdowns and restrictions were difficult blows and put us through all the stages of grief, I am very grateful that we were able to get through the year where the worst thing happening was some inconvenient travel plan changes, others have not been so lucky.

There were some good days though. I think in the very beginning of our lockdown there was a live-streamed event almost every weekend, which was fun; and I’ve really enjoyed watching some of my favourite bands perform live from a “venue” with a comfortable couch, clean bathroom, and shared with cats. I do hope that some of the smaller bands were able to get the support that was really needed through the various community initiatives.

During the lockdown and self-isolation, I found it very difficult to listen to new music and instead leant into bands and albums that were comfortable, like nostalgic hugs via my ears; so, I think if I had to pick my 10 most listened to albums this would be a very different list. As a consequence, my list is mostly made up of bands and labels that I’ve known and loved for a long time. Make no mistake, there were still a really long list of albums to pick from this year. 2020 may have sucked for the most part but the music was still top notch and the albums on this list are amazing in my opinion. They’re the kind that by the end make me want to flip the record or click play and start over.

10. Skeleton Coast by The Lawrence Arms

The Lawrence Arms have been around for over 2 decades now and have earned their spot in the upper echelons of the punk scene with a consistently brilliant back catalogue of releases. Their last album, Metropole, was released 6 years ago and with only a “greatest hits” compilation to satisfy fans since then, the anticipation surrounding Skeleton Coast was high. Luckily the band completely smash all expectations with 14 tracks featuring the trademark shared vocals from Brendan Kelly and Chris McCaughan, some beautiful storytelling lyrics, expertly crafted melodies, and of course a few doses of humour thrown in for good measure.

Favourite song: Ghostwriter

9. Dancing With The Curse by Get Dead

Six months ago, I would have classified myself as a casual fan of Get Dead and their album Dancing With The Curse wasn't even on my radar of anticipated releases of 2020. That was until I stumbled through a Youtube-hole into a clip of them performing at the Weekend at Fatty's virtual concert, which featured a handful of songs from their (then) upcoming release. The performances of Fire Sale and Stickup in particular drove me to pre-add the album to my library and it has been on regular rotation since it was released in October. The 12 tracks on Dancing blend elements of hip-hop, ska, and hardcore nicely to create a listening experience where no song sounds the same as the last but which still feels cohesive and firmly rooted in the band’s California punk roots.

Favourite song: Stickup

8. Wonderful Hell by War On Women

It doesn’t feel like that long ago that War On Women made my list of top 10 albums of 2018 but maybe I’m just not used to my favourite bands releasing music more often than every 4 to 7 years. Wonderful Hell is War On Women’s third full-length with Bridge9 and the band has thankfully kept their anger and vitriol towards the socio-political environment and unjust system that the majority of the world finds itself trapped in. The crisp production and dynamic song structures feel like a natural progression for the band who have always pushed the boundaries of traditional hardcore, so even a 6-minute slow-building song like Demon doesn’t feel out of place and instead just leaves you wanting more.

If you’re a fan of the album or the band in general, make sure to check out Shawna’s new podcast, But Her Lyrics, to get more insight into the songs and the stories behind the album.

Favourite song: The Ash is Not the End

7. Ctrl Alt Del by Pmx

I was introduced to Pmx by Colin, friend and founder of CPRW, as a recommendation related to the MPF 2018 line-up and it remains one of the best recommendations anyone has given me ever. The Scottish quartet have established themselves as one of the best at combining the sound of punk from the 90s, with technical flourishes found in modern melodic skate punk. On Ctrl Alt Del, Pmx takes their tried and tested formula and improves on it with more mature song writing, tighter melodies, and cleaner production. I was looking forward to seeing the band perform these songs live at MPF 2020 before it was cancelled so I’m hoping to get the chance when live music is safe again. If you’re a fan of 90s Epifat punk and melodic skate punk, then Ctrl Alt Del should be in your record collection or digital library.

Favourite song: Tongue Tied

6. Brave Faces Everyone by Spanish Love Songs

They’ve done it again. Everyone loved Spanish Love Songs’ sophomore effort Schmaltz in 2018 and I have no doubt that Brave Faces Everyone will be near the top of many top 10 lists this year. Instead of taking the success of Schmaltz and rehashing the same formula with new lyrics, the band have taken a big step into embracing and refining their own unique sound with trembling vocals pushed to the limit, lyrics dripping with authenticity, cracking production, and big choruses that I can only imagine people screaming at the top of their lungs with fists in the air. Brave Faces Everyone is an album that anyone (not only fans of underground punk music) can relate to and enjoy. It teaches us that it’s ok and you’re not alone if your life is not perfect all the time.

Favourite song: Kick

5. Lament by Touché Amoré

I was first drawn to Touché Amoré with their 2013 album, Is Survived By, then found myself completely floored by 2016’s Stage Four, and looked forward to Lament from the moment I heard the first released single ‘Limelight’ back in July. Touché Amoré have always been able to pull off a level of raw emotion and intensity that very few other bands can without being overly heavy or excessive. While Stage Four dealt with the devastating blow of Bolm losing his mother to cancer, Lament looks at life following such grief without putting any specific focus on it. There are lighter moments in more upbeat melodic songs like Reminders, but overall the tone remains poignant. The contrast between the powerful vocals of Jeremy Bolm and the almost clean instrumentation is captivating and engrosses you from the first song to the last. Touché Amoré recently uploaded their Lament record release live stream to Youtube and, while it’s no substitute for the real thing, it’s well worth the watch for anyone like me who has yet to witness the band perform live in person.

Favourite song: Exit Row

4. Death In Venice Beach by The Bombpops

I’ve been a fan of The Bombpops since their Red Scare days and absolutely loved their first two EPs, Like I Care and Stole The TV; so, naturally I had high expectations when they signed with Fat Wreck in 2016. Although I enjoyed their debut album, Fear Of Missing Out, I found it to be a bit “light” and never really fell in love with it. Since hearing the Death In Venice Beach lead singles Notre Dame and Double Arrows Down, my internal hype machine started working overtime and I put a lot of effort into trying to control my own expectations. Thankfully the release completely blew me away and has been one of my most played albums of the year. Poli van Dam and Jen Razavi seem to have perfected their dual vocal harmonies and the SoCal punk melodies that were made famous by many of their older Fat Wreck counterparts. The music is a little edgier, the themes and lyrics are a little darker this time around, making for an album that is just a joy to listen to from beginning to end.

Favourite song: Radio Silence

3. Sad In The City by Broadway Calls 

Sad In The City was exactly what I needed when it was released early in July during one of our strictest lockdown periods here in South Africa and only a few weeks after receiving the news of the postponement of Fest 19. Broadway Calls’ latest album was one of the few highlights during a very dark time. Sad In The City isn’t a massive departure from their trademark pop-punk sound but still stands out in their catalogue as sonically different and almost experimental at times. In my opinion, the production plays a big role here with some fuzzy guitars, driving bass, and thumping drums helping to set the album apart from the rest of the band’s catalogue. Song after song, this album proves that even after a 7-year break, Broadway Calls can still write great songs with plenty of big singalong choruses and dance-along melodies.

Favourite song: Went Dyin’

2. Resignation by After The Fall 

After The Fall have always played short, fast, and loud – but never compromising melody or technical proficiency. With Resignation, 13 minutes is all the band needs to blaze through 10 of the best songs of the skate punk and melodic hardcore variety. This album is short but what it lacks in length it makes up with catchy melodies, superb musicianship, and an energy that is hard to find anywhere else; all delivered at lightning speed. The lyrical topics touch on mental health, social issues, and politics, with the usual dose of introspection that After The Fall has always been so good at. My only complaint is that I don’t have the vinyl yet.

Favourite song: Absent Minded

1. Revolution Spring by The Suicide Machines

Who knew my favourite album of the year would be ska?! Revolution Spring is good. Really good. I’m not sure what kept The Suicide Machines off my radar for so long, but I was super late to the party and only really became a fan just before they broke up when they released their 2005 album War Profiteering Is Killing Us All, which was full of aggression towards the Bush administration, with just a touch of ska. Fast forward 15 years, the band has reunited and played some reunion shows, toured sporadically and, after being unhappy to be labelled as just another “nostalgia-act”, decided to unleash some new music into the world. What a gift it turned out to be. With the help of Roger Lima at the helm of the production desk, The Suicide Machines have managed to take their history of varied music styles and unite them to make an album with the best elements of ska, pop-punk, and hardcore to create one catchy, aggressive, energetic, and relevant package that has thrust The Suicide Machines to the top of my list.

Favourite Song: Play Caesar

Less Than Jake’s Silver linings was VERY CLOSE to making my list, but I’ve only been able to listen to it once since writing this and I just can’t justify bumping any of the bands and albums on the current list based on only one listen so far. Plus, two ska albums in my top ten would have looked suspicious.

Some of my favourite “other things” this year:

Livestreams from Mike Herrera, Booze Cruise and Dream Nails.

EP’s released by The Lippies, Braincoats and Strike Anywhere (it has 7 songs… it’s an EP).

Live albums released by Fuzigish, Dillinger Four and Slick Shoes.

Netflix originals The Queen’s Gambit and Unorthodox.

Youtube videos from Mikey and his uke, Goldfinger and BKXC (riding bike when I couldn’t).

This top ten was written by Brett Coomer.

Colin's Top Ten Albums and EPs of 2020

I think it’s fair to say that 2020 hasn’t been a year with much to look back on too fondly. The Coronavirus has brought the world to a halt, people have died, people have lost jobs and businesses, and the world seems more divided than ever at a time when we should be coming together. The world of music has been hit as hard as any other industry due to bands not being able to play gigs or, in a lot of cases, even be able to meet up to practice. For a lot of bands, plans to get back into a studio to record new music has either been severely delayed or just cancelled all together.

I think it’s also fair to say that, because of what’s happened in 2020, it’s been difficult for a lot people to have the enthusiasm to check out new music. It’s been a mentally tough year for everyone and people have preferred to go back to old favourites that they find comfort in rather than going out of their way to find new bands. Personally, when I’m struggling I find a comfort and excitement in going online and discovering lots of new bands from the world of punk rock. I think 2020 has been a mega year for new music. Frankly, I’m surprised I’ve managed to find so many great new bands considering the restrictions in recording and playing shows. When we first started to think about our end of year lists there was a lot of worry about being able to pick ten new releases that you think are worthy of a top ten list. I ended up with a shortlist of about twenty five albums and twenty EPs. I also had to cut out a few splits as the decisions would have been far too difficult to make. As with every year, I’ve put far more thought into this than is probably necessary but I do have a big passion for promoting music I love and wish for more people to check out bands I think are amazing.

Before getting to the top tens here are some honourable mentions: Toodles & The Hectic Pity, Swayze, Out Of Love, The Chinkees, Beat The Smart Kids, Maladroit, Jerks!, Hangtime, Got Trash, Aerial Salad, American Television, Apathy Cycle, Bashful, Broadway Calls, Custody, Foreign Bier, Goldfinger, Jet8, Kid You Not, Less Than Jake, Millie Manders & The Shut Up, Panic Problem, The Raging Nathans, Red City Radio, The Special Bombs, Wolf-Face and The Yum Yums.

Lastly, before revealing my lists, I wish to point out this isn’t a list of what I think the best releases are. Music isn’t a competition and you can’t have a “best” album or EP because it is all subjective. This is a list of releases that I have had the most fun listening to, have excited me or have touched me emotionally.

Imagine reading almost five hundred words of an end of year list before finding out which bands are on the list, probably a bit of overkill really. Right, on with the lists.

Top Ten EPs of 2020

10. Dead Inside by CF98

One of the bands I was most disappointed not to see at the cancelled MPF this year was Poland’s CF98. In the spring they released this fantastic skate punk EP full of interesting, uplifting and powerful songs. In the past few years it’s been wonderful to see more and more bands that aren’t just men having impacts on the skate punk scene and Dead Inside shows exactly why CF98 are so highly thought of. When gigs are allowed again, CF98 are high on my list of must see bands.

9. Proper Confessions by Brightview

Brightview are one of a number of bands in this article that I discovered this year via Bandcamp. They are a three piece band from Germany who play emotional punk rock. When I first listened to their EP Proper Confessions I was instantly reminded of Against Me! and The Gaslight Anthem. At times the band has this raw, folky style and at times there’s a hint of Americana storytelling involved. I’m not sure why more people haven’t been talking about these guys as, to me, they are one of the most exciting new bands I’ve heard in recent times. If Stefan and the Booze Cruise team happen to be reading this, please could you find a spot on next year’s festival for Brightview – thank you!

8. You Belong Here by Shinjoku Riot

When I first listened to You Belong Here by Mexican pop punks Shinjoku Riot it almost felt like they wrote the EP with me in mind. All four songs have this wonderful sing-along quality, with Rafael’s vocals really seeming to have improved since their last release, All We Have Is Now. You Belong here starts out in an urgent manor and finishes with what I think is the best song they’ve written so far in Face First To The Ground. This is one of those releases that I imagine will be even better performed live than it is recorded.

7. Alright by The Hype Pathetics

The Hype Pathetics are a band that I covered quite recently and I had so much fun reviewing them that I had to include them in this list. The three piece from Denver, Colorado, play fast and fun power pop punk music. This EP is so much fun. It’s the type that will you have you at the very least tapping your toes but you’re more than likely to find yourself having a full on dance party wherever you are listening to it. Every time I’ve listened to it I’ve found myself shaking my thang and having the most fun in the world. Something that has been desperately needed in 2020.

6. Pretend It’s Not Over by Resuscitators

I was in two minds about whether or not to include Pretend It’s Not Over by Resuscitators on this list due to their connection with CPRW Records but then I listened to the EP again and decided I had to as it’s really, really good. I have a memory of the band’s drummer Kyle coming up to me outside New Cross not long after the EP had been recorded and playing me some songs on his phone. Obviously, being played on a phone outside of a busy gig, it wasn’t easy to hear the songs so clearly but what I did hear was superb and it got me excited for the release. In my opinion the EP is such a big step up from the band’s previous material and has hopefully showcased them to a whole new group of fans. If you enjoy fast, melodic, gruff punk rock then Resuscitators should be on your radar.

5. Grower by Burnt Tapes

I’m not sure there are many bands in the UK DIY scene that work harder than the Burnt Tapes. Never a band that stands still for long, the band released Grower this year. Featuring three brand new tracks alongside an acoustic version of the fan favourite Yuzi, this yet again shows some more growth in the band’s songwriting. With each release the band seem to find their sound more and more, along with gaining new fans with each release. The Tapes were supposed to make two trips to America this year and I’m sure that they would have received incredible receptions wherever they played.

4. Tales From A Red Flag Galaxy by Stubborn Hearts

Stubborn Hearts are another band I found on Bandcamp and had a really fun time reviewing. They are a two piece from New York who play urgent melodic punk rock. Tales From A Red Flag Galaxy blew me away the first time I listened to it. It’s a bit of a throwback to the 90s punk sound but also feels fresh. Lead singer Jenn Lombari’s vocals are captivating whether they’re singing in a fast paced tempo or a slower more angst-fuelled style. The songs are brilliantly catchy but also contain a lot of substance and, for a two piece, they manage to make a lot of noise. The EP also finishes with a wonderful cover of Outer Space by The Muffs, so check it out for that reason alone.

3. Someday, One Day by Modern Shakes

When I first heard Someday, One Day by Modern Shakes I fully expected the band to do the double for my favourite EP of the year, having previously topped 2019’s list with Murmur. It says alot about just how good I think numbers one and two in my list are that Someday, One Day is number three. I feel that the band are one of London’s best kept secrets and if 2020 hadn’t gone the way that it has then these guys would have played gigs all around the UK by now on the back of this EP. If you’re not aware of Modern Shakes yet, they are front by former Janowski frontman Ian Crooks, who in my opinion has one of the best voices in punk rock at the moment and they play melodic pop punk music that would fit perfectly on a The Fest line up. They write songs about life as you approach your thirties and the problems that you face. I’m looking forward to 2021 and hopefully seeing these guys absolutely smash it.

2. Straight To VHS by Abandon The Midwest

Straight To VHS has everything I love about punk rock on it – catchy songs that I can relate to, dual and gang vocals and a raw and urgent energy to it. From the first moment I listened to it I was absolutely hooked. It’s been out about six months now and I still find myself getting so excited whenever I listen to it. I really love the contrasting vocals the band have. BJ’s cleaner pop vocals and Matt’s raspy, gruff vocals give the band their own recognisable sound. When you hear a song come on you’ll know it’s Abandon The Midwest. The Orlando based band have also released my song of the year in Mistreat Yourself. It’s a mid-tempo sing-along, fist in the air riot that I am aching to see live. Hey Tony and The Fest team, if you happen to be reading this, could you put Abandon The Midwest on the line up next year please? Thank you.

1. My Name Is by ALLDEEPENDS

I don’t think I had a more anticipated release for 2020 than My Name Is by ALLDEEPENDS. After seeing one of their first gigs at Book Yer Ane Fest at the end of 2019 I was itching to hear some recorded material from the band. My Name Is was eventually released by the legends that are Make-That-A-Take Records in the summer and I was blown away. Combining folk, hardcore and rap – three genres that aren’t usually bed buddies – and creating one of the most unique and exciting sounds I’ve heard in forever. I can’t say enough good things about this band. They are the band that I’ve recommended whenever someone has asked for something new to listen to this year. The EP is full of this raw energy that explodes from the speakers and seeps into your body. I always find myself getting so pumped up whenever I listen to My Name Is. This EP reminds me of what I first loved about punk rock in the first place – it makes me feel things, it makes me think, it makes me sing and most of all it makes me smile. I really can’t think of a better debut EP I’ve heard in a very long time. I’ve been listening to it relentlessly for six months now and that excitement I had when I first heard the EP is as high now as it was back then.

Top Ten Albums of 2020

10. Walter Concrete by Dead In Four

Dead In Four nearly appeared twice on my lists as they also released a fantastic EP in the form of Media Shower in 2020. Another of my 2020 Bandcamp discoveries, Dead In Four is the project of Mark Oslord from Bedford, New Hampshire. Walter Concrete is the softer of the two releases but features ten songs of brilliant dreamy punk rock. Oslord’s voice reminds me of a mix of Em Foster of Nervus and Matt Skiba of Alkaline Trio and is just fantastic.

9. No Slow TempOs by Youth On Drugs

I think this year, more than any other, it’s been important to find the fun and silliness in music. Music, like a lot of art forms, is a type of escapism. No Slow TempOs offer one of the most fun releases of the year. This is catchy pop punk that doesn’t take itself too seriously, something that’s really been needed this year. Youth On Drugs have such an infectious sound and every time you listen to them you’ll find something new that you love. Is there a country that produces better pop punk bands than Canada?

8. Magic Summer by The Sewer Rats

I’ve been in love with The Sewer Rats since first seeing them at Hamburg Booze Cruise in 2019. In the summer of 2020 they released a new album titled Magic Summer, released in the UK by our friends at Disconnect Disconnect Records, and it ruled. The four piece combine Lookout Records style pop punk with a hint of skate punk to create a sound like no other. Thematically the band talk about growing up and falling in love alongside more serious topics such as veganism. Whatever they’re singing about, you’ll be singing along with them due to their incredible skill at writing catchy hooks.

7. Can’t Complain by Kill Lincoln

Can’t Complain by Kill Lincoln felt like the most anticipated ska punk album to be released in years before it came out in August. It did not disappoint. Squeezing eleven tracks into twenty-nine minutes, the album is a high octane thrill ride that barely pauses for breath. Can’t Complain sees the band at the very top of their game, not just with their playing skills but also with their songwriting. It feels like the popularity of ska punk is rapidly growing again in the United States and Kill Lincoln are at the forefront of the new movement.

6. 42 Losers by Melanie

Emo/pop punk isn’t a usual go to when I’m checking out new bands but I absolutely loved 42 Losers by New Zealand’s Melanie. What really grabbed me about this album is the raw emotion that comes from James Dentice’s vocals throughout 42 Losers. Whether it’s more of an uptempo song or a slower track, you just can’t ignore them. Given that Melanie are based in New Zealand, it feels unlikely that I’ll ever see them live and this makes me sad. Good thing that I now have 42 Losers to listen to when I am sad.

5. Revolution Summer by The Suicide Machines

This might be a controversial statement (feel free to disagree in the comments) but I think Revolution Summer by The Suicide Machines is the best thing Fat Wreck Chords have released in years. The long running ska punks from Detroit returned with their first new full length in fifteen years and they feel invigorated. Revolution Summer retains all of the social political commentary that the band have become known for but there’s also a feeling of positivity that really took the album to another level for me. This is an album that’s compulsory listening in 2020. I’ve listened to it a lot!

4. Slurring The Rhythms by Shut Up! Twist Again!

European punk rock has become a big part of my life in recent years and I’m always looking for new bands to discover. Without a doubt my favourite discovery of 2020 are French indie punks Shut Up! Twist Again!. The band released their second album Slurring The Rhythms on Guerilla Asso and Fond Of Life Records in August and I stumbled across it a month or so later and was hooked. The thing that first attracted me to the band was their ability to write songs that make me want to sing along. I like to feel involved in the music I’m listening to and that’s certainly the case for Slurring The Rhythms. Musically you can hear just how much thought has gone into every song on the album and the use of gang vocals are second to none. Hey, Stefan, if you’re booking Brightview for Booze Cruise Festival could you also find room for Shut Up! Twist Again! please? 

3. The Spaces In Between by Arterials

Another band I’ve been telling everyone to check out this year is Hamburg’s Arterials. I first fell in love with them whilst watching them play on a boat in Hamburg. The energy that they had live was brilliant and lead singer Flo has those wonderfully raspy vocals that I always enjoy. I was lucky enough to get an early listen of the band’s new album, The Spaces In Between, during the spring and I knew straight away that it would place highly in my end of year list. Each and every song on the album spoke to me in one way or another. I think it’s important for punk music to make you feel something, whether it’s feelings of catharsis, empowerment and influence or anything else. The Spaces In Between is great at this. Topics such as mental health, political and social injustices, friendship and climate change are all featured on the album. If you’ve not checked this out yet then make sure you do soon, it’s another important record for 2020.

2. Me, Myself And Something Else by Call Me Malcolm

I’m sure nobody reading this is surprised to find Call Me Malcolm on this list. It’s no secret how much I love this band. When the band released Me, Myself And Something Else (on Wiretap Records no less) my first thoughts were how would it compare to the awesome I Was Broken When You Got Here, which is by popular opinion a masterpiece. Well, in my opinion, they topped it. Musically the album feels heavier and you can clearly hear that following Random Hand for much of 2018 and 2019 has rubbed off on Malcolm. Of course, the album touches a lot on mental health issues and coming to terms with your struggles, and the band continue to show what fantastic songwriters they are. The big highlight for me on the album is the stepping up of sax player Mark Farthing as a co-lead vocalist. When he takes lead he shines and it’s added an additional dimension to an already amazing band. There’s every chance that Me, Myself And Something Else would have been top of this list if I’d had the chance to see any of these songs played live this year, I can’t wait to get the chance to!

1. Get Your Retaliation In First by 3dBs Down

Get Your Retaliation In First by 3dBs Down blew me away like no other in 2020. 3dBs Down are a band that I discovered in the past few years after befriending Paul Smith of Be Sharp Promotions (yup, that guy) and him telling me over and over again how they are the best band ever. Fast forward to this year, when this album landed in my inbox. After seeing them live a couple of times I was expecting something decent but I really wasn’t expecting an album that is this good. The band somehow manage to combine pop punk breakdowns and ska upstrokes into one cohesive sound and also have the very best harmonies in the UK punk scene – past, present and probably the future. Get Your Retaliation In First is the band’s first album in fifteen years and it became the soundtrack of my summer. It’s also the album I probably had the most fun reviewing all year. It’s so varied, not one song sounds the same and there are so many little intricacies that you hear for the first time with each listen. I’m sure there were a lot of new people to the UK punk and ska scene that discovered 3dBs Down for the first time this year and this album is a perfect way to welcome them to what the band do. The album touches on many social and political themes but also has some of the most uplifting songs I’ve heard all year. This album really has it all, it’s a lot of fun but it also makes you feel things. And did I mention the harmonies? Jeez, they’re so good. I’ve got my fingers crossed that 3dBs Down will play Get Your Retaliation In First in full at some point next year. Hey Paul, can you book that please? Thanks! Get Your Retaliation In First is my favourite album of 2020.

This top ten was written by Colin Clark.