Showing posts with label Monster Zero Records. Show all posts
Showing posts with label Monster Zero Records. Show all posts

Tuesday, 28 July 2020

Album Review: Split by 7 Years Bad Luck & Dorkatron


I’ve been on a bit of a roll for reviewing splits lately. After two ska punk reviews, here is one for some Austrian pop punk. I’ve been a fan of 7 Years Bad Luck for a number of years and have been lucky enough to see them live a couple of times in the last year or so. Dorkatron are a newer band who I fell in love with immediately after hearing their The Extra Mile EP in 2018. 7 Years Bad Luck and Dorkatron recently teamed up for a twelve song split which was released by Monster Zero Records.


Dorkatron kick of their half of the split with the song Robotic Love. Robotic Love is a weird love story between a human and a robot. If you’re new to Dorkatron then this is a great introduction. The band plays fast and catchy Ramonescore pop punk, very often with a nerdy sci-fi theme. Up next is Custodians. Inspired by a solo from a Fidlar song, the track is about feeling uneasy about custodians. Fast, catchy and fun with witty lyrics, Dorkatron have a style and they absolutely excel at it. I really like the guitar riff in the song, it gives the track a great energy. Shop Class Baby is a story about falling in love with a girl in your shop class. Another theme of Dorkatron’s is high school and often falling in love with different girls. I’m glad to see they haven’t stepped away from this theme on the split. It’s a relatable topic for fans of pop punk.

Hall Monitor sees Dorkatron actually slow things down a little. It’s a pop punk ballad dedicated to the people who care about safe and respectful behaviour at school. It’s great to hear the band slow things down and show a different side of their songwriting. The chorus is the standout moment and features some great chant-along harmonies that will get the listener invested straight away. My Girl is a thirty second song where Dorkatron proclaim that a girl is theirs. It’s short and sweet, really repetitive and a whole lot of fun. The final Dorkatron track is titled Pills. Starting in explosive fashion, Pills actually sees a more mid-tempo and melodic side of Dorkatron. It also feels more serious as the band sing about becoming reliant on medication to help you stay awake to study, because you don’t have enough time, and then regretting taking it. It’s quite a sombre finish to Dorkatron’s side of the split.

7 Years Bad Luck begin their half of the split with Comatose. The three piece play a more melodic style of punk rock than their counterparts in Dorkatron but that doesn’t mean it’s any less catchy. This half of the split already feels a lot more dramatic and emotional thanks to the builds spread throughout the song as well as some great gang vocals. Up next is Out. Starting out with a crunching introduction before some fantastic fast paced vocals, this song has a slight feel of the 90s skate punk sound to it. The song is a more political one about wanting to question decisions and realising that, no matter how hard you fight, it will always feel like an uphill battle. You, The Ocean And Me shows the poppy side of 7 Years Bad Luck and also has a bit of 60s rock ’n’ roll sprinkled in. It’s the sort of song that instantly cheers you up and has you bopping along in your seat. This is a sweet, summery love song about needing your loved one around and missing them when they’re not there.

Better Joke is a song dedicated to that friend who likes to play the joker but often takes it too far. This song has the more traditional 7 Years Bad Luck sound, melodic pop punk that brilliantly pulls you in. There’s a seriousness about the track and also a sadness in the vocals that plays with your heartstrings somewhat. The penultimate song on the split is titled Milk Teeth. Jumping back into the skate punk style, there is a driving tempo that gives the song plenty of urgency. It has you yearning to know where the song is heading. I think this is mainly due to the drumming. The beat really stands out on this track. There’s an understated style to the vocals. They feel a little quiet and this makes you really listen hard, as well making you anticipate something louder coming in. The split is finished with Movie Star. This feels like a final song. By that I mean that there’s a sense that 7 Years Bad Luck put everything they have into the song. It sounds bigger, it’s full of hooks, it has shifts in tempo and it’ll have you singing along happily from start to finish. There’s also some subtle “whoa-oh” harmonies to get involved with.

This is a fantastic split by two of Europe’s best pop punk bands. As you would expect from a Monster Zero release, it’s quality from start to finish and, if you’re not familiar with either of these bands, it’s a great place to start before checking out their previous work.

Stream and download the split on Bandcamp here.

Like 7 Years Bad Luck on Facebook here and like Dorkatron here.

This review was written by Colin Clark.

Wednesday, 24 June 2020

Album Review: Magic Summer by The Sewer Rats


I may have mentioned a few times previously about my love of German punk rock on CPRW. There are so many great bands releasing fantastic music. At the end of April, Cologne’s The Sewer Rats released their new album Magic Summer on Uncle M, Monster Zero Records and Disconnect Disconnect Records. I first became aware of The Sewer Rats thanks to last year’s Hamburg Booze Cruise Festival and have been enjoying listening to their previous album Heartbreaks & Milkshakes ever since. When Magic Summer was released I couldn’t wait to hear it.


Magic Summer begins with the song chosen to be the lead single for the album, Rejuvenate. Rejuvenate is a song about going back to the things that you loved in your youth when things as an adult become too hard. It’s a fun and positive way to begin the album and also a great way to introduce new listeners to The Sewer Rats – melodic pop punk that’s wonderfully catchy and a lot of fun. Up next is I’m Quitting My Job. It’s pretty self explanatory what the song is about so I won’t patronise you with an explanation. The song is brilliantly simple and super accessible for everyone. It’s relatable for anyone who is in a job they don’t like and singing along with people who feel the same will be really cathartic. I Don’t Wanna Go To The Dentist No More is a less upbeat song about the fear that lead singer Chris Gin has about going to the dentist. This fear is something a lot of us go through but I don’t think I’ve ever known a band to write a song about it so lots of points for originality here. This is followed up by I Don’t Wanna Go To The Shrink No More. Any guesses on what this song is about? Lyrically it’s pretty minimalist but you get the point on what it’s about. Much like I’m Quitting My Job, there’s a cathartic feel to the song as you sing along to the track.

The fifth song is title My Sweet Chun-Li. This track is about Gin’s love for the legendary Street Fighter character Chun-Li. It’s a super sweet love song for a fictional character that does show a softer side of The Sewer Rats. It’s all a bit silly but it did make me smile a lot. Nasty Cut brings the tempo of the album back up. It’s a fast and punchy song about a barbershop in Düsseldorf. Definitely the first time I’ve ever heard a song about a barbershop. I like to think the band wrote this song to ensure they get free haircuts for life at Nasty Cut. The seventh track it titled My Baby Is At Groezrock (And I Am Not). It’s about Gin’s jealousy about his girlfriend being at Groezrock Festival without him and the range of feelings and emotions that go through his mind during the weekend. It’s all a little tongue in cheek but again something I’m sure we’ve all related to in one way or another at some point in our lives. The chorus in particular is crying out for a big sing-along with The Sewer Rats in a sweaty basement somewhere. This is The Sewer Rats at their best. I literally have no idea what Total Creep is about but it’s, again, a massively fun sing-along. Something about creeps, green skin and aliens that had me grinning from ear to ear.

Choice is probably the most serious and passionate song on Magic Summer. It’s about the positives of following a vegan diet. Not just for animal rights reason but for the good of our planet. What I really like about the song is how The Sewer Rats don’t come across as preachy but instead encourage the listener to make the right decision. I Don’t Wanna Leave My Room No More is another song that’s pretty self explanatory. This is one of the sadder songs on the album, particularly on the verse but does a wonderful job in building towards a big chorus. The harmonies that finish the track are a thing of beauty. The penultimate track is Down For Life. This song is about being a punk for life and being so proud of that even if people look down on your lifestyle choice. For some people, there is a belief that being an adult means not doing the things you loved as a kid and that’s not the case at all. You can be a grown up and still love the things you loved when you were younger. This song could become a bit of an anthem amongst the punks, many of whom will relate in a big way. I know I do. The album is finished with its title track, Magic Summer. This is another of the album’s slower songs where the band reminisce about the good old days of their youth and wish they could return to it. We all remember those great summers that were non-stop fun before adulthood and responsibilities got in the way. This is a fantastic chilled out way to finish the album. I’d love to hear an acoustic version of this song at some point in the future.

Magic Summer was one of my most anticipated albums of 2020 and it most definitely didn’t disappoint. As the title might suggest, it’s an album for the summer – for singing along with your friends on a warm night. It’s such a shame everything got cancelled this year as I was really looking forward to seeing The Sewer Rats at festivals all around Europe and singing along with the band.

Stream and download Magic Summer on Bandcamp here.

Like The Sewer Rats on Facebook here.

This review was written by Colin Clark.