Wednesday, 19 September 2018

Album Review: Good Friends, Bad Luck by The Run Up

Lately I've become quite convinced that Bristol five piece The Run Up have found a way to stop time. Since releasing their superb debut self titled full length last year, they seem to have been endlessly on tour. To my great surprise, they've also found the time to write and record a brand new EP – set for release on 28th September through Real Ghost Records and Uncle M Music. Named Good Friends, Bad Luck, it's based around a theme of making the best out of bad situations and the strong bonds of friendship that grow due to these predicaments.

Good Friends, Bad Luck starts off with a short instrumental track of the same name. This serves as a great introduction for the EP as it shows off what is now becoming The Run Up's signature sound. It all leads brilliantly into the next song, The Upside Of Being Down. This is the EP's leading song and a fantastic music video was made with The Run Up just having the best time together as great friends. That's what the song is about – getting out and having amazing times with your best friends. The Run Up have this great skill in writing songs that I immediately want to sing along to. This song is catchy enough that it's not long before I'm singing my heart out with lead singer Larry and the rest of the guys in the band. The gang vocal "whoa-ohs" that lead into the song's ending add a bit of atmosphere into the song, making it feel extra emotional and making you believe that the band mean every single one of these words. The third song, Captain, starts off at a great pace with guitarists Charlie and Laurence laying down some great riffs. It's another track that has me wanting to sing along straight away. This might be to do with the superb way that the band make use of gang vocals and harmonies for a big portion of the song. For me,  this type of gruff pop punk is at its very best when the whole band are singing together – I find it allows me to connect to the band a lot quicker.

The fourth track, titled Etherial Ghost, sees The Run Up holding things back slightly musically to allow Larry's vocal to really have centre stage. The song is about the struggles of life in a DIY punk band and trying to play shows and tours around having a normal life and it being great to be able to do it with your best friends. The song puts that kind of life into perspective and does make me think that we perhaps we take for granted the struggles and sacrifices people in bands make to come and entertain us. The fifth and final track on Good Friends, Bad Luck is named Sick Days and is the perfect way to finish the EP. From Daniel and Harry's superb rhythm section, Charlie and Laurence's guitars and Larry's vocals, as well as more brilliant gang vocals and harmonies, the whole track is layered to perfection. I'm constantly hearing little things that I love that I didn't hear on my previous listen. The gang vocals make the song feel huge and it just continues to build and build throughout the song. It feels like it will be a massive sounding song if it were played in a small pub show or at an academy or arena show.

Good Friends, Bad Luck is The Run Up's strongest release to date. It's perhaps their most mature release so far and definitely their most focussed. The band have had some terrible luck on tour this year with broken down vans but have managed to turn all the stress that comes with that into a positive with this absolutely brilliant release. Who knows, if the bad luck hadn't happened would we have got this EP of the year contender?

Pre-order Good Friends, Bad Luck here:

Like The Run Up here:

This review was written by Colin Clark.

Tuesday, 18 September 2018

Album Review: Shrug Dealer by Shrug Dealer

I won't lie, I wanted to check out Shrug Dealer purely because of their truly awesome name. The four piece from New York formed this year and recently released their debut self titled EP. Containing six songs in just eleven minutes, the EP promised to be packed with fantastic high tempo punk rock music. Shrug Dealer have the great name but do they have the great songs? Only one way to find out!

The EP opens with a fast melodic hardcore track named Writer's Block. The verses are delivered in a fantastic punchy way which makes energy ooze out of the song and the chorus is so wonderfully catchy you can't help but get swept away with it. The track is about the frustrations of having writer's block and trying to get through the struggle. The song is only just over a minute long but Shrug Dealer do an excellent job of fitting a lot into the song. It's no thrills quality punk rock. Up next is a song named Snowflake Wars. This track is played at a slower tempo than Writer's Block and features some great shredding guitars in a similar style to A Wilhelm Scream or Darko. The song draws you in quickly with some duelling guitar playing before the vocals begin. The song is about those horrible types of people who go out of their way to offend you and wear you down for no reason whatsoever. The vocals on the song are impossible to ignore and are extremely impressive. The third song That's $10 You Owe Me Now, Dickhead has a great introduction. At the start it has you thinking this could be some kind of melodic punk reggae track before the song quickly shifts into the fast paced hardcore song that you would expect from Shrug Dealer. The song looks at the big multinational stores in the USA that are putting the small "mom and pop" stores out of business. It basically says these big chains are not playing fair and are causing a lot of people to lose their income.

The fourth song This Song Written On A Macbook Pro is just twenty-eight seconds long. When I first read the title I guessed it might be an attack on all these modern day performers who make all of their music on a laptop. In fact it's about how throughout the world child labour is used to make many of the products we use and how we don't do enough to deal with this disgusting practice. This short song packs a big punch and really gets you thinking. The penultimate song is named The Lanes. Here we are greeted by the poppier side of Shrug Dealer's sound. It still retains the shredding guitars of the previous songs but also has a bit of a 90s pop punk influence on it that I loved. The energy at the start of the song is infectious and the line in the chorus of "I believe in myself" is simply empowering. The Lanes is about finding a strength in yourself to remain true to who you want to be despite all of the rubbish that can be thrown your way in life. The positivity coming out of the song warms my heart. The EP finishes with the song Who Is Molly? This track has one of those incredible building sections that I completely adore and is worthy of your time just for that. It feels like a final song with its big finish where the band really let loose with some wailing guitars and rawer vocals.

What a great debut EP this is. Shrug Dealer take the melodic hardcore genre and, for me at least, have given it a fresh sound that really allows them to stand out from the rest of the pack. I will be recommending this EP to many of my punk pals.

Stream and download Shrug Dealer here:

Like Shrug Dealer here:

This review was written by Colin Clark.

Monday, 17 September 2018

Album Review: House On The Hill by Enda McCallan (by Emma Prew)

Enda McCallan is an acoustic folk punk musician from Omagh, Northern Ireland, who is now based in Manchester. It was in Manchester, at Manchester Punk Festival no less, where I first came across his music. I’d arrived to see Arms & Hearts but managed to catch the last couple of songs in Enda’s set and was really impressed – plus I kicked myself for not getting there sooner. On the 15th of September, Enda McCallan released a brand new four track EP titled House On The Hill and produced by Steve Millar (Arms & Hearts). I was keen to give it a listen…

First up on House On The Hill is a song called Cheatin’ Ways. Opening with some soulful electric guitar and a steady drumbeat, I soon realise that this isn’t an acoustic track like I was kind of expecting. Instead this a very much country-tinged rock track – I can imagine it being played from a car driving across America (maybe that’s what the skeleton is doing on the EP artwork). As you can probably guess from the title, this is a story of heartbreak but we don’t just hear from the man in this scenario. Chloe Hawes contributes some fine guest vocals to Cheatin’ Ways and we get to hear both sides of the story. There’s also a great, yet unexpected, guitar solo towards the end enforcing that American feel. December Nights is the second song of the EP and here Enda slows things down a bit – not that the first track was especially upbeat – for a track that is solely acoustic. December Nights feels like quite a sad and personal song. The lyrics speak of admitting where mistakes have been made in your life in the past but also how you can learn from them and try to better yourself in the future. There’s a particular line (‘Are you dreaming of being free tonight?’) that really reminded me of Bruce Springsteen – which is never a bad thing – although it did also make me think that this song could use some harmonica. Towards the very end of the song it suddenly switches to the fuller band sound and even has some backing vocals. Nice!

Irish Eyes was a pleasant surprise because I realised almost immediately that I recognised it. It was a fun song to hear live at MPF and is just as fun to hear the recorded version. It is is more of an upbeat and folky track than the previous two songs, serving as both a head-nodder and foot-stomper, but it also comes with an important message. Irish Eyes is an anti-racist anthem written from the perspective of an Irishman who has seen how many people are reverting back to racist views and ideologies of old. ‘The way I see it, There are no borders, There are no countries, We’re all part of one collective known as the human race.’ Brilliant! I also got my harmonica part that I wanted from the previous song – and then some banjo! The more upbeat pace is retained for the final track of the EP, which is also its title track – House On The Hill. Despite the faster pace this is clearly a sombre yet sincere track full of nostalgia. House On The Hill is a song written in memory of and, I suppose, in celebration of an old, potentially childhood, home and the people who were there with you. ‘…Like an old tattoo your memory fades but it will never truly leave, And I know one day we will meet again…’ It is sad but also a great tribute to somewhere and someone – or multiple someones – who have shaped Enda’s life in one way or another. And a short, sweet but rocking guitar solo ends the EP on a high.

You can stream and download House On The Hill here on Bandcamp and like Enda McCallan here on Facebook.

This review was written by Emma Prew.

Saturday, 15 September 2018

Gig Review: Wolves & Wolves & Wolves & Wolves at the New Cross Inn 10/9/18

September has already been super busy on the gig front for Emma and I. On Monday the 10th we found ourselves at our fourth in nine days. Back at our home from home, the New Cross Inn in South East London, for a night of punk rock presented by Be Sharp Promotions and headlined by Wolves & Wolves & Wolves & Wolves with support for The New Heat, Resuscitators and Katie MF. Being a Monday night it unfortunately it wasn't the best attended punk show of the year but what it lacked in people it more than made up in talent.

First up was Katie MF, who we featured as our Band of the Week earlier in the year. Katie MF are a three piece, fronted by Katie MF. They started out their set with a slower folk number that at times felt kind of bluesy before picking up the tempo and adding some gutsy punk rock to their sound. I assume that Katie started out as a solo act before adding the full band. She picked two supremely talented musicians to back her up, I was so impressed with them as a band. Katie herself was captivating, playing with so much energy and passion during the faster tracks and delivering a really powerful and moving performance during the slower songs. The highlight of their set was the song Mr Cameron, Mr Gove – a song about the terrible state those two men have left our country in. I loved this set and have already recommended to my friends at Be Sharp that they should book them again.

Up next were Resuscitators. I've been following these guys for years now and have loved everything that they've done. Recently they've become a three piece after losing one of their guitar players and I was interested to see how this affected them as a live band. They've also recently finished recording an album so the set promised to be full of new tracks. Starting out with my favourite Resuscitators track Little Victories before moving onto Rivers from their latest single, they really hooked me in and I found myself singing along best I could. From there they moved onto some newer tracks which have me quite excited to hear this new album. Something I've always adored about Resuscitators is their use of multiple vocalists, this gives their skate punk sound even more energy. Guitarist Roger Holland seems to have taken on more vocals on the new material and sounds great. Bassist Matt still does the majority of the singing though and as ever was on top form. This was a fun and energetic performance from Resuscitators. Finishing on the fantastic A Record Of My Own Self Doubt, Resuscitators cemented my opinion on them being one of the most underrated bands in the UK.

We first got the opportunity to see the next band, The New Heat, back at Polite Riot Festival in June. The four piece left a big impression on everyone in the crowd that day and we were looking forward to catching them again. Playing soulful and energetic punk rock similar to The Gaslight Anthem they again set about wowing everyone in the New Cross Inn. They have this great quality in their sound that makes me think it would work well in a big academy venue as well as a smaller venue like the New Cross Inn. Lead singer Nik Holi has a superb voice, it’s equally raspy as it is powerful and really captures the whole room’s attention. They mostly played songs from their EP We Said Our Prayers but also treated us to a brand new song which saw the band spread their wings a bit. Like I said earlier, they have a similar sound to The Gaslight Anthem but for me they play that style with a lot more of a kick than Gaslight and I loved them for this. There was also a nice moment where Katie MF joined the band on stage to provide vocals for one of the tracks. The New Heat are going to very quickly make a big name for themselves amongst the London punk rock scene. Go check them out.

I have to admit I wasn't overly familiar with Wolves & Wolves & Wolves & Wolves before the gig but had heard good enough things to make me want to make the two hour journey to New Cross on a Monday night to check them out. I soon discovered the North Carolina based four piece play fast and aggressive gruff punk music. Think Red City Radio or Elway but with raspier vocals and played at a much faster pace. Now not knowing the songs makes the set kind of tricky to review but after every track I thought I need to check this one out again. This was definitely the type of punk rock I love and I really enjoyed their set. The small crowd didn't seem to put a dampener on their performance and, like the best punk rock bands, they put everything they had into the set. Taking the time to banter with the crowd between songs was a nice touch, this included a terribly hilarious joke about shopping malls. Wolves x 4 play the sort of punk rock that I love to sing along with and I imagine it's so good in a small room with a big crowd screaming along to every word. That's what I really wished this show was and it has me wanting to see them again – once I've learnt every word from the record I bought after the show, The Cross And The Switchblade. Wolves & Wolves & Wolves & Wolves are a great band who need your attention.

This, as always, was a great night of punk rock down at the New Cross Inn. It was a big shame there weren't a few more folks in attendance but each band killed it anyway and we had a wonderful time.

This review was written by Colin Clark. Photos by Emma Prew.

Friday, 14 September 2018

Top 5 Eat Defeat In Jokes That Were Never Funny To Begin With, Still Aren't Funny, and Are Less Funny Written Down in a Top 5 List

Ask touring bands what their favourite things about tour are and they'll probably lie and say something like 'everything is worth it for those 30/60/90 minutes on stage.' Those people are liars. The best thing about touring are the insane inside jokes you develop due to extended lengths of time spent sat in a confined space with other idiots who have decided this is the best way they can think of to spend their lives. The problem is, when this touring circus rolls into a whole new set of innocent, shielded people, the inside jokes don't exactly translate. So here are 5 classic examples of things that you won't find even remotely amusing.

5. Incessant MOOing
This is what inspired me to write this top 5 as it's something very fresh in my mind and I can recount the exact genesis and propagation of this total nonsense. It was on our most recent tour (as i'm writing this, tour finished yesterday and I'm currently on a ferry to pick up a band from Prague) and it all started with a pot of yoghurt and a few too many coffees. I know, rock n roll lifestyle or what? So we're playing a show at The Fulford Arms in York and we decide to nip out to the nearby Aldi to grab some snacks. As we're perusing the snack section, I'm totally drawn towards an obnoxiously sized personal yoghurt, the brand of which is 'MOO!' I'm feeling a bit nuts after a long day of sitting around drinking coffee and so I loudly announce to the supermarket that I'll be buying the MOOOOOOOOOOOO. This carries on at the checkout, it escalates to innocent shoppers leaving the store and it carries on throughout the van journey home. The next morning, I'm awoken by a video message from Jimmy which is simply him waking his poor sweet dog up by loudly and obnoxiously MOOOOOOOOOing at her. I then spend an entire journey to Glasgow MOOOOOOOOing whenever Jimmy looks like he's about to fall asleep and it goes so far as us encouraging the crowd at the gig later that evening to MOOOOO instead of applaud after every song. Again. I'm not saying it's funny. You shouldn't be laughing. What's wrong with us?

4. #GFY
We've been unfortunate enough over the years to tour in Germany with a ska punk band called La Familia. Terrible, beautiful people. I can't remember how it started, but every single exchange with any member of the band ended with 'go fuck yourself.' They graffiti'd bathroom stalls with poems dedicated to telling us to go fuck ourselves. They wrote a song called GFY. They won't leave us alone. Somehow, someone let them into England earlier in the year and they ended up playing a few shows with various friends of ours. So after the first show I receive a text message from a friend asking 'What did you guys do to upset a band called La Familia? They announced onstage that they hated you and that you should go fuck themselves.' Aachim (lead vocals/bass) was apparently even wearing an Eat Defeat hoodie whilst doing so, so this makes it even better. Anyway, fuck those guys. GFY.

3. The 'Eat Defeat' voice
If you've ever been a member of Eat Defeat or have filled in for us at any point (and quite a lot of people have, I counted 17 in total) then our impression of you is exactly the same. We developed it early on to mock an old guitarist who we kicked out (twice...) and the bullying has continued ever since. It's hard to describe the accent accurately, I think the closest example I can think of is, you know that bit in Spaced where Reece Shearsmith's character is mocking Tim and Mike and he says 'OH, A HADN'T THOUGHT OF THAT', well it's kind of like that. There's been a few awkward incidents in the van when we have guests where they've clearly stated 'So and so doesn't sound like that at all, that's not a very good impression.' To them I say, well, something mean in a silly voice. This one doesn't really translate to print.

2. Dickhead Day
Ugh. I don't know when it started. I think it was pre-Steve, so it's been a few years now. One day of a tour, we just decided we'd be fully horrible to each other. This included (but wasn't limited to) knocking pints out of each others hands, eating each other's food and playful amounts of physical violence. If it was Dickhead Day, anything was ok and nobody could get mad. It was like the purge, but for emotionally stunted adult males. It's become thankfully less frequent, but there were inklings of Dickhead Day being declared when we strangely ended up at the Fifa eWorld Cup on this past tour. It was arranged via Steve's workplace and we decided we'd do our best to show him up by pretending to be various outlandish characters. It was quelled by a rather forceful statement from Steve that 'IT'S NOT DICKHEAD DAY.'

1. The Cheetah Onesies
I think this one was on our last 'proper' UK tour and we were in the apex of our 'We love It's Always Sunny In Philadelphia' phase. There was an episode that season where a gag was that Frank just randomly had 'the spots' and turned up towards the end of the episode as a 'man-cheetah.' Well, before a show at the Birds Nest in Deptford we decided to pay a visit to Lakeside (a big ol' shopping centre in Essex) and whilst in Primani we stumbled across a load of Cheetah onesies that were reduced. We decided it'd be HILARIOUS to buy them and play in them. That night I sweated from places I didn't even know I had. The worst part, though, was that then me and Jimmy decided to fully commit to the onesies, and wore them all tour. Not just onstage, but all day as well. This was like, night one of maybe a 2 week tour. We got some weird looks, but it got weirder when we fully embraced the aesthetic and drew whiskers and a black nose on. In a nice aside, we brought the onesies back for a mainland Euro tour a bit later on, and Jimmy injured himself at a gig in Aachen whilst wearing the onesie, and had to be taken to the Krankenhaus whilst fully dressed as a cheetah. I love tour.


This year Eat Defeat released the pop punk album of the year. Buy it here:

Like Eat Defeat here:

Gig Review: Uniforms at the New Cross Inn 7/9/18

You know those days when you're feeling quite miserable for no actual reason and then something happens that absolutely makes your day? I had one of those a few weeks ago. Like I said I was feeling quite miserable for no actual reason, then I checked my phone and discovered that Dundee's Uniforms had been booked to play the New Cross Inn as part of their tour supporting their superb new EP Reasons To Breathe. I'd been waiting to see Uniforms for years before they played Manchester Punk Festival earlier this year and stole the show. The chance to see them again so soon after had me super excited and I couldn't wait.

Emma and I arrived at the New Cross with plenty of time to see the opening band of the night Modern Shakes. We were lucky enough to catch the London based three piece at Polite Riot Festival earlier in the summer and were really impressed by this new band. They play melodic pop punk music in the vein of bands like Dillinger Four and Banner Pilot. Modern Shakes were so good on this night, I can't wait for them to release their debut EP so I can sing along with these fantastic songs that they've written. Throughout the set Modern Shakes did introduce each song but I've completely forgotten the names and I'm not pro-journalist enough to write important things like that down. The highlight of the set was the penultimate song of their set though, that was a particular banger.

Up next were another new band on the scene - Crushed Veneer. Emma recently reviewed their EP for CPRW and really enjoyed it and from what I've heard of them I was expecting to enjoy their set too. Something I found interesting when they were setting up was how the bass player had his microphone stand set up not facing the crowd but instead slightly further back facing the drum kit. It makes for an interesting visual and allows him more room to bounce around the stage. I guess that's why he does it. Crushed Veneer played with plenty of energy and I particularly enjoyed the faster songs in their set which had some epic three part harmonies. It was clear for all to see how skilled Crushed Veneer are as a band and I'm expecting them to make a bigger and bigger name for themselves throughout the London punk scene.

Break-Ups don't play many shows anymore so I was quite looking forward to seeing them at this show. Unfortunately it turned out their drummer couldn't make the show so what we got instead was perhaps the most unique Break-Ups set ever. Fair play to Luke and Alfie for deciding to play the show as they pretty much winged their set with Luke playing guitar and the duo singing some Break-Ups songs. At times it was a bit haphazard but in truth that really added to the charm of the set. I would have loved to have seen full band Break-Ups but this was a nice little surprise and a lot of fun. Hopefully they'll have another show soon with an actual drummer.

Next it was time for Uniforms to play their first London show in five years and I couldn't have been more excited. I quickly made my way to the front of the stage to get the best possible view, alongside my buddy Tone from The Burnt Tapes, to see one of the UK scene's very best bands. We were treated to a half hour set of old Uniforms favourites as well as some new tracks from Reasons To Breathe. Uniforms’ music is filled with such an infectious energy that you immediately get caught up in their songs and live is truly when they're at their very best. They're a band who put everything they have into their live performance and it's an absolute pleasure to watch. The crowd, which unfortunately wasn't the biggest, were really into it with one chap in particular quite clearly having the time of his life. I was too, just in less of an alcohol influenced way. I enjoyed everything about Uniforms set but the two highlights were Pink Couch and brand new song Get Me Out Of Here which finishes with a great breakdown and this incredible and ferocious finale that works so brilliantly live. Uniforms are the best - thanks for getting back together and coming back down to London.

This review was written by Colin Clark. Photos by Emma Prew.

Thursday, 13 September 2018

Top Tens: Matty from Last Edition's Top Ten Punk Rock Influences

Reel Big Fish
For me, Reel Big Fish was where it all started. I distinctly remember, being at a house party at my best mate's house, around the age of 16(?) - and I heard “Beer” for the first time. I’d been introduced to bands like Madness by my parents, but hearing this for the first time really did spark something.

Many years later, in 2017 - we (Last Edition) got to support them, and I met Aaron for all of 34 seconds. I remember thinking, how do I fit all these years of loving his band into 34 seconds without making him think I have something severely wrong with me?

Mad Caddies
Mad Caddies for me are a similar story to Reel Big Fish. As soon as I heard “Beer” I went on a pretty big ska punk binge and was soon introduced to bands like Mad Caddies. “Drinking For 11” - I must have had that song on repeat for at least 3 years.

Again, in 2017 - we supported them on the Fireball tour. In 2018 also, we played a festival in Scotland called “ButeFest” - which they headlined - and then somehow got a support slot with them 2 days later at Birmingham o2 Academy.

Around the time that I was starting to get into the ska punk genre, it was also around the same time that I had 2 or 3 major operations on my legs (I have a nerve and muscle condition called Charcot Marie Tooth). I found Whitmore on the TV, “Alison” I think it was - probably also on P-Rock! (RIP P-Rock).

Anyway, when I was recovering from my operations, all I would listen to was Funeral for a Friend and Whitmore’s “Smoke The Roach”. (One extreme to the other, right?). Over the last few years we’ve played Robb Blake’s venue (Winchester Gate in Salisbury) a few times - he’s such a lovely guy, but it seems I can’t get him to reform Whitmore!

Alkaline Trio
I actually own more Alkaline Trio music, than I do Reel Big Fish. Before I got into ska - and was in a ska punk band - I used to jam with a couple of guys and generally we thought Alkaline Trio were the absolute dogs bollocks. (I think that band was called Midfield General?!)

Alkaline Trio however are a band I still love as equally as I did when I first heard “Stupid Kid”. A lot of the music I was inspired by and listened to around this time was purely found either on MTV, Kerrang! or P-Rock - or whatever other alternative music television channels there were. I can stick any of their albums on and just let them play without skipping a track. I can’t wait for their new album to come out.

The Flatliners
These were a semi-recent discovery, as in - maybe 5 or 6 years ago. Last Edition had been asked to support them in Leicester, I checked out “Filthy Habits” from Cavalcade and was really impressed. At the time I had that song on a playlist and it stayed there for a while.

Then, another operation, and Cavalcade quickly became the “soundtrack”. The Flatliners are another band that I can listen to without interruption. “Filthy Habits”, “He Was A Jazzman” and “Hang My Head” are all songs I wish I’d written!

NOFX were also around the start of my venture into punk. I’m fairly sure that my first ever “punk” gig was seeing NOFX at Birmingham Carling Academy (a quick search tells me it was May 9th 2004).

I think “The War  On Errorism” was released not long before that? Maybe a year? Me and my best friend had it on repeat most days. I think The Epoxies played that night too, so it must have been fairly close to the release of Rock Against Bush vol 1.

Less Than Jake
No Top 10 list written by a ska kid could be complete without a mention of Less Than Jake. Originally, I probably preferred Reel Big Fish, they were the first “ska punk” band I’d seen live. However, I absolutely fell in love with “Anthem” - I mean I always remember “All My Best Friends Are Metalheads” and the earlier “hits” - but I played “Anthem” to death.

I first saw Less Than Jake at Slam Dunk Leeds (they played after Goldfinger and Reel Big Fish, I believe) and I thought they were awesome. I’ve seen them probably 7 or 8 times since then. Their last few releases have been a little hit and miss - "Good Enough” is an absolute banger however.

Kill Lincoln
A fairly recent discovery, and a band that have definitely inspired me and influenced some of our newer tracks. “Good Riddance to Good Advice” is (in my opinion) perfect. Production, songwriting. All bang on.

You’ll notice a trend here. Thrice were also a go-to whilst I was recovering from various operations. I’m happy to admit that, at the time I was suffering - both physically and mentally and in a pretty horrible place generally. “Artist In The Ambulance” is a song that I wish I’d written. I finally, finally got to see them play it live at Download festival this year. I watched in tunnel vision at the stage, I had a lump in my throat for the entire song.

The UK ska scene in general…
Not strictly a band - so apologies if this isn’t allowed - but, we’ve never felt more part of something than we have over the last year. Being asked to play at Level Up really did help us feel as though we are part of the UK ska scene. There are so many awesome bands doing some awesome things - like The Hostiles, Call Me Malcolm, Codename Colin (who we join on tour in October/November). It’s so inspiring and at Level Up we definitely felt an energy that we’d not felt before. It’s nice to see people being excited about ska punk again.

Last Edition are throwing a party this Saturday to celebrate ten years together as a band. Check out the details here. It looks like it's going to be a lot of fun!

Like Last Editon here: