Robyn's Top Ten Albums of 2020

There is no doubt that this has been a difficult year, filled with uncertainty, frustration, trauma, and a strange sense of unreality. But what it has also shown is the vitally important role that art plays in our lives. It was the film and television producers, the writers, the content creators, and the musicians who kept us company, provided escape, gave us something to share in, and buoyed our spirits when we couldn’t see friends or family and felt increasingly frustrated by everything happening on the news. So it feels even more fitting to take the time to pay tribute to the albums that I really enjoyed this year.

10. Folklore by Taylor Swift

I’m sure that this is going to be a controversial choice for my top ten, but I truly love this album and it simply had to make my list. While I don’t regularly listen to a lot of music that falls outside of punk or its subgenres, I follow a lot of popular artists and I’m generally interested in keeping up with what’s happening in other genres. So when Taylor Swift dropped a surprise new album that sees her collaborating with The National’s Aaron Dessner, I was immediately interested. What I found is a beautifully-crafted storybook of an album, brimming with wistful imagery and outstanding lyricism. As a literary student who essentially reads for a living, it’s perhaps unsurprising that I am drawn to the exceptional storytelling on Folklore; but I also love its indie sound. The album is stripped-down, giving a sense of intimacy and increased emotion, but also layered and well-produced. My favourite track is “Epiphany”, which compares Taylor’s grandfather’s act of service in WWII to the frontline healthcare workers serving during the pandemic. It compares the sense of loss and daily trauma encompassed by these events, simultaneously honouring those who place themselves at risk (both physically and mentally) in helping others and mourning an international tragedy. This album captures so much of the mood of this year, and it’s certainly deserving of being named one of 2020’s best releases.

9. Sad In The City by Broadway Calls

I’ve never met a Broadway Calls album I didn’t like, so it’s unsurprising that I’ve really enjoyed the band’s latest offering. The opening line asking “if my country collapses, can I crash on your couch?” captures the dystopian energy of the last year (or four in America), and sets the scene for some joyful catharsis. So even while you sing along, chanting “everyone’s sad in the city”, you can’t help but have a huge smile on your face. These are high-quality pop-punk bangers, and would seriously have scored higher on my list if it weren’t for the other exceptional albums released this year.

8. Death In Venice Beach by The Bombpops

The Bombpops are a band I’ve always liked but never fully committed to. But after just one listen to the new album, I was totally hooked. Death In Venice Beach delivers a stream of ultra-catchy pop punk jams with clever lyrics and great production. There is also a hidden seriousness to this album, since it details Poli van Dam’s battle with addiction. A song like “13 Stories Down” is really fun and upbeat, even as it describes the lowest points of alcoholism. This personal side of the album and the light it shines on the problem of addiction give the songs a little more heft, and the quality of the songwriting shines through the entire album. This is some of the best music The Bombpops have put out and certainly some the best music produced this year.

7. Wonderful Hell by War On Women

War On Women’s call to “raise some wonderful, beautiful hell” is the perfect rallying cry for a year that saw a major resurgence in the Black Lives Matter movement and where the pandemic exacerbated pre-existing social inequities. I enjoyed War On Women’s previous release, Capture the Flag, but this album just hit differently in the current moment and I think the band’s songwriting is just getting better with each release. The album is full of heavy guitar riffs, big melodies, and Shawna’s unmistakable vocals. A triumphant combination of righteous anger and defiant positivity.

6. 20/20 Vision by Anti-Flag

Back in March, South Africa went into a hard 3-week lockdown (which of course ended up being extended). We weren’t allowed to leave our property, not even for short walk around the block, and just one family member could make the weekly trip to the grocery store to stock up on essentials. I had a large stack of marking to get through and many student concerns to deal with, and the new Anti-Flag album became my refuge. This is the band’s answer to Trump’s America: the hate it fostered and the deep divisions it widened. It’s full of the anthemic choruses you would expect from Anti-Flag, providing high-energy social commentary and calling for sustained resistance. The quality does not lag across the 11 tracks, which are full of great hooks and catchy lyrics. It’s an excellent addition to an already impressive music catalogue of a band who have been playing together for almost thirty years.

5. Revolution Spring by The Suicide Machines

It’s been a very long time since we’ve had a new Suicide Machines album, but hot damn it was worth the wait. The incredible bass tone on this album alone would be enough to make it a contender for my top ten, but it also delivers a delicious mix of punk and ska, with a few hardcore elements thrown in for some added flavour. Actual conversations Brett and I have had about this album include simply saying “it’s so good”, “yeah, right?!” to each other over and over again. A bop from start to finish.

4. Seamless by Pardon Us

Less than a year after their first album, Pardon Us dropped a new release absolutely packed with fun melodic-punk tunes. There are so many things I love about this album: the gruff lead vocals, the background harmonies, the incredibly catchy melodies, the thoughtful lyrics, and the sheer danceability of these songs. The band have really built upon their previous success and delivered a tight and polished sophomore album.

3. Life, Death And Everything In Between by Stöj Snak

The latest album from Danish folk punks Stöj Snak opens with an intense and haunting call to life that hit me like a physical force the first time I put this album on. Niels Højgaard Sørensen’s vocals are unlike any other singer out there: powerful, textured, and highly emotive; and the music brings together a brash punk energy with more soulful and folksy elements. The album really has ‘everything’: want to dance even while the world’s burning? Put on “Trees”; want the most perfect singalong about sticking it out even when life gets hard? “Bliss Point” has got you covered. It closes with a ballad about identity, change, and the journey of life that is beautifully expressed and incredibly moving. Just perfection.

2. You or Someone You Know by Worriers

Worriers’ previous album, Survival Pop, made my top ten list in 2017; but for some reason the first couple of times I listened to You Or Someone You Know I just didn’t connect with it. Then one afternoon, it finally all made sense and I marvelled once again at Lauren Denitzio’s fantastic songwriting and vocal skills. Despite the first track dealing with living through what often appears to be the “End Of The World” and many of the songs tackling difficult personal issues, the mood of the album is self-assertive and uplifting. And between the big melodies, deep grooves, and gorgeous guitar flourishes, the lyrics are direct and honest. A fantastic new release from Worriers that I’ve come to love more and more.

1. Brave Faces Everyone by Spanish Love Songs

Little did we know back in February when this came out that “Brave Faces Everyone” would become the perfect slogan for this year. I already knew then that this would take the number one spot on my list, and no matter how much I have listened to the other albums on this list, I have still listened to this one more. This is an album about facing up to daily fears and struggles, and choosing to try. This is something that I think everyone can relate to, whether that’s dealing with the drudgery of your job, mental health issues, or major life changes. Although the previous releases from Spanish Love Songs have been excellent, I think this is their best album to date. With its soaring choruses, flawless vocals, and a sound so big that it feels wrapped around me, it may possibly be one of my favourite albums of all time.

* Entries 3 and 4 on this list came to me via endorsements from Emma. This is not the first time I owe Emma thanks for an excellent recommendation, and I’m sure it won’t be the last (but thanks once again!)

This top ten was written by Robyn Pierce.

Dan#2's Top Ten Albums of 2020

This year has been a bit of a slug fest for myself with lockdown taking a huge impact on concentration levels and motivation, which might explain my lack for creative output in terms of these reviews for CPRW but I couldn't leave 2020 without giving credit to a few of my favourite releases from this year. These records, at times, have provided inspiration to get up off my ass or the emotional support that I needed to keep myself together… So on that positive introduction let’s get into it!

10. Attention Economy by Launch Control

This was the best political punk rock release this year for me hands down. Launch Control continue to paint a perfect picture of our political discourse. The whole EP strikes a haunting tone, talking about the consumerist society which we have become who are quick to pick up narratives or a product without questioning why we’re being sold, who suffers as a result and the long term conditions it creates. It is suggested these things are not done by accident but by corporations and frankly evil political figures for their benefits. In each of the songs we go into detail into some of those created conditions or into ways we have been monetized. These themes crafted carefully with hand stitched detail is exactly why I love Lee's lyrics. The production also creates a fresh feeling punk rock record that almost feels like an electric dream which fits the haunting atmosphere. Each song is a tightly packed package with riffs and drum fills galore that never overstay their welcome. The most interesting song for me is "Marketing For Martyrs" which is the first longer song from the band and really demands attention with some of the best lyrics from this year. The only reason this EP is not higher on the list is I might be super bias towards them as they are my friends but more importantly their refusal to release a full length always feels to me like they hold back showing their full potential.

9. This Land Is Your Landfill by The Homeless Gospel Choir

In February I managed to see Derek Homeless Gospel Choir playing a tiny club in London after seeing him with Anti-Flag the previous night. I was blown away by the pure honesty in his set, it made everything special and on this night he played a few of the best songs I had ever heard. Those songs then ended up on this record. It's political, personal and the most honest thing you will hear this year. "Don't Compare" is the best reminder to be yourself and to stop measuring yourself against social media and "Young And In Love" might be the song that every young person needs to hear. I can't wait to support them coming over to the UK as a full band because this record really felt like a ray of happiness this year.

8. Dream Nails by Dream Nails

For the past 2 years every time dipped my toe into listening to a Dream Nails song, I thought ‘I need to really get my teeth into this band’ but never progressed further than a quick listen! But this year I'm glad to report I took the plunge and bought their self-titled record! I'm super stoked and shocked about how blown away I was by it! As a band they have defined an unique sound which is hard hitting without being overpowering with an abundance of amazing hooks, fun subject matters and hard hitting truth that you won't be able to stop listening to. "Text Me Back" and "Corporate Realness" being my personal favorites, I honestly can't wait to see these guys live and I will be looking to book them for show in Reading the first chance I get!

7. Dancing With The Curse by Get Dead

When "Pepperspray" dropped with its video I thought it was the perfect song released at the perfect time with everything happening in America but it also kept us in the dark to what this Get Dead record was going to sound like! So when it turned out to be a punk rock record with lighting fast rap vocals in a few songs I was sold. This might be some of the most interesting songwriting of this year, that you can really get your teeth into and keeps you guessing with lighter acoustic songs like "Glitch", slow swanky punk songs like "Disruption" or full rapid pace punk in "Fire Sale". With all of them sounding tight, this gives the band a really wide but solid sound that sets them apart from the other Fat Wreck bands.

6. The Ride by Bad Cop/Bad Cop

The three-part harmony machine that is Bad Cop/Bad Cop hit the ground running with their third LP The Ride which strikes a perfect balance between the sounds of the last two albums by being a punk rock as all hell while still retaining their unique style. It contains the best harmonies across the board this year, with some themes not normally covered in the genre. For example, songs like "Breast Less" talk about Stacy fighting breast cancer and maybe losing part of her identity after having to have part of her chest removed. While songs like "Pursuit Of Liberty" discuss the disgusting way refugees are treated now vs how they were treated in the past. Getting to see some of these songs live was the icing on the cake in February and just made me more hyped for when we finally got them. This record solidifies BC/BC as one of the biggest bands for me in punk rock.

5. Brave Faces Everyone by Spanish Love Songs

Do I really need to talk about why this is going to be on almost every pop punk fan’s top 10? This perfect follow up from Spanish Love Songs is a hard hitting real deep dive into mental and social issues that leave you feeling full despair with a little bit of hope. The stand out song for me being "Optimism (As a Radical Life Choice)" which talks about catastrophizing over everything going wrong in the world and it preventing you from functioning as a normal human being – just describing that gives me shivers. Super stoked that they lived up to the hype when I saw them live. This record is every bit as perfect as everyone is making out it out to be!

4. Death In Venice Beach by The Bombpops

This one kicks so much ass. It has been the soundtrack every time I put my foot down in my little Clio but it might as well be a super car with The Bombpops blasting through the speakers. Every track is a simple hard hitting punk rock song that is catchy, upbeat and rad as they come! My personal favorites have been "Blood Pact" and "13 Stories Down", the latter being one of the best songs this year – about addiction with a pop hook. I think this record deserves a lot more attention than it got and I can't wait to hear these songs live.

3. Placement by Watsky 

Another year, another Watsky record breaking up my all punk list by being the only rap album on it! When he announced that Complaint was one of three connected records I got immediately excited by the idea of this project. Placement delivers a fantastic follow up to its predecessor, adding further context to it and adding speculation to what's coming next to fill in the gaps. I think "Dreams And Boxes" might be the best core of a record that I have heard with its seamless sticking two songs together with a spoken work piece in the middle resulting in 8 minutes of pure perfection. The emotional cuts dealt by the lyrics have only grown on me as the year progressed, songs like "Savage" and "Black Hole Eyes" really connect with me now on a personal level that I can see bleeding into all my playlist from years to come. Those strong feeling are only toppled by the next two bands on this list.

2. Triceratops / Stegosaurus by Me Rex

When I grow up I want to be Me Rex. Their songs are perfect dissections of emotional issues and events that manage to touch my soul. Normally emotional slow indie pop punk isn't my thing but every single thing they write is nothing less than perfect, bringing me to tears of joy. I have bundled both of these EPs together as they are both equally deserving of attention, one being their first release as a full band with none of their energy or emotion being lost in the bigger sound. They are going to be one of the UK's best bands in the near future and I'm sad I didn't get to see them at MPF this year but I'm going to see them at the first opportunity, even if I have to drive a few hours for it. They are worth it, go and listen to them.

1. Show Me The Blueprints. by Days N Daze

I had only ever heard good things about Days N Daze but it took their record to be released on Fat Wreck for me to pick it up and, honest to god, it is perfect! Infectiously catchy, lighting fast, amazing lyrics, the whole thing fits around its theme and sounds like a complete package. Its song form depiction and framing of addiction, anxiety and depression is some of the best music I have heard. "Show Me The Blueprints." is so well written with its tempo changes and heavy sections. Most importantly this record feels real and authentic, I couldn't help but connect with it. So peace out, farewell to Days N Daze, thanks for the record, I'll catch ya down the line!

This top ten was written by Dan #2.

Brett's Top Ten Albums of 2020

To describe 2020 as a rollercoaster year would be an understatement. Although the cancellation of our plans to travel to MPF and Fest due to well-justified lockdowns and restrictions were difficult blows and put us through all the stages of grief, I am very grateful that we were able to get through the year where the worst thing happening was some inconvenient travel plan changes, others have not been so lucky.

There were some good days though. I think in the very beginning of our lockdown there was a live-streamed event almost every weekend, which was fun; and I’ve really enjoyed watching some of my favourite bands perform live from a “venue” with a comfortable couch, clean bathroom, and shared with cats. I do hope that some of the smaller bands were able to get the support that was really needed through the various community initiatives.

During the lockdown and self-isolation, I found it very difficult to listen to new music and instead leant into bands and albums that were comfortable, like nostalgic hugs via my ears; so, I think if I had to pick my 10 most listened to albums this would be a very different list. As a consequence, my list is mostly made up of bands and labels that I’ve known and loved for a long time. Make no mistake, there were still a really long list of albums to pick from this year. 2020 may have sucked for the most part but the music was still top notch and the albums on this list are amazing in my opinion. They’re the kind that by the end make me want to flip the record or click play and start over.

10. Skeleton Coast by The Lawrence Arms

The Lawrence Arms have been around for over 2 decades now and have earned their spot in the upper echelons of the punk scene with a consistently brilliant back catalogue of releases. Their last album, Metropole, was released 6 years ago and with only a “greatest hits” compilation to satisfy fans since then, the anticipation surrounding Skeleton Coast was high. Luckily the band completely smash all expectations with 14 tracks featuring the trademark shared vocals from Brendan Kelly and Chris McCaughan, some beautiful storytelling lyrics, expertly crafted melodies, and of course a few doses of humour thrown in for good measure.

Favourite song: Ghostwriter

9. Dancing With The Curse by Get Dead

Six months ago, I would have classified myself as a casual fan of Get Dead and their album Dancing With The Curse wasn't even on my radar of anticipated releases of 2020. That was until I stumbled through a Youtube-hole into a clip of them performing at the Weekend at Fatty's virtual concert, which featured a handful of songs from their (then) upcoming release. The performances of Fire Sale and Stickup in particular drove me to pre-add the album to my library and it has been on regular rotation since it was released in October. The 12 tracks on Dancing blend elements of hip-hop, ska, and hardcore nicely to create a listening experience where no song sounds the same as the last but which still feels cohesive and firmly rooted in the band’s California punk roots.

Favourite song: Stickup

8. Wonderful Hell by War On Women

It doesn’t feel like that long ago that War On Women made my list of top 10 albums of 2018 but maybe I’m just not used to my favourite bands releasing music more often than every 4 to 7 years. Wonderful Hell is War On Women’s third full-length with Bridge9 and the band has thankfully kept their anger and vitriol towards the socio-political environment and unjust system that the majority of the world finds itself trapped in. The crisp production and dynamic song structures feel like a natural progression for the band who have always pushed the boundaries of traditional hardcore, so even a 6-minute slow-building song like Demon doesn’t feel out of place and instead just leaves you wanting more.

If you’re a fan of the album or the band in general, make sure to check out Shawna’s new podcast, But Her Lyrics, to get more insight into the songs and the stories behind the album.

Favourite song: The Ash is Not the End

7. Ctrl Alt Del by Pmx

I was introduced to Pmx by Colin, friend and founder of CPRW, as a recommendation related to the MPF 2018 line-up and it remains one of the best recommendations anyone has given me ever. The Scottish quartet have established themselves as one of the best at combining the sound of punk from the 90s, with technical flourishes found in modern melodic skate punk. On Ctrl Alt Del, Pmx takes their tried and tested formula and improves on it with more mature song writing, tighter melodies, and cleaner production. I was looking forward to seeing the band perform these songs live at MPF 2020 before it was cancelled so I’m hoping to get the chance when live music is safe again. If you’re a fan of 90s Epifat punk and melodic skate punk, then Ctrl Alt Del should be in your record collection or digital library.

Favourite song: Tongue Tied

6. Brave Faces Everyone by Spanish Love Songs

They’ve done it again. Everyone loved Spanish Love Songs’ sophomore effort Schmaltz in 2018 and I have no doubt that Brave Faces Everyone will be near the top of many top 10 lists this year. Instead of taking the success of Schmaltz and rehashing the same formula with new lyrics, the band have taken a big step into embracing and refining their own unique sound with trembling vocals pushed to the limit, lyrics dripping with authenticity, cracking production, and big choruses that I can only imagine people screaming at the top of their lungs with fists in the air. Brave Faces Everyone is an album that anyone (not only fans of underground punk music) can relate to and enjoy. It teaches us that it’s ok and you’re not alone if your life is not perfect all the time.

Favourite song: Kick

5. Lament by Touché Amoré

I was first drawn to Touché Amoré with their 2013 album, Is Survived By, then found myself completely floored by 2016’s Stage Four, and looked forward to Lament from the moment I heard the first released single ‘Limelight’ back in July. Touché Amoré have always been able to pull off a level of raw emotion and intensity that very few other bands can without being overly heavy or excessive. While Stage Four dealt with the devastating blow of Bolm losing his mother to cancer, Lament looks at life following such grief without putting any specific focus on it. There are lighter moments in more upbeat melodic songs like Reminders, but overall the tone remains poignant. The contrast between the powerful vocals of Jeremy Bolm and the almost clean instrumentation is captivating and engrosses you from the first song to the last. Touché Amoré recently uploaded their Lament record release live stream to Youtube and, while it’s no substitute for the real thing, it’s well worth the watch for anyone like me who has yet to witness the band perform live in person.

Favourite song: Exit Row

4. Death In Venice Beach by The Bombpops

I’ve been a fan of The Bombpops since their Red Scare days and absolutely loved their first two EPs, Like I Care and Stole The TV; so, naturally I had high expectations when they signed with Fat Wreck in 2016. Although I enjoyed their debut album, Fear Of Missing Out, I found it to be a bit “light” and never really fell in love with it. Since hearing the Death In Venice Beach lead singles Notre Dame and Double Arrows Down, my internal hype machine started working overtime and I put a lot of effort into trying to control my own expectations. Thankfully the release completely blew me away and has been one of my most played albums of the year. Poli van Dam and Jen Razavi seem to have perfected their dual vocal harmonies and the SoCal punk melodies that were made famous by many of their older Fat Wreck counterparts. The music is a little edgier, the themes and lyrics are a little darker this time around, making for an album that is just a joy to listen to from beginning to end.

Favourite song: Radio Silence

3. Sad In The City by Broadway Calls 

Sad In The City was exactly what I needed when it was released early in July during one of our strictest lockdown periods here in South Africa and only a few weeks after receiving the news of the postponement of Fest 19. Broadway Calls’ latest album was one of the few highlights during a very dark time. Sad In The City isn’t a massive departure from their trademark pop-punk sound but still stands out in their catalogue as sonically different and almost experimental at times. In my opinion, the production plays a big role here with some fuzzy guitars, driving bass, and thumping drums helping to set the album apart from the rest of the band’s catalogue. Song after song, this album proves that even after a 7-year break, Broadway Calls can still write great songs with plenty of big singalong choruses and dance-along melodies.

Favourite song: Went Dyin’

2. Resignation by After The Fall 

After The Fall have always played short, fast, and loud – but never compromising melody or technical proficiency. With Resignation, 13 minutes is all the band needs to blaze through 10 of the best songs of the skate punk and melodic hardcore variety. This album is short but what it lacks in length it makes up with catchy melodies, superb musicianship, and an energy that is hard to find anywhere else; all delivered at lightning speed. The lyrical topics touch on mental health, social issues, and politics, with the usual dose of introspection that After The Fall has always been so good at. My only complaint is that I don’t have the vinyl yet.

Favourite song: Absent Minded

1. Revolution Spring by The Suicide Machines

Who knew my favourite album of the year would be ska?! Revolution Spring is good. Really good. I’m not sure what kept The Suicide Machines off my radar for so long, but I was super late to the party and only really became a fan just before they broke up when they released their 2005 album War Profiteering Is Killing Us All, which was full of aggression towards the Bush administration, with just a touch of ska. Fast forward 15 years, the band has reunited and played some reunion shows, toured sporadically and, after being unhappy to be labelled as just another “nostalgia-act”, decided to unleash some new music into the world. What a gift it turned out to be. With the help of Roger Lima at the helm of the production desk, The Suicide Machines have managed to take their history of varied music styles and unite them to make an album with the best elements of ska, pop-punk, and hardcore to create one catchy, aggressive, energetic, and relevant package that has thrust The Suicide Machines to the top of my list.

Favourite Song: Play Caesar

Less Than Jake’s Silver linings was VERY CLOSE to making my list, but I’ve only been able to listen to it once since writing this and I just can’t justify bumping any of the bands and albums on the current list based on only one listen so far. Plus, two ska albums in my top ten would have looked suspicious.

Some of my favourite “other things” this year:

Livestreams from Mike Herrera, Booze Cruise and Dream Nails.

EP’s released by The Lippies, Braincoats and Strike Anywhere (it has 7 songs… it’s an EP).

Live albums released by Fuzigish, Dillinger Four and Slick Shoes.

Netflix originals The Queen’s Gambit and Unorthodox.

Youtube videos from Mikey and his uke, Goldfinger and BKXC (riding bike when I couldn’t).

This top ten was written by Brett Coomer.

Album Review: Death In Venice Beach by The Bombpops (by Chris Bishton)

For a band to be releasing just their second album in their 13 year history, you might think their hearts weren't really in. Not so with The Bombpops. Death in Venice Beach follows up 2017's Fear Of Missing Out debut and what seems to have been a pretty constant few years of touring throughout America and Europe.

It also follows the well documented drummer and bassist revolving door years, all of which means the band are now a firm fixture in the Fat Wreck stable, regulars on the Punk In Drublic stage and even performing cameo appearances in NOFX videos. So, in fact, it turns out the band are incredibly hardworking and with Death in Venice Beach they've put out a great record. A just reward for hard work paying off.

The Bombpops are unashamedly pop punk. And I find that a great thing, especially in these dark times. No pretence, just great perky, devil-may-care, fast, sing-a-long pop punk. But, that's not to say that they're in any way shallow. There's no cringey, unrelatable, teen-angst material here. The first track is Dearly Departed and straight away name checks a host of A listers now no longer with us – from Jesus to Sid Vicious – whilst pondering whether these people offer any life lessons to us today. It's not normal pop punk fodder, but it's still a great pop punk song.

Next is Double Arrows Down. One of the singles from the album that was released before it came out. I already loved this before I heard the whole LP and hearing it again, in the context of the rest of the album, I still do. There are many bands that raise awareness of issues that are important to them, and this song is one of those for The Bombpops. Poli van Dam, guitarist and co-lead singer, has Type 1 diabetes. She often refers to the disease in interviews, on social media and now this song specifically records an incident when she had a seizure on tour a couple of years ago. Again, it's a pretty dark subject for a pop punk track, but I love how Poli and the band have produced a brilliantly energetic and catchy track like this, but have also helped people's understanding of a disease many still don't know much about.

There's brilliant harmonies teamed with great guitar riffs and hooks throughout this record. Zero Remorse shows this off perfectly. Poli and Jen Razavi, the band's other guitarist and co-lead singer, share singing duties and accompany each other really well on this.

Perhaps the only song that's a letdown to me comes next. It's odd because it's the other track that was released as a single before the album, Notre Dame. Lyrically, it's on a more familiar pop punk footing – a broken relationship, getting over that, moving on etc. – and it is fast, melodic, catchy, but this doesn't really do it for me. Maybe those sort of lyrics just aren't for me?

Sad To Me is a bit slower, but seems to flow from the previous track. It’s all about someone (the person in the previous song?) being a dick! Harmonies, tuneful guitar and a sing-a-long chorus. I like this a lot more and the album is back on track.

The other standouts for me are Can't Come Clean and 13 Stories Down. Both referencing drinking, but not in a puffy, fun, glamorous manner; rather in a more introspective, cautionary and regretful way. The first starts with a clip of the band arguing, swearing, threatening to quit and probably recorded when alcohol had been flowing. The song then kicks in and a signature pop punk flows. It's about drunken fights and crappy posts on social media – something I'm sure many will relate to – but it also turns out that it's semi-autobiographical tale as Poli has since revealed she's been in rehab and has embraced sobriety.

The record concludes with Southbound Stranger. A rollicking and memorable way to finish off a record. It's also easy to imagine the band smashing this out live. I haven't seen them for a few years, but it's a great reminder for me to catch them at the next opportunity.

Death In Venice Beach is a cracking pop punk album. It's a So-Cal, Fat Wreck release so some will have an opinion formed on that alone – pop-punkers and skaters should love it. But as well as having that feel good, pop punk vibe, there is a more abrasive side as well. The fun, rip-roaring, guitar and melody works really well with the juxtaposition of edgy, meaningful and thought-provoking lyrical content. I'd give it a listen, and not to just brighten up your day but to ponder on a few things as well.

Stream and download Death In Venice Beach on Bandcamp here.

Like The Bombpops on Facebook here.

This review was written by Chris Bishton.