The second instalment builds on this mid-00s emo vibe, but it definitely has much grander ambitions than the first. The gothic imagery conjured up by the lyrics and the amped up dramatic atmosphere give this release an almost theatrical feel.
DRACULADS (another excellent title) begins with rolling drums, leading you to a melody and vocals that wouldn’t be out of place on American Idiot; it’s got multiple layers and sounds like it was made for a musical.
The punchy, catchy emo-pop continues with Keep The Thorns and Sweet Tooth, both calling on gothic imagery of altars, vampires, and descending deep into hell as you fall deeper into love (or lust, I’m not judging).
The EP comes to a strong close with Heaven Help Me. While the dark symbolism continues in the lyrics, musically the closing track lends itself more to punk rock than emo-pop. A fantastic ending to this cute, dark, fun, sexy EP.
I’ll admit – I expected more from this when I first listened to it. And the second, and third time (you can see where I’m going with this). But that’s only because the first EP was almost flawless to me. After revisiting this one a few weeks later, I don’t know why I was being so overly critical – Salem II is a natural progression from Salem. Just as The Black Parade was a natural progression from Three Cheers.
For fans of My Chemical Romance, (early) Fall Out Boy, Alkaline Trio, and the iconic emo fringe.
This review was written by Lara Roberts.
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