Robyn's Top Ten Albums of 2020

There is no doubt that this has been a difficult year, filled with uncertainty, frustration, trauma, and a strange sense of unreality. But what it has also shown is the vitally important role that art plays in our lives. It was the film and television producers, the writers, the content creators, and the musicians who kept us company, provided escape, gave us something to share in, and buoyed our spirits when we couldn’t see friends or family and felt increasingly frustrated by everything happening on the news. So it feels even more fitting to take the time to pay tribute to the albums that I really enjoyed this year.

10. Folklore by Taylor Swift

I’m sure that this is going to be a controversial choice for my top ten, but I truly love this album and it simply had to make my list. While I don’t regularly listen to a lot of music that falls outside of punk or its subgenres, I follow a lot of popular artists and I’m generally interested in keeping up with what’s happening in other genres. So when Taylor Swift dropped a surprise new album that sees her collaborating with The National’s Aaron Dessner, I was immediately interested. What I found is a beautifully-crafted storybook of an album, brimming with wistful imagery and outstanding lyricism. As a literary student who essentially reads for a living, it’s perhaps unsurprising that I am drawn to the exceptional storytelling on Folklore; but I also love its indie sound. The album is stripped-down, giving a sense of intimacy and increased emotion, but also layered and well-produced. My favourite track is “Epiphany”, which compares Taylor’s grandfather’s act of service in WWII to the frontline healthcare workers serving during the pandemic. It compares the sense of loss and daily trauma encompassed by these events, simultaneously honouring those who place themselves at risk (both physically and mentally) in helping others and mourning an international tragedy. This album captures so much of the mood of this year, and it’s certainly deserving of being named one of 2020’s best releases.

9. Sad In The City by Broadway Calls

I’ve never met a Broadway Calls album I didn’t like, so it’s unsurprising that I’ve really enjoyed the band’s latest offering. The opening line asking “if my country collapses, can I crash on your couch?” captures the dystopian energy of the last year (or four in America), and sets the scene for some joyful catharsis. So even while you sing along, chanting “everyone’s sad in the city”, you can’t help but have a huge smile on your face. These are high-quality pop-punk bangers, and would seriously have scored higher on my list if it weren’t for the other exceptional albums released this year.

8. Death In Venice Beach by The Bombpops

The Bombpops are a band I’ve always liked but never fully committed to. But after just one listen to the new album, I was totally hooked. Death In Venice Beach delivers a stream of ultra-catchy pop punk jams with clever lyrics and great production. There is also a hidden seriousness to this album, since it details Poli van Dam’s battle with addiction. A song like “13 Stories Down” is really fun and upbeat, even as it describes the lowest points of alcoholism. This personal side of the album and the light it shines on the problem of addiction give the songs a little more heft, and the quality of the songwriting shines through the entire album. This is some of the best music The Bombpops have put out and certainly some the best music produced this year.

7. Wonderful Hell by War On Women

War On Women’s call to “raise some wonderful, beautiful hell” is the perfect rallying cry for a year that saw a major resurgence in the Black Lives Matter movement and where the pandemic exacerbated pre-existing social inequities. I enjoyed War On Women’s previous release, Capture the Flag, but this album just hit differently in the current moment and I think the band’s songwriting is just getting better with each release. The album is full of heavy guitar riffs, big melodies, and Shawna’s unmistakable vocals. A triumphant combination of righteous anger and defiant positivity.

6. 20/20 Vision by Anti-Flag

Back in March, South Africa went into a hard 3-week lockdown (which of course ended up being extended). We weren’t allowed to leave our property, not even for short walk around the block, and just one family member could make the weekly trip to the grocery store to stock up on essentials. I had a large stack of marking to get through and many student concerns to deal with, and the new Anti-Flag album became my refuge. This is the band’s answer to Trump’s America: the hate it fostered and the deep divisions it widened. It’s full of the anthemic choruses you would expect from Anti-Flag, providing high-energy social commentary and calling for sustained resistance. The quality does not lag across the 11 tracks, which are full of great hooks and catchy lyrics. It’s an excellent addition to an already impressive music catalogue of a band who have been playing together for almost thirty years.

5. Revolution Spring by The Suicide Machines

It’s been a very long time since we’ve had a new Suicide Machines album, but hot damn it was worth the wait. The incredible bass tone on this album alone would be enough to make it a contender for my top ten, but it also delivers a delicious mix of punk and ska, with a few hardcore elements thrown in for some added flavour. Actual conversations Brett and I have had about this album include simply saying “it’s so good”, “yeah, right?!” to each other over and over again. A bop from start to finish.

4. Seamless by Pardon Us

Less than a year after their first album, Pardon Us dropped a new release absolutely packed with fun melodic-punk tunes. There are so many things I love about this album: the gruff lead vocals, the background harmonies, the incredibly catchy melodies, the thoughtful lyrics, and the sheer danceability of these songs. The band have really built upon their previous success and delivered a tight and polished sophomore album.

3. Life, Death And Everything In Between by Stöj Snak

The latest album from Danish folk punks Stöj Snak opens with an intense and haunting call to life that hit me like a physical force the first time I put this album on. Niels Højgaard Sørensen’s vocals are unlike any other singer out there: powerful, textured, and highly emotive; and the music brings together a brash punk energy with more soulful and folksy elements. The album really has ‘everything’: want to dance even while the world’s burning? Put on “Trees”; want the most perfect singalong about sticking it out even when life gets hard? “Bliss Point” has got you covered. It closes with a ballad about identity, change, and the journey of life that is beautifully expressed and incredibly moving. Just perfection.

2. You or Someone You Know by Worriers

Worriers’ previous album, Survival Pop, made my top ten list in 2017; but for some reason the first couple of times I listened to You Or Someone You Know I just didn’t connect with it. Then one afternoon, it finally all made sense and I marvelled once again at Lauren Denitzio’s fantastic songwriting and vocal skills. Despite the first track dealing with living through what often appears to be the “End Of The World” and many of the songs tackling difficult personal issues, the mood of the album is self-assertive and uplifting. And between the big melodies, deep grooves, and gorgeous guitar flourishes, the lyrics are direct and honest. A fantastic new release from Worriers that I’ve come to love more and more.

1. Brave Faces Everyone by Spanish Love Songs

Little did we know back in February when this came out that “Brave Faces Everyone” would become the perfect slogan for this year. I already knew then that this would take the number one spot on my list, and no matter how much I have listened to the other albums on this list, I have still listened to this one more. This is an album about facing up to daily fears and struggles, and choosing to try. This is something that I think everyone can relate to, whether that’s dealing with the drudgery of your job, mental health issues, or major life changes. Although the previous releases from Spanish Love Songs have been excellent, I think this is their best album to date. With its soaring choruses, flawless vocals, and a sound so big that it feels wrapped around me, it may possibly be one of my favourite albums of all time.

* Entries 3 and 4 on this list came to me via endorsements from Emma. This is not the first time I owe Emma thanks for an excellent recommendation, and I’m sure it won’t be the last (but thanks once again!)

This top ten was written by Robyn Pierce.

Emma’s Top Ten Albums of 2020

2020 has been overwhelming rubbish, hasn’t it? It’s been a weird ol’ year for new music although there hasn’t exactly been a lack of it. I started the year – pre-COVID but also through the beginning of lockdown and working from home (when I could listen to whatever I wanted as I worked) – being excited to discover new artists. According to my ‘Spotify Wrapped’ this year, I discovered over 600 new artists which is pretty good going, especially without going to gigs. Of course, I was also looking forward to hearing new albums from many of my existing favourite artists this year.

Unfortunately, it got to a point over the summer and beyond where I just wasn’t that enthused about listening to music in general – new or otherwise. (I listened to a lot of podcasts instead.) I also went through a period of not really feeling inspired to write reviews, even if I was enjoying an album, so I hope to rectify that somewhat with my end of year list (and honourable mentions). It’s worth pointing out that I still have albums that came out this year on my metaphorical ‘need to listen to properly list’ but I guess there’s always going to be more albums to listen to in a year and I will check them out when I can.

I’m afraid I haven’t been organised enough this year to put together a top ten EPs list as I have done in previous years. I do, however, want to give a little shout out to some of my favourites:

Ghosts, Guilt & Grandparents by Toodles & The Hectic Pity
Lobotany by Cheerbleederz
Whichever, Whatever by Expert Timing
The Bin Collection by Mitch, Please
Proper Confessions by Brightview

There are also some great albums that didn’t quite make my top ten but are certainly worth a mention here:

5 Years Behind by THICK
Cause A Stir by Charmpit
Punisher by Phoebe Bridgers
Jump Rope Gazers by The Beths
Dream Nails by Dream Nails

Now onto the really good stuff… without further ado, here are my top ten albums of 2020:

10. The Spaces In Between by Arterials

Perhaps it’s due to my increasing frustration at the state of the world, from people’s selfish panic buying to littering of single-use face masks and my overwhelming climate anxiety, but I’ve really enjoyed listening to somewhat heavier and angrier music this year than I previously would have. It’s a real good stress reliever. The Spaces In Between by Hamburg, Germany’s Arterials is certainly on the more singalong fists-in-the-air side of melodic hardcore but, whatever you want to label it, it sure packs a punch. With subject matter ranging from friendship, politics and climate change, there’s a lot of food for thought on The Space In Between and I think, particularly in 2020, having songs that really make you think and feel something are important now more than ever. I’m also gutted to have not been able to hear these songs played live at Booze Cruise Festival in the summer, maybe next year…

Favourite song: Pump The Brakes

9. Me, Myself And Something Else by Call Me Malcolm

Despite the ongoing pandemic, this year has been a big one for Kent DIY ska punks Call Me Malcolm. They returned with their third album, Me, Myself And Something Else in May – the follow-up to 2018’s CPRW favourite I Was Broken When You Got Here. It was self-released here in UK but was also released in the US through the amazing Wiretap Records. Understandably, they’ve been getting increasingly popular across the pond and I’m sure they’d have a tour booked and announced for 2021 (perhaps with Kill Lincoln) had this year gone a little differently. As for the album itself, it picks off where Broken left off with deep, hard-hitting lyrics tackling anxiety and depression that are accompanied by some of the catchiest horn lines and riffs in ska punk. I want nothing more than to dance like crazy and sing along to these new songs at our beloved New Cross Inn as Malcolm are a band best served live. Like many things, I’ll just have to wait and settle for bopping around my living room.

Favourite song: Also, Spiders

8. Untenable by Bad Moves

Bad Moves, from Washington, D.C., were a new discovery for me this year. I was intrigued to check out Untenable, which was released on Don Giovanni Records in June, when I saw several people raving about it on Twitter. The folks at Specialist Subject Records also talked about it on their podcast, Flick Through, and Erica’s love for the band was more than enough encouragement for me to give the album a listen. Untenable is twelve infectiously catchy, upbeat and feel-good – for the most part – tunes that I guess could be best described as indie punk or power pop. The vocals come from all four members of the band throughout the album and bring so much energy and enthusiasm to the table. It truly feels like a bunch of best friends just having the most fun making music together and all while managing to deliver a slick and intricate piece of musicianship.

Favourite song: Working For Free

7. The Distance Between by Arms & Hearts

This is probably the album that was most fresh in my mind when it came to deciding on this list. Arms & Hearts has been a firm favourite of mine for a number of years and their debut album was at least one thing I was looking forward to in 2020. Released in November, I knew that The Distance Between by the Manchester-based acoustic punk troubadour was certain to make an appearance here from the first time I listened to it – it was just that good. It is clearly a leap forward from their previous releases – which were by no means bad – and for a band that was essentially a solo project, the album has very full sound. At times, it feels like a melodic punk band rather than one man and an acoustic guitar. The Distance Between has some pretty dark and emotional subject matter but it’s a hugely cathartic listening experience from start to finish.

Favourite song: Kerouac On A Minimum Wage

6. Get Your Retaliation In First by 3dBs Down

What a surprise gem of an album this was! Colin and I know 3dBs Down as being Paul BeSharp’s favourite band of all time and we’ve had the pleasure of seeing them live a few times in recent years, despite not knowing them ‘back in the day’. Get Your Retaliation In First is the band’s first new music for 15 years (!) and I don’t doubt for a second that it was well worth the wait for long-time fans. I first heard this album when Colin was listening to an advanced copy in preparation for writing his review of it and I remember turning to him after just a couple of tracks and saying ‘This is really good’. It’s so distinctly unlike anything else that I’m not even sure how I would describe this album. There’s a bit of ska in there but this is not really a ska punk album, there are some super catchy melodies, singalong moments and incredibly earwormy harmonies threaded throughout but it’s not quite pop punk. I suppose it’s just a brilliant album and needs no further defining.

Favourite song: Idiot Ignorant Evil

5. Seamless by Pardon Us

Congratulations to Pardon Us for being the first band to appear on my end of year albums list for two years running! 2019’s Wait, which was also the band’s debut full-length, was a really great album and I think they may have surpassed it with the follow-up, Seamless, which was released in August this year on the always excellent Everything Sucks Music. The Liverpudlian three-piece play blisteringly fast paced pop punk music – there are twelve songs on Seamless and all of them are under three minutes long – with a strong political and humanitarian message. To paraphrase from my full review of the album, Seamless is a top notch album packed with catchy melodies and intelligent, thoughtful lyrical content that is hugely relevant to the world we live in. Basically, it has something for everyone.

Favourite song: Still Needs Singing

4. Show Me The Blueprints. by Days N Daze

I’ve always been a fan of punk music of the folk variety and one of my very favourite ‘folk punk’ albums of 2020 comes from Houston, Texas’ long-running band Days N Daze. Show Me The Blueprints. was released in May and it is the band’s eighth full-length as well as their debut release with the legendary Fat Wreck Chords. I’m not sure if it’s the label’s influence specifically but I would say that this album is perhaps more accessible to punk fans that are not necessarily likely to listen to a band with instruments such as a banjo in their ensemble. It’s still got the raw heart and soul of their previous material but is perhaps a little more well-crafted. Both Jesse Sendejas and Whitney Flynn’s vocals are brilliant throughout – often providing backing harmonies for one another – as they each sing of their own experiences dealing with addiction and their struggles with mental health. Of course, the melodies and instrumentation throughout the album are excellent but it’s the lyrics that really pulled me into this album and earned it this spot high up in my list.

Favourite song: Saboteurs

3. You Or Someone You Know by Worriers

When You Or Someone You Know by Worriers was released at the beginning of March, I didn’t know that my two (or was it three?) opportunities to see them live for the first time would soon be washed away when 2020’s hopes and dreams went down the drain. I also didn’t know that this album would come to be about so much more than just, ahem, the end of the world – or at least the climate changing, political meltdown end of the world as opposed to the global health crisis end of the world that 2020 has become. This is not a heavy, or even the most typically punk sounding, album but it has such a huge sound with hooky guitar melodies, dreamy keys and just the most incredible vocals and lyrics. Lauren Denitzio has one of my favourite voices in punk rock and their delivery is always so powerful regardless of the volume in which they are projecting. The album is on the one hand melancholic and on the other optimistic, either way it gives me a warm fuzzy feeling to listen to again and again.

Favourite song: What Comes Next?

2. Brave Faces Everyone by Spanish Love Songs

It would be a pretty fair observation to describe my adoration of emotional punk rockers Spanish Love Songs over the past few years as something close to an obsession. I was obviously excited for Brave Faces Everyone, which was released way back in February, although I was also fairly apprehensive. It couldn’t possibly live up to 2018’s Schmaltz. Could it? Well, now having listening to it an awful lot this year, I can honestly say that I think this is even better than Schmaltz. Similar to You Or Someone You Know by Worriers, this is an album that has taken on a new meaning as this year progressed – ‘“It won’t be this bleak forever.” Yeah right. “It won’t be this bleak forever.” I hope you’re right.’ Brave Faces Everyone has undoubtedly made the seemingly never ending dystopia of 2020 that bit more bearable. It’s heart-wrenchingly emotive from start to finish, not least because it’s relatable for any twenty or thirty something with a conscience, but also makes you want to throw your fist in the air and scream your lungs out. It’s an album to be listened to front to back and then all over again. And if that doesn’t make for a great album then I don’t know what does.

Favourite song: Optimism (As A Radical Life Choice)

1. Life, Death And Everything In Between by Stöj Snak

No surprises here! If you happened to read my essay of a review of Life, Death And Everything In Between by Danish folk punks Stöj Snak just a few months ago then I’m sure you saw this coming, such was my outpouring of passion for these twelve songs. Earlier this year I thought it was going to be tough for anything to top Spanish Love Songs but then Stöj Snak returned in October. Life, Death And Everything In Between is the band’s second full-length album that I’ve been waiting four long years for – to be honest, I wasn’t really sure it would actually be released this year. From the acapella opening track Reasons To Smile, through to raucous yet melodic fast-paced numbers such as Trees, This Condition and and Fire and not one, not two, but three tracks of epic proportions – Bliss Point, Songs About Beliefs and album closer and title track, Life, Death And Everything In Between – this album delivers on so many levels. Niels Højgaard Sørensen’s lyricism is so captivating that I find listening to his songs as enticing as a really, really good book. There are so many intricate touches interwoven throughout this album, it’s clear that the process of writing and recording it was not at all rushed. Everything has been considered and, I said it in my original review and I’ll say it again here, I consider this album to be a masterpiece. I can’t recommend it highly enough. Please, if you haven’t already, go away and listen to Life, Death And Everything In Between. If you have listened to it before, just listen to it again!

Favourite song: Songs About Beliefs

Thank you to all the bands mentioned above for making this year a hell of a lot more enjoyable. 2021 should hopefully be better than 2020 in many ways but it’s still going to be tough to beat some of the very best albums that this year has brought us.

This top ten was written by Emma Prew.

Album Review: Life, Death And Everything In Between by Stöj Snak (by Emma Prew)

Back in 2016, when I was still new to review writing, Colin sent me an album he’d received from TNS Records that he thought I would enjoy because it was ‘folky’ – folk punk being my thing. That album was the debut full-length from Danish four-piece Stöj Snak titled ScreamerSongwriter – I’d never heard of the band before, nor front person Niels Højgaard Sørensen’s previous melodic hardcore band Mighty Midgets at the time, but I did enjoy the album. I’m reluctant to re-read my 2016 review (or link it here – although you can quite easily find it, if you wished to) for fear of it not being up to scratch with my current review writing nor truly reflecting just how much I have come to love ScreamerSongwriter – so much so that I would consider it to be in my top albums of all time. That initial review also wouldn’t have captured how Stöj Snak have grown to be one of my most favourite artists – not to mention live performers.

Since ScreamSongwriter, Stöj Snak have released two EPs – 1000 Daisies in 2018 and a split with Speed Dinosaurs titled The Mass Extinction Split last year – and several video game soundtracks (I highly recommend checking out the game Figment, it’s very good). All of the above have been excellent but, of course, what I’ve been eagerly awaiting above all else is Stöj Snak’s second full-length album. The wait was finally over towards the end of September when Life, Death And Everything In Between appeared in the CPRW inbox and I did a happy dance before preparing myself to listen to what I’d already proclaimed to be my most-anticipated album of 2020. 

For Life, Death And Everything In Between, Niels is joined by Rasmus Glassau Clausen, Jeppe Nørgaard, Jesper Olsen – who each play quite a range of instruments – as well as a number of other guest musicians and vocalists.

The album is out on the 23rd of October on 5FeetUnder Records, TNS Records and Make That A Take Records. Please read on to find out just why you should listen to it as soon as you can! In short: It. Did. Not. Disappoint. (My review, however, is far from short so apologies in advance.)

Life, Death And Everything In Between begins slowly and calmly with Reasons To Smile. The track is almost entirely acapella with just some gentle organ playing starting over half way through the short song. It’s a beautifully distinct opening track that really grabs the listener’s attention and allows us to focus on every word that Niels is singing. Reasons To Smile is a personal song written for Niels’ child and is about acknowledging that the world is a pretty horrible place – ‘I know this world is not a place I would want to be born into’ – but hoping that they can live the happiest life possible despite this and ‘find reasons to smile’. It’s a perfect introduction to the album that leads us nicely into track number two – Trees. I knew I was going to really like this song, just from its title, before I had even heard it for the first time – hitting play, it did not let me down. Starting out with a drum roll and some fast paced strums of guitar, it’s clear from the outset that this is going to be a more raucous Stöj Snak tune. When the vocals come in, Niels’ voice has got that wonderful slightly raw quality that we know and love from previous Stöj Snak releases, without being too far down the screamy end of the scale. Trees is a wonderfully catchy song both in its lyrical content and melodies – I particularly love Jeppe’s subtle double bass part that sits comfortably behind the swift guitar strumming. Rather than literally being about trees, the song describes us humans as being like trees without roots to hold us down, trying to do the right thing and vote for the change we want to see in the world and our lives but being ‘blown apart when a storm comes around’. The (Not So) Great Depression fades in with the question ‘How do we escape, How do we escape, How do we escape, This not so great depression?’ before the whole band comes in full force, quickly matching and then surpassing the tempo of the previous track. As you might be able to tell from the title of the track, The (Not So) Great Depression is about how many of us find ourselves suffering with some form of depression in modern life and the track questions why this might be. The lines that struck me the most – although, of course, Niels is a master lyricist so it’s all gold – are ‘Is it the way you're disconnected from nature and apathy replaced your will to fight, Or how bright screens and gadgets steal your attention and all your spare time just passes by?’ The song has some wonderful transitions from fast paced verses with loud vocals to slower more muted sections before ending with full on screaming.

The tone changes completely for the fourth song on Life, Death And Everything In Between. Bliss Point was released in hand drawn and animated lyric video format in mid-September and, if you haven’t already seen it, then I highly recommend you go and watch it now. The video itself is captivating and is a wonderful accompaniment to a truly beautiful song. Opening with a steady finger picked guitar riff and subtle synth part before some distinct harmonica playing and the rest of the band come in, Bliss Point is one of the more mellow sounding songs on the album but that is definitely not a bad thing. It’s also one of the longer songs on the album, clocking in at 6 minutes, but it never feels too long. The song builds and builds throughout its duration with the real highlight coming well over half way through the song as Niels declares ‘I don’t want to leave, Let’s live while we’re still breathing, I don’t want to leave, And dream before we fall asleep’. I can’t express how much I want to sing along to that at a Stöj Snak live show one day. Hopefully I can. Next up is Wants/Needs which opens with a surprise trumpet part (a guest appearance from Sara Harrington) and instantly reminds me of long-standing folk punks Days N Daze. When the vocals and the rest of the band come in however, I soon forget any comparisons as this is classic lively Stöj Snak. I also want to refer to the song as joyful although I know that that’s not necessarily reflected in all of the lyrical content. Wants/Needs is about feeling like you want certain, often material, things even if those things aren’t what really matters in life. I just can’t help but smile and sing along to ‘Sometimes what you want are not the things you need, Sometimes what you want are not the things you need, While you fall, I’m hanging here right above you, Pressing on, I'm hanging here right above you, Hoping someone’s there to catch you.’ Sensible Utility wastes no time in getting going and soon confronts the listener with a thought-provoking and, I’m sure, very relatable subject matter. Niels sings of seeing a child suffering in poverty on a charity advertisement on the TV before uncomfortably turning it off as well as feeling uneasy when passing a homeless man on the street. The chorus asks ‘We’ve got to fucking help them, don’t we? What kind of humans are we if we don't? We got to fucking help them, don’t we?’ before coming to the conclusion ‘But we can't save the whole world on our own’. It’s true but I think – and I think what Stöj Snak are trying to say is – that you can always try to be a better, kinder person and make a positive impact on the world, however small that impact may be.

Kicking off immediately with a melodic bass line, rhythmic guitar strums and percussion, This Condition tackles similar themes to The (Not So) Great Depression although this time it feels more personal. Niels sings of having feelings of melancholy despite being ‘better off than most’ and having been brought up with ‘food, education and toys’ but feeling like because, at least on the outside, your life appears to be great, you cannot complain or feel sad. I know some listeners will take great comfort in these lyrics and will also enjoy the cathartic singalong that takes place towards the end of the track – ‘Maybe these songs will never really matter, But it matters that we try, First step to change is seeing a pattern, That we can break if we rise, The future belongs to those holding on, When you sing along, I'm holding on, Na na na (etc.), Let’s sing along!’ The eighth song of Life, Death And Everything In Between, Drink From The Well, is one that I was already well acquainted with due to its inclusion on 2019’s Mass Extinction Split. It’s an upbeat, bouncy and super catchy tune that certainly doesn’t sound out of place on the record so I have no complaints about its inclusion. The song is one that’s more obviously about the consequences of climate change than perhaps anything else on the album but the idea that it will not have the an impact on us necessarily but our children and future generations instead is a theme that runs throughout the album. ‘We've poisoned the waters and ruined the crops so what do we say our kids turn to us, And ask us to justify all this mess – they will reap what we saw.’ The review pack for this album helpfully includes not just lyrics but also which instruments appear on which song, and who plays them, so I’ve learnt that the sort of twanging instrument throughout Drink From The Well is a jaw harp – and I love it. With its soft piano lead opening, it’s clear that Songs About Beliefs is going to be a slower track that gradually builds up throughout its duration. Like Bliss Point earlier on, this is one of the longer songs on the album. It’s also so incredibly emotional and moving, so much so that the first time I listened to it I almost teared up – probably the fact that I was driving at the time was all that was stopping me. It’s just that heartfelt and passionate. I must have listened to Life, Death And Everything In Between over twenty times before actually sitting down to review it and this song still hits home just as hard as the first time I heard it. It takes us on an incredible journey from simply feeling like everything in the world is shit to really trying to get better and do better. The whole song is a hugely cathartic experience but the crowning moment is towards its conclusion, after an impassioned harmonica performance – ‘Rise and sing, all of my fallen friends, If just for tonight, live our beliefs, Rise and sing, all of my fallen friends, Let’s be the change we want to see. Yeah, let us sing for the whole world to hear, expose our hearts, our hopes and ideas, And for once be true to ourselves and make things matter, If it mattered once to dream like this, we can make it matter now.’

As the album begins to draw to a close there’s yet another change in musical style for a minute long bluesy number titled Smoke. With a slightly more electronic feel than much of the Stöj Snak back catalogue (‘programming’ and ‘feedback’ are listed in the credits for this song), it actually wouldn’t feel out of place on one of Niels’ video games soundtracks. There’s a very dark feel to the song as Niels sings of smoke rising above the trees. Whether that smoke is the result of industry or a burning forest hardly matters as it is the same negative impact to our planet either way – ‘Ignite the world with hatred, kill till there’s nothing left to kill’. The penultimate song of the album is Fire which could easily be considered the second part of Smoke, at least in terms of its themes. However, unlike Smoke, this is the classic Stöj Snak energetic and punchy sound that we’re already familiar with. It’s also a fine combination of melodic, catchy lyrics – ‘Fight fire with water if you really want to put it out’ – and screaming vocal moments. The song is about how humans are so stuck in our ways, fighting wars and causing destruction, that there’s not even a valid reason for it anymore. As you can probably imagine, it’s a pretty angry sounding song, best displayed in the bridge – ‘They prosper from division so they want you to hate them, But fuck all the weapons and fuck all this hatred, If your beliefs are worth killing for then set an example and start with yourself, Stop killing people and go to hell.’ Life, Death And Everything In Between has been quite the journey so far but it’s not over until we take in its epic nearly 11 minute long album closing title track. Starting with clear vocals and stripped back instrumentation of only guitars, even from the beginning of this song it feels like the ultimate culmination of everything that’s come before it and its initial simplicity seems to echo the album’s opening track. I can’t even begin to quote and analyse the lyrics of most of this song – the lyric sheet I have goes over two pages – but it really does feel like Niels covers life, death… and everything in between. Like the other slower tracks on the album, this closing track has a great sense of building throughout, complete with a harmonica solo around the 6 minute point – I honestly love a harmonica solo more than a guitar solo. It’s the last two minutes of the song that really pull on your heartstrings as Niels passionately sings ‘I hope you'll dance till you drop, Sing back at the madness, Let the tune lift you up, Carry you on so you keep on smiling, I hope you'll dance till you drop, Punch holes through the sadness, Give all you’ve got, When shadows fall, burn like a fire, Burn like a fire. I hope you'll dance till you drop, Bring light to the darkness, But when the sun comes back up, Take a brief break to hear the silence.’ Honestly, it’s superb. What an incredible way to finish an album.

I went into this review of Life, Death And Everything In Between with high hopes but Stöj Snak have completely blown all of my expectations out of the water. It may have been four years since they released their last album but you can really tell that every single detail has been considered here. From start to finish, this album is a masterpiece and I’ll be raving about it for week, months and years to come.

You can stream Bliss Point and Fire and pre-order Life, Death And Everything In Between (plus other goodies) on Bandcamp here.

Like Stöj Snak on Facebook here.

This review was written by Emma Prew.

Top Tens: Ten European Bands Colin Hopes Come To The UK In 2020

One of the biggest pleasures I've had over the past few years is discovering the plethora of talent in the European punk rock scene. Whenever I've found out about a brand new brilliant band, I've made sure to tell anyone who would listen about them. Sadly, due to recent government legislation following Brexit, the likelihood of a lot of those bands being able to come over to the UK after this year is extremely slim. This makes me sad. I decided to make a list of my top ten bands I'd like to see come over before 2021 when the new legislations comes into play.

(I haven't included bands that I know are already booked to come over this year.)

Arterials
Hamburg's Arterials were one of my favourite new discoveries from Booze Cruise 2019. I was mesmerised by their live performance and bought their album Constructive Summer immediately after their set. Arterials play a fantastic style of intense pop punk with brilliant gruff vocals. I don't believe the band have been to the UK before but, with a new album released on April 24th, now seems like the time to do it.

Dorkatron
Austrian Ramonescore band Dorkatron are one of the most fun bands I've discovered over the past couple of years. Playing fast pop punk songs about not being cool, there's such a brilliant humour about their music but it's also as catchy as the flu (but in a good way). There isn't a massive Ramonescore scene in the UK sadly but these guys would certainly entertain everyone who would get to see them live.

For I Am
Belgium's For I Am have been to the UK a number of times over the years so it would be nice for them to come back one more time before the Brexit transition period is over. For I Am's Hanne Terweduwe has one of the very best voices in punk rock and I sadly have never been able to catch them live when they have come over. I want to rectify this. One of Europe's finest pop punk bands.

Jet8
Czech skacore act Jet8 were one of my favourite bands at Level Up 2019. Combining intense skate punk with an energetic brass section, they blew everyone in the New Cross Inn away. They are a great example of a European band coming to the UK without much of a fan base and showcasing just how good so many of the bands in Europe are, if people were to make the effort to listen to them. Jet8 recently released a brilliant new album named Chasing The High – look out for a review coming soon.

The Overjoyed
The only time I've ever seen Greece's The Overjoyed was when they played New Cross in 2016. I didn't know who they were and only went along to the show to see the other bands. I came away with a new favourite pop punk band. Their last album, Aced Out, was very close to making it into my top ten albums to 2019. Go and listen to it if you haven't already, you won't regret it. I know the band are hoping to get back to the UK this year, fingers crossed they can make it happen.

Quitters
I had the absolute pleasure of seeing French indie punk rockers Quitters twice when they came to the UK for a tour with The Run Up in 2018. Emma and I travelled from Bedford to Bristol on my birthday just to see them and they did not disappoint. They're great on record but being able to see them play songs such as Why Should We Burn Our Lives? and The Brighter Shades Of Time live was something else. The band are recording a new album in April so hopefully they'll be able to get back to the UK before the year is out.

Stöj Snak
Denmark's Stöj Snak are probably the band on this list who have come to the UK the most due to their affiliation with TNSRecords and Make-That-A-Take Records. The folk punk band are one of the finest bands I've ever seen live. They have this ability to grab an audience's attention with a raw yet magical live show. Whether playing softly or with a ferocity that matches the angriest of hardcore acts, you simply can't take your eyes off Stöj Snak. Another act with a new album due in 2020, here's hoping a UK album release tour is planned.

Tiny Voices
Formerly known as Wank For Peace, this French melodic hardcore band recently reunited as Tiny Voices. They have stated that WFP is dead and Tiny Voices will be playing completely new songs. If they are anywhere near as good as their previous band’s material, it's going to be wonderful. WFP made numerous trips to the UK so let's hope Tiny Voices are able to come over and show us what they're all about in 2020.

Überyou
Überyou were without a doubt the best live band I saw in 2019. I'm fortunate enough to be able to see them again in Hamburg for Booze Cruise this year but they're so good live I just want many more people in the UK to witness the experience that is Überyou. I've never seen a band connect with a crowd like this Swiss five piece did. They have this incredible sound that just empowers anyone listening. For me, they're one of the most vital bands in worldwide punk scene at the moment.

Worst Advice
Worst Advice are a new band to me since discovering them after they were announced for Hamburg Booze Cruise this year. As soon as I listened to them I knew they were a band for me. The Germans are a relatively new band on the scene but look to make a name for themselves quickly with some fantastic pop punk music. It's that wonderful, fists-in-the-air, shout along at the top of your lungs style that's just the best. A new favourite for me and I want to see them as much as possible.

This top ten was written by Colin Clark.

Top Tens: Top Ten Bands Emma Is Excited About In 2020

As January comes to an end, I can safely say that it’s been a rather good start to 2020 – at least from a personal and CPRW perspective. Colin launched CPRW Records on New Year’s Day and I had some involvement, designing the logo and the artwork for the first comp of the year (check out the Bandcamp page here). We also welcomed a few new faces to the CPRW team with Dan Kilvert, Marcus Pond and Chris Bishton joining the gang – I will be updating the Meet The Team page at some point! Then, last weekend we had Do It Together Fest which quite simply exceeded all of our expectations. The bands were, of course, great – we helped to pick them – but the atmosphere at the New Cross Inn was just so wonderful for the whole weekend as well. It was very much a pals fest with friends old and new all in one place. So, it’s been a good start to the year and I’m excited to see what the rest of 2020 brings, especially in terms of new music.

Without further ado, here are ten bands I’m particularly excited about in 2020:

Aerial Salad

There is a distinct buzz surrounding this Mancunian threesome ahead their second album, Dirt Mall, which is due for release in the Spring. Earlier this week Aerial Salad released Romance?, the first single from the album which is very, very good. Colin and I saw the band in Hamburg last year at Booze Cruise Festival, having not seen them for a year or so prior, and were very impressed by how they’d progressed as a band. I can definitely see Aerial Salad being much, much bigger by this time next year.

Answering Machine

I’ve only recently got around to checking out Answering Machine, a five-piece power pop band from Brooklyn, New York City. The fact that Craig Shay of Cold Wrecks (who released my favourite album of 2019) also plays in this band is what prompted me to check them out but it was lead vocalist Samantha who hooked me into their sound – what a voice! Now seems like as good a time as any to be getting into Answering Machine as sources (Craig) inform me that there’s a new album on the way this year.

Erica Freas

I’m sure readers of this blog will be very familiar with Erica Freas for being a member of the awesome American punk rock band RVIVR. You may not be quite so familiar with the solo music of Erica Freas however. Fear not, now is the perfect time to get acquainted as Erica is releasing a brand new solo album on Specialist Subject Records – which also happens to be where Erica works (thank you for sending us lots of early releases!) – on 28th February. I’m looking forward to hopefully catching both the Erica Freas and SOMNIA (a group formed of Erica alongside members of Spoonboy and Martha) sets at Manchester Punk Festival this year.

Goodbye Blue Monday

Vocalist and guitarist Graham said, on Saturday night at DITFest during an incredible if a bit silly set, that he has finished writing songs for Goodbye Blue Monday’s debut album. As one of CPRW’s favourite UK DIY punk bands, we are understandably very excited about this. I, for one, just can’t get enough of this miserable yet poppy punk rock. The new songs are sounding great live and, although we don’t know when the songs will actually be recorded, I do hope that something will be released this year.

Katie MF

From one CPRW favourite to another! Katie MF released a brilliantly emotional second EP last year, as well as playing some killer gigs – both full band and solo – and no doubt gaining many new fans along the way. It’s been so wonderful to watch Katie MF’s sound and songwriting evolve over the past year or so and, judging by the three new songs we heard at the weekend, the band just keep getting better and better. I don’t know if they have plans to record the new songs anytime soon so I can’t wait to see Katie MF live soon to hear them again.

Modern Shakes

Gruff punks Modern Shakes are a relatively new band in the South London punk rock scene. Despite technically forming a couple of years ago, they only released their first EP, Murmur, last year – which Colin named his no.1 EP of the year no less (number five in mine). 2020 looks set to be Modern Shakes’ year as, after a line-up change, they are gearing up to release the follow-up to Murmur. The band will be playing Triple Sundae’s big gig on 28th March at the Amersham Arms which will be a lot of fun – not least because it’s my birthday. 

Proper.

Okay, so I probably should have been raving about Proper. last year when they released their album I Spent The Winter Writing Songs About Getting Better on Big Scary Monsters but, as is often the way, I was late to the party. Having been announced as playing MPF this year, I decided to check out this three-piece afro-punk band from New York City. Damn, I’m glad I haven’t slept on this band any longer – they’re so, so good with incredibly powerful and moving lyrics. Proper. are top of my must-see-at-MPF list and April can’t come soon enough.

Sincere Engineer

I feel like I read somewhere that Chicago-based band Sincere Engineer would be releasing a new album in 2020 but, now that it’s come to actually writing about it, I can’t find anything specific about this. It’s been three years since Rhombithian was released so I reckon we’re due another album! I’m also hoping that, much like fellow Red Scare Industries band Ramona, this might be the year that Sincere Engineer make it over to the UK. I’d certainly snap up tickets in no time at all.  

Stöj Snak

There is no release date set in stone, as far as I’m aware, but Danish folk punks Stöj Snak finished recording their new album, after what they described as the longest recording session since Chinese Democracy, in November last year. It’s honestly the album that I am most eagerly anticipating in 2020 and I don’t have much more to say than that. I. Can’t. Wait. 

Sunliner

Formerly known as Jake & The Jellyfish, the band announced earlier this week that they would not only be changing their name but are also joining the Lockjaw Records family. Having been a fan of J&TJ for several years and following their progression from a very much folk punk-sounding band to something a little more akin to Hot Water Music or Red City Radio, I’m very excited to see what Sunliner do next. 

This top ten was written by Emma Prew.