Friday, 8 September 2017

Future Classics: Transgender Dysphoria Blues by Against Me!


Before I get started with this future classic column I must add a disclaimer. The album which I am nominating is not my favourite by the band it is by. A couple of years ago I did a top ten songs by the band and not a single song made it onto my list. I do however believe that in twenty or so years we will look back on this album and say "yeah, that album's a classic." I'm not sure why I'm being so cryptic about what the album is. You must have read the title of this column before clicking on it. For those who did somehow miss that, I'm talking about Transgender Dysphoria Blues by Against Me!.


I imagine that if you're reading this you know all about Against Me!'s storied history but I perhaps somewhat naively like to believe that on occasion non-punk people read these posts and might not know the band's back story. Against Me! were originally formed in 1997 in Gainesville Florida by Tom Gabel. They gained a massive and passionate following due to their raw punk rock sound, incredible live performances and their strong DIY ethics. They released their first three albums independently, firstly with No Idea Records and then Fat Wreck Chords. These albums were very well received and increased their reputation in the music world a lot. So much so that the major record labels came knocking. For many of their hardcore fans the band did the unthinkable, left their DIY roots and signed a two album deal with Sire Records. These two albums did extremely well commercially for the band but they got a lot of heat from old school fans accusing the band of being sell outs.

Then in 2012 everything changed.

Tom Gabel came out as a transgender person having dealt with gender dysphoria since childhood. From that point on Gabel would be living life as a woman and her name would now be Laura Jane Grace. On the 21st of January (my birthday) 2014 the first album by a Laura Jane Grace fronted Against Me! was released and was named Transgender Dysphoria Blues.

That history went on a bit longer than I had planned. Here's the reason I think Transgender Dysphoria Blues is a future classic despite it not being my favourite Against Me! album. First of all it's a painfully truthful and personal album. Without a doubt this is the most honest album lyrically that Against Me! have ever released. Laura was finally being true to herself and this came across in her songwriting. The big theme of the album is, of course, gender dysphoria after the coming out of Grace.

The punk rock scene, being as incredible as it is, again took the band back into their hearts and accepted them like they did in the early days. The album, in a way, mended old relationships between the band and the original fans. Gone were the accusations of selling out. So now Against Me! had all their old fans back, new fans they'd gained thanks to the major label releases and now more and more queer and transgender people were jumping on board with the band too. Finally feeling like they had a voice and someone so incredibly brave to relate and look up to. You can now go to an Against Me! show and see people from all walks of life coming together harmoniously and people's differences in lifestyles not mattering. Because it doesn't!

Laura Jane Grace's coming out and then the release of Transgender Dysphoria Blues to me is a real turning point for the acceptance of transgender people in mainstream society. Bringing the issue of gender dysphoria to the masses gave a lot of people strength to also come out and let the world see the people they really are. I think that is a quite incredible thing for a person and an album to achieve.

This column was written by Colin Clark.

Thursday, 7 September 2017

Top Tens: Lucias of Call Me Malcolm and 24 Hour Punk's Top Ten Punk Rock Influences


Catch 22 - Keasbey Nights
A friend got given Keasbey Nights and Reel Big Fish’s Turn the Radio Off in the halcyon summer days of ‘99. It was the first ska/punk we’d heard. By Christmas I’d set up my first ska band called Hey That’s My Bike. We weren’t good enough to cover any of the songs on either of the albums, but we listened to them enough on the basis we’d acquire talent through osmosis.

Reel Big Fish - Turn The Radio Off
Derryck (trombone/vox in Call Me Malcolm) and I have been having the same argument for 17 years. Which RBF album is better, Radio or Why Do They Rock So Hard? I maintain the former. I am, of course, correct.

Goldfinger
Officially, the band I rip off the most. In the good ol’ days, a perfect blend of punk and ska. During part of their stage show at the London Astoria, I once got invited up to join them during Mable. I made the mistake of trying to hug Charlie. The look he gave me unambiguously conveyed his feelings about me; “I don’t know what that is, but I know I’m gonna break it.” I regret nothing.

Therapy?
I listened to Therapy a lot growing up. One of the first bands I was in used to cover about half the songs on Troublegum. In later life I tried to sing like Andy Cairns. I failed.

Bill Hicks
Hicks was a genius. His outlook occasionally creeps into our lyrics and song titles. If you’re not familiar, check out his “It’s Just A Ride” speech at the end of Revelations, one of the finest pieces of modern day philosophy.

Tony Hawk’s Pro Skater
As a skater and punk fan, the soundtracks to the THPS series were, as the cool kids say, my jam. Goldfinger, Bad Religion, Zebrahead, Lagwagon and Millencolin all found their way into my album collection thanks to these games.

Bon Jovi
Bon Jovi were entirely the reason I started playing guitar. They were my first gig. My first musical love. Absolute giants!

Hey Brother... Can You Spare Some Ska?
Following the Reel Big Fish and Catch 22 obsession, a friend of mine chucked me a couple of ska/punk mixtapes. I didn’t ask questions, I just devoured them on loop until the tape wore out. Years later I found out they were the Hey Brother... Can You Spare Some Ska series. Jeffires Fan Club, Cherry Poppin Daddies, The Hippos, Mad Caddies… so many great bands!

Metallica
If Richie Sambora was the reason I started playing guitar, Metallica were the reason I wanted to play loud. They were the band I ripped off almost as much as Goldfinger.

Pop Music
True fact. I don’t necessarily listen to it (though if Girls Aloud plays you’d best clear a path to the dance floor), but there are certain songwriting principles used in pop music that just work.

24 Hour Punks have a special gig coming up where they will write, rehearse and play a set in 24 hours. This is all in aid of AMMF. Check out all the details on the gig here.

Stream and donate to 24 Hour Punks debut EP here: https://24hourpunks.bandcamp.com/releases

Like 24 Hour Punks here: https://www.facebook.com/24hourpunks/

Like Call Me Malcolm here: https://www.facebook.com/CallMeMalcolmBand/

Wednesday, 6 September 2017

Album Review: Life Lessons by Bash Brothers


Bash Brothers are a melodic punk rock band from Eksjö, Sweden. Since forming in 2015 they have released a self titled EP and more recently their first full length named Life Lessons. Life Lessons was released on June 1st by Thousand Island Records and Less Talk, More Records.


Life Lessons begins with the song Falling Down. It expertly takes the technical guitar style that is oh so popular in punk rock at the moment and adds a nice amount of aggression to it. I find myself caring about the song instantly because of this. The ending of the track is a particular highlight with things slowing down slightly, allowing a big sing-a-long finish. A Part Of Me starts off very quickly with a guitar riff that wouldn't sound out of place on a metal album. The drums in the introduction are really something else as well, really driving the song forward with a lot of power. A Part Of Me combines the techie guitars with some incredible soaring vocals from Johan Engdahl. Towards the end of the track there is a fun breakdown section that will get plenty of heads banging before one last flourish to end the song. The third song is titled Gone Forever. This song is such an interesting listen. Musically it's super fast and hard but the vocals are quite slow and melodic. The two different tempos create a fantastic effect and flow together effortlessly. This is the first time on the Life Lessons where Engdahl really lets loose with his vocals and lets out some huge hardcore screams that add even more life to the song.

The next two tracks on Life Lessons feature a very special guest. None other than John Harcus from Scottish punk rock band PMX. Just Like You is an absolute beast of a punk rock song. This ferocious track mixes the best of hardcore, skate and melodic punk with a little bit of pop in the chorus that will be placed firmly in your head for days to come. Keeping Me Awake is possibly my favourite track on Life Lessons. Starting out in quite a measured way, Keeping Me Awake shows Bash Brothers in quite a restrained mood. That is of course until the songs builds towards some more terrific screaming which gives the song a huge heap of emotion. The tempo of the track has moments where it increases briefly, giving a sense of urgency before things come back under control. This is one of those songs that takes you on one hell of a ride. The sixth track is the album's title track - Life Lessons. I always think that when a band uses a song title for the name of the album that song needs to be one of the highlights of the album. This song is certainly that. Well, the song has a big Pennywise sound to it so that makes it a highlight just for that. There is a positive and uplifting feeling to the song that really inspires. I like that in my punk rock tunes.

Suit Yourself has an intro that fills you with energy immediately. This is a fast paced song that barely pauses for breath throughout its time span. When it does it only serves as a build towards an explosion at the end. The use of different vocal styles on the song does a great job of breaking the songs into sections so it doesn't become monotonous. You Are Fading Away is a song about watching someone you care about slowly dying and reassuring them that you'll be there for them. The song is full of emotion and makes you really care about, not only the song but, the people involved. The lyric that really stands out throughout the song is "I Can't Stand The Thought Of You Fading Away, I Will Be There For You Each And Every Day." The penultimate song is named Spending My Time. Starting out in an ominous fashion before the drums help ignite the track. After a fairly extended intro we get some more urgent and intense vocals, potentially the most intense of the entirety of Life Lessons. Last up is Immutable Change. I had no doubt in my mind that this album would finish with a bang and my assumption was proven to be dead on. Immutable Change does what I think Bash Brothers do best - mix melodic, skate, hardcore and pop punk into a pot and come out with a fantastic piece of work. That uplifting feeling of Life Lessons is back as the band sing about making permanent changes for the better.

Life Lessons is a strong effort from Bash Brothers. The European punk rock scene is heavily littered with many amazing melodic punk bands and it's fantastic to hear a newer band make just as good an impression on me as some of the more established acts in the scene.

Stream and download Life Lessons here: https://bashbrotherspunkrock.bandcamp.com/

Like Bash Brothers here: https://www.facebook.com/bashbrotherspunkrock/

This review was written by Colin Clark.

Tuesday, 5 September 2017

Album Review: Lifer by Sombulance


Sombulance are a punk rock band from Portsmouth who have been around for a little while now. They actually formed way back in 2005 but in 2010 the five piece took a four year hiatus before getting back together with a changed line up in 2014. This year they have released a brand new six track EP named Lifer on the always excellent Lockjaw Records.


First up is the song The Articulation Of Afterthought. The opening of the track immediately showcases what Sombulance are all about - fantastic, technical guitar work along with some of the best soaring melodic vocals in the scene courtesy of Dean Harwood. Something I really enjoyed about The Articculation Of Afterthought is the series of ups and downs that happen throughout the song but also the subtlety of it all. The song takes you on that musical rollercoaster without you even realising that you've been on a ride, your breath however will have been taken away. The beginning of Lessons Lost is absolutely superb. That guitar riff - amazing. It's the sort of intro where you know after about three seconds which song it is. The song in general is harder hitting that the previous, with Marc Morey's drums really being pushed to the forefront of the song. Lessons Lost is about trying to learn from your mistakes and realising that you should have taken help and advice in the past. I really enjoyed the gang vocals of "We Can't Go Back, We Can't Go Back" that happen towards the end of the song. The third track on the EP is Here's To Liberation. After the harder hitting nature of Lessons Lost, it's refreshing to hear that Here's To Liberation is a bit softer, relying more so on Harwood's vocals than some crunching guitar riffs or pounding drums. This softer side shows off a great variation in Sombulance's songwriting ability, proving themselves able to do harder and softer songs excellently.

The EP's title track, Lifer, is potentially my favourite on the EP. Wasting no time at all in getting things going, Harwood immediately shouts out "Lifer" to start off the track. This really picks things up after the slower paced Here's To Liberation. Lifer throws a bit of everything that Sombulance have in their musical arsenal into a blender and comes up with an banger of a track. Lifer is obviously about being a outsider for life and being okay with that. Something many fans of the band and underground punk rock in general can easily relate to. The penultimate track on Lifer is named Downfall. Here we have a blistering melodic punk rock track that matches anything current staples of that scene in the UK, the likes of Darko or The Human Project, have done. The differences in melody with the guitar and the vocals works superbly and gives the song a really interesting feel. There was one particular line in the track that I really loved - "Stand Up To All That We Can't Face." Those are tattoo worthy lyrics. Finally we have Better Left Behind. Better Left Behind begins with a much darker tone that anything else on the EP. After a bit of an eerie beginning the song sets off at a blistering pace. Like Lifer, a lot of different elements of the Sombulance sound come together on this track. On Lifer, the song, all of the different styles come together effortlessly, however on Better Left Behind it felt a bit clunky on my first listen. After a couple of listens though I soon began to love the song. All of its different little details in the music and the vocals really keep you guessing and don't allow you to get comfortable with one particular sound.

Lifer shows a band that are on the top of their game. The UK and Europe is absolutely packed with brilliant melodic punk and hardcore bands, combining the technical guitar work and the fantastic vocals together and creating energetic and passionate music. On Lifer Sombulance have staked a very good claim of being among the best the genre has to offer. Fantastic work.

Stream and download Lifer here: https://lockjawrecords.bandcamp.com/album/lifer

Like Sombulance here: https://www.facebook.com/sombulance/

This review was written by Colin Clark.

Monday, 4 September 2017

Album Review: As The Tide Turns by Matilda's Scoundrels (by Emma Prew)


Matilda's Scoundrels are a six-piece folk punk band hailing from the sunny seaside town of Hastings, in the south east of England. They've been on my radar since their 2015 split with The Barracks and I've seen them live a couple of times too. As a lively and chaotic band when performing live, I was super keen to hear how this conveyed onto their first full-length release. The Tide Turns is Matilda's Scoundrels' debut album and it will be released on TNSrecords on 8th of September – this Friday. Obviously, I jumped at the chance to listen and review it early.


As The Tide Turns opens with a track called Burn It To The Ground. This is a fast and furious, anger-fuelled track that aims to call to arms all those that hear it. The vocals are a bit rough around the edges – in a good way – and the guitars are pretty heavy with the underlying accordion and mandolin keeping that element of folk. There is a contrastingly gentle middle section of the song which, of course, leads into one last hard-hitting chorus. ‘Even though it's wet as hell, we'll light ya. Burn it to the ground.’ Take It To The Streets is next up and this song begins fairly quietly compared to how Burn It To The Ground finished. It has more of a folky start which is perhaps more typical of their previous releases – and if there was one song that ought to be selected as lead ‘single’, it’s probably this one. There is a great little tinkly melody in this song and, of course, the chorus remains gruff as ever. There are more riotous themes to be had with Take It To The Streets with lyrics such as ‘Let's kick down the door’ and the optimistic, and my favourite, ‘Together we fight for tomorrow’.

Third track, Shackles & Bones, begins full force and I’m instantly imaging a Matilda’s Scoundrels live crowd getting pretty rowdy. As with all of their songs, there’s a clear element of folk to their punk with this track but it’s definitely more Dropkick Murphys than the Levellers. Something we hear more so in Shackles & Bones than other tracks are some great gang vocals. Other members of the band echo the chorus after Quinn sings it first, which adds a unified feel to the track. The song doesn't slow down until a short mandolin breakdown – which is just lovely! Next up we have Bow To The Powers, the only song from the album that has a music video to go with it, for now at least – which you can watch here. This song is as forceful as that which came before it but with a classic folky start that contrasts well. The song also happens to feature another sweet mandolin breakdown. Well, this band sure know what makes a great folk punk song! The chorus is super catchy and is bound to have audiences shouting along with the band across the country – and hopefully taking in its message as well. ‘Bow to the powers, Bow on your knees, There's blood on these hands, That were given to me.’ It's clear by this point of the album that the band have a lot of important messages that they want to get across with these songs. Rather than simply being party tunes, most of As The Tide Turns is about tackling some of the real world injustices that Matilda's Scoundrels care about – and you should too.

Mr Martyn has a longer musical intro than previous songs which almost feels like an interlude as this is around the middle point of the album. Actually this is one of the longer tracks of As The Tide Turns in general. There is a generous amount of banjo featured here that seems to give the song happier vibes – particularly compared to the previous tracks. After about a minute, crashing guitars can be heard followed by the vocals. The song is about how music can make you feel less alone. You can take music everywhere and never be alone. From the title of this next track, Bottles Of Rum, I'm already imagining a sea shanty, sea faring tune… and that's sort of what we get. Matilda's Scoundrels style anyway. This is the perfect opportunity for the crowd sailing dingy that they bring to their shows! This is definitely an album where each song offers opportunities for different instruments and their musicians to shine through. For me, in Bottles Of Rum, it is the accordion which has an awesome outro before chorus is repeated a few more times. ‘There's blood in the rum, Don't you know?’

Friend Of Mine is perhaps the folkiest-sounding song yet, heavily featuring both the accordion and the tin whistle. The two instruments lead us into the song giving it a super-duper rolling motion. Like Mr Martyn, this feels like one of the happier songs of the album with the subject matter of Friend Of Mine, of course, being about friendship –‘Friend of mine who saved my life’. I can pretty much picture smiles on band member’s faces whilst playing this one – which is an uplifting change after all of the aggressive songs! The catchy whistle part had me nodding and tapping my foot along. As we draw towards the end of the album the eighth track, War On Drugs, has just a few seconds of calm guitar before vocalist Quinn burst in with a great intensity. At only just over 2 minutes long, this is the shortest on As The Tide Turns and it brings things back to the protest theme that has fuelled much of the album. This is a band that really cares about making a change in the world. The song certainly wastes no time hanging around and gets straight to the point. The instruments are as raging as this song’s subject matter but I love how the banjo stands out clearly underneath the more typical punk band instruments.

As we get to the album’s second to last track, I realise that I kind of like Matilda’s Scoundrels’ sea-related songs the best. (Including Sinking In Their Sins from that first split.) God Forsaken Sea is that in a nutshell. After a count in of one, two, three, four the song kicks off with the line ‘Away, away, away we go to sea…’ It’s upbeat, it’s fiery and full of energy and super folky punky – I love it. The breakdown of God Forsaken Sea features almost all of the instruments at once and it seems to get louder and more enthusiastic as the song comes to an end. But it doesn’t end without a bang – the last minute is, well, I think the best word to describe it might be ‘theatrical’. As The Tide Turns wraps up with a track called Into The Fire. There is a long musical introduction to this song, predominantly featuring the tin whistle which tames things into sounding traditional. Of course, we know that with Matilda’s Scoundrels they won’t stay calm and ‘traditional’ for too long. You can tell something big is going to happen and very soon the guitars join the mix for one last folk punk assault. A fine ending to an excellent debut album.

As The Tide Turns was maybe a little bit angrier and heavier than I was expecting but that just means that it took me by surprise and didn't do exactly what I expected it to. Which is no bad thing. Matilda’s Scoundrels certainly haven’t steered away from the sound that we know and love, they have just perfected their songwriting and written about issues that they really care about – hoping that the listener will too – as well as amping up the intensity. Now I just can't wait to hear these songs live!*

Find Matilda’s Scoundrels on Facebook here and stream/buy As The Tide Turns on Bandcamp from Friday here.

This album review was written by Emma Prew.

*At the time of writing this I haven’t seen Matilda’s Scoundrels play live recently but at the time of this being published I will have seen the band support Street Dogs. Look our for our gig review to see how my favourite Hastings folk punks went down.

Sunday, 3 September 2017

Gig Review: Street Dogs at the Camden Underworld 30/8/17


The Camden Underworld's punk rock August was completed on Wednesday with legendary Boston punk band the Street Dogs back in town. This seemed a long time overdue. The band were supposed to play at the Underworld last year but sadly had to cancel their appearance. When this show was announced I knew it was one not to be missed. The previous times I had seen the Street Dogs I'd been blown away by their live set and was excited for more of the same. The bill was stacked with support from Grade 2, Matilda's Scoundrels and Pints. We got to the Underworld nice and early for the show.

First band up were Pints. The Essex based five piece didn't have the biggest crowd to play with due to their early start but this of course didn't stop them putting all they have into their set. Playing hardcore punk rock with some clear Oi! influences, it was a fast and ferocious half an hour. As you might expect considering the band's name, there were plenty of tracks about getting drunk with your mates. These went down well with the Street Dogs' crowd. There was also a song aimed at the current crop of pop punk bands who keep getting called out for the inappropriate way that they treat their female fans named You're All Shit. This was my favourite song of Pints set. Something else I quite enjoyed was the use of dual lead vocalists. Both singers worked extremely well together and gave the Pints sound that extra layer that is sometimes missing in many hardcore bands.


Up next were Hastings' favourite folk punks Matilda's Scoundrels. Having seen the six piece the last two years at Manchester Punk Festival and being blown away both times, Emma and I were both looking forward to seeing them again. Emma has also had the privilege to hear their soon to be released debut album, As The Tide Turns, early for review. (Come back on Monday to read it.) As they took to the stage I noted to myself just how nicely the band fit onto the stage in the corner of the Underworld. The crowd, which was slowly growing, seemed to take a little bit of time warming to the band. Perhaps this was due to the genre switch between the hardcore to the folk. Playing just a handful of older songs along with the new songs, it didn't take too much time for those Scoundrels to get the crowd onside and they even took the brave move of getting the crowd to sing along to brand new song God Forsaken Sea. I was disappointed not to hear Sinking In Their Sins, my personal favourite Scoundrels song, but songs such as Pissheads Anthem, Bottles Of Rum and Mr Martyn all sounded fantastic. Matilda's Scoundrels are a band that are on the march - I imagine it won't be long until they're headlining their own shows at places like the Underworld.


The penultimate act of the evening were Grade 2. Grade 2 are a band I had never heard of before but was more than willing to give them a chance. As the band took to the stage to begin setting up I immediately noticed that the band was fairly young looking. As they began their set the bassist and lead vocalist introduced the band and said they were from the Isle Of Wight. This then lead to a fantastic thirty minutes of street punk bangers. I don't really listen to much street punk anymore despite it being a genre I've always enjoyed so Grade 2's set was a refreshing change of pace. The band proved themselves to be extremely talented musicians with guitarist Jack showcasing his skill with solos in a handful of songs. Like Matilda's Scoundrels had earlier, Grade 2 played a few new songs from their new release, Break The Routine. These songs sounded great as did the older songs. The one that really stood out was one that they said was the first song they wrote as a band - Who Rules The Streets. A real great street punk anthem if ever I heard one.


Finally it was time for the Street Dogs. As I looked round the Underworld it was getting busier but it was still by no means full. I thought this was a bit of a shame for a band with the prestige and history of the Street Dogs not to get a bigger crowd but that certainly didn't stop them putting on one hell of a performance. Having not released a brand new album since 2010 this was basically a greatest hits set and boy o boy do the Street Dogs have some hits. I'd forgotten just how many songs of theirs I absolutely adore. I'd also forgotten just how good they are live. Frontman Mike McColgan comes alive on stage, he's just full of energy and enthusiasm as he bounces around the stage. At one point during the set he talks about getting hurt during a gig the previous night and thanks the crowd for giving him the strength to fight through the pain tonight. As I said the set is filled with hits, if I were to list my highlights then I'd probably end up listing the entire set. There was one particular three song section which was just incredible though, playing Savin Hill, Punk Rock & Roll and Not Without A Purpose in a row was fantastic for getting a very hyped up crowd going nuts. There was also a more sombre moment during the set. Bass player Johnny Rioux talked about the terrible floods that are happening in Houston, Texas, at the moment and how his and drummer Pete Sosa's families are there. They played the song Free in dedication to them as it's Johnny's wife's favourite Street Dogs song. Then it was time for the encore and what a fun encore it was. Beginning with a cover of guitarist Lenny Lashley's own band Darkbutsters classic Skinhead before covering legendary 80s London punks The Business's Suburban Rebels and moving on to the Mike McColgan Dropkick Murphys classic Never Alone.


This night was a lot of fun. Singing along to so many fantastic songs always puts a big smile on my face. The Street Dogs are one of the very best bands of their generation who I sometimes feel don't get the same level of appreciation as some of their peers. They've promised to finish their long awaited new album soon, I hope this means they will also be back in the UK again very soon because as long as they keep coming back I'll keep going to see them.

This gig review was written by Colin Clark.

Friday, 1 September 2017

Column: Why Sarah of Shout Louder Loves Punk Rock


Last week Sarah from the fantastic Shout Louder blog announced that we would be doing some blog shares. I went first, with a wonderfully written column for her blog about why I love punk rock which you can read here. This week Sarah gives her views on the subject on Colin's Punk Rock World.

Top 5 Reasons To Love DIY Punk

When I was a kid I read Kerrang and the NME religiously. They’d often refer to ‘the music scene’ – something I desperately wanted to be a part of. I used to imagine this mythical ‘scene’ meant big bands, big venues and big record sales.

Nowadays, I realise that it isn’t about the bands or the sales: it’s about the fans. It’s about the people who buy the records, attend the shows and scream along to the lyrics. I also now know that you’d struggle to find a group with more passionate solidarity that the UK punk scene.

When I first started writing my blog/zine, Shout Louder, my family and colleagues said that they’d learned a lot about DIY punk from reading it. I was really surprised. I’d forgotten that for many people, ‘going to a gig’ conjures up images of Ed Sheeran, Oasis or Radiohead selling out Wembley.

So, when Colin and I talked about doing a guest-blog swap the first thing I wanted to talk about what how much I love the vibrant ‘scene’ that we’re a part of.

Here are my Top 5 Reasons For Loving DIY Punk:

#5: The Music Itself

This is the obvious one, right? Maybe not.

When I tell my colleagues I’m into punk, I’m fairly sure they imagine me spiking up my hair and pogo-ing to The Sex Pistols. Guess what? I can’t stand The Sex Pistols.

Although it’s important to know your roots, there’s an astounding diversity of sub-genres that I would still term ‘punk’. I like hardcore that borders on tech-metal; I like singer-songwriters that would work well at a folk festival; I love shouty ska, loaded with brass.

I’d argue that musically punk is always fast, often angry and usually loud, but beyond that it defies definition. I consider indie groups like The Smith Street Band to be punk, but someone outside the scene could easily disagree.

I love all the variations out there, and I love the openness of most punk fans to different genres. From my perspective, the fast, angry nature of the music reflects and acts as an outlet for my internal worries. It’s hard to drift into a nihilistic reverie when you’re moshing to deathly-fast, grinding hardcore! Listening to this music live is a huge release and endlessly enjoyable.

#4: It’s Not About The Money

The DIY scene has a strong grasp of what music is for. It’s about how it makes you feel; it’s not a vehicle for profit.

Naturally there are exceptions to that, and I’ll never hold it against a band for making it big. You occasionally find yourself forking out £30 for shows at Brixton Academy, but at a grassroots level there are a lot of musicians playing just for the hell of it.

My perception of this has changed. When I was younger, I assumed that the £3 gigs at my local pub would be crap compared to the £20 gigs I attended in the big city. My Mum always told me that you get what you pay for.

Instead, I’ve come to realise it’s the intimate shows that are the most memorable. The calibre of the music is usually excellent and you experience a lot more of the performance when there are only 30 people in the room.

Touring bands survive on petrol money and free beers, trying to flog enough t-shirts to afford a fry up in the morning. As they’re working so hard to bring us what we love, I’m also inclined to pay them more for it. When I first attended a gig where they were asking for donations rather than charging and entry fee I baulked - why would anyone pay more than they needed to? I’ve since realised that, many people will pay over-the-odds for a show if you give them the opportunity.

#3: Compassion and Ethics

“This one’s about the government!” yet another singer angrily shouts.

Virtually all the punk bands and fans out there are anti-establishment, anti-fascist, anti-sexist, anti-racist... Anti-everything, right? Wrong.

While punks are united by a love of liberal politics and loud noises, the thing that sets us apart is that we really see the best in people. We’re optimists at heart. We believe it’s possible to change the world into a better place.

The anger that gives punk music its edge also fuels a constant quest for social change. Bands speak up for what they believe in on stage. Fans organise marches and protests, make the banners and cook the food.

Our level of compassion goes far beyond occasionally helping up someone who’s fallen over in the pit. Many of us avoid eating animal products, wear ethically sourced clothes and buy direct from bands or local record stores. One of the topics most often topics at gigs is making spaces safer, so women and marginalised groups can attend without fear of harassment or injury. Many bands openly discuss depression and mental health in an effort to normalise what for many of us is a common problem.

Sarah at Punk Rock Holiday in Slovenia

#2: No Borders

I’ve referenced ‘band’ and ‘fans’ as separate entities. Unlike more popular genres, that division doesn’t exist in the punk scene.

As a punter, there’s no reason you can’t go chat to someone who’s in your favourite band. Or put on a show. Or start your own band. It’s a level playing field where everyone’s encouraged to get involved.

If you really want to ignore the band-to-fan borders there’s also every opportunity to get on stage, as long as you hurl yourself straight off again: stagediving is a hallmark of many shows. And who says the band need to stay up there? They’re diving off like the rest of us, or jumping past the monitors to cause chaos in the pit. You can’t do that at Wembley, can you?

Half the crowd at a punk gig are also in their own bands, which encourages a great culture of exchange. You put on touring bands in your town, and they return the favour next time your band’s on the road. Everyone promotes and supports one another – there’s so much shared love and excitement that many shows turn into a big bundle of hugs.

#1: Camaraderie

It’s a rainy Tuesday night in Camden. I’ve bumbled along to a £4 show at Our Black Heart on my own, on the off chance that the band will be half-decent. Oh no, wait, I know the guy on the door. I recognise the girl in the band. And that’s the guy I met at Wonkfest standing out the front smoking. As it turns out, I know at least 15 people here.

Want to make some instant friends? Turn up to a punk gig, the smaller the better. Be sure to smile at the guy wearing the Bear Trade t-shirt, and compliment the girl with the Descendents patch. A band t-shirt can be enough to spark a life-long friendship, a festival romance, or at the very least an interesting chat while queuing for the bar.

It’s such a close-knit scene that it’s not unusual to see friends from Manchester at a gig in London, or friends from Brighton at a festival in Slovenia. Everyone’s willingness to travel for the music they love means it’s possible to gain a lot of friends, simply from bumping into them at gigs.

The best thing about being a part of this DIY world is that you’ll never be short of a floor to sleep on, a vegan breakfast or someone to share a warm can of lager with, as long as you return the favour.

I don’t have any pretensions about being an authority on punk: I’m just someone who really loves going to gigs. That’s why I started writing Shout Louder – it’s a platform to share my excitement about up-and-coming bands, and to preserve the memories of all the mind-blowing gigs I’m lucky enough to see.

If gig guides, reviews, recommendations and articles interest you, check out the blog and follow us on Facebook.

In the meantime, I’ll see you down the front!