Frank Turner -
Positive Songs for Negative People
To many, six is just a number. In the rock and roll world,
it’s a number many fall short of. Not if you’re Mr Turner. The self-professed
skinny half-arsed English country singer has done it again.
Positive Songs for Negative People marks Frank Turner’s
sixth album. Impressive enough of a feat as it is, it’s also a bloody good
string of songs. Being a slight sucker for musical misery, the idea of an album
packed with positivity initially left me slightly wary (yes, I like The
Smiths…sorry). However I needn’t have worried.
The clever marketing hype for the album saw a trickle-feed
of songs being unveiled on the run up to the release date. Like the keen
Frank-o-fan I am, I jumped all over those damn videos quicker than when I see a
bottle of Sauvignon Blanc. On hindsight, I wish I’d waited. The sacred
first-listen moments that you have a) conveniently had an urgent dentist
appointment for or b) skipped work entirely for (you maverick), were slightly dampened
by “oh I know this one…and this one”. I did walk away from the stereo feeling
slightly flat (screw you Spotify and/or other music streaming services that are
also available, I do it the old fashioned way). But all it took was
experiencing the songs live at The Garage in Islington to make all the PSFNP
pieces fall into place and it was love at second sight.
Positive Songs for Negative People opens with The Angel Islington; a smooth
transition piece from the ending of Tape Deck Heart’s Broken Piano into the
beginning of the new album and a new story.
“By the waters of the
Thames, I resolve to start again. To wash my feet and cleanse my sins, to lose
my cobwebs on the wind.”
Get Better punches
you right in the face. Not literally, that would hurt and lead to a lot of
paperwork. Turner shouts about fighting on no matter what, and that there’s
also the promise of getting better because you’re not dead yet. And the
amazingly catchy chorus will get stuck in your head until the end of time.
“I got no new tricks,
yeah I’m up on bricks but me, I’m a machine and I was built to last.”
The Next Storm depicts
a similar message to that of the infamous Reasons Not to Be an Idiot.
Basically, don’t sit on your arse waiting for life to go wrong. (On a side
note; Frank Turner and CM Punk in the same music video: ohmygod.)
“I don’t want to spend
the whole of my life indoors, laying low, waiting on the next storm.”
The Opening Act of
Spring is an uplifting public apology to Frank’s ex-girlfriend, who was
apparently the inspiration for the Tape Deck Heart album. Taylor Swift, where
are you? This song translates into five words: “sorry I was a dick.”
“Though I have hurt so
many people, it was never my intention to hurt you”.
Then follows two of my favourite songs of the album; first
up: Glorious You.
Glorious You
serves as a reminder that there are people who love and support you no matter
what. If you look around, you’ll see people who can help make the world seem
half as heavy.
“Come on now if we all
pull together we can lift up the weight of the world from your shoulders just
for a moment or two.”
Mittens. Oh
Mittens, you memorable little monster. I love this song more than Katie Hopkins
loves herself. This is about being with that person who isn’t quite right for
you and loves you less than you love them. To paraphrase Frank, it’s the person
who you fit like mittens with, but never quite right like gloves. And about
that one person who you just have to let go of to move forward no matter how
hard it may seem.
“You left me feeling
like we’d never really been in love; don’t wanna fit like mittens, I wanna fit
like gloves.”
Out of Breath to
me is the Four Simple Words of Positive Songs for Negative People; catchy as
hell and makes you want to dance. Even if you suck at dancing. It also makes me
feel like I’m stuck in an Irish brawl for some reason. In summary: Out of
Breath = live the shit out of your life.
“When you meet death,
be out of breath, and say you’re pleased to see him ‘cos you’re tired.”
Demons shouts
loud and clear that you should make the good out of the bad in your life, and
see setbacks as opportunities. Enough said.
P.S. expect to be singing this for about four weeks after
you’ve seen it live.
“You won’t get
everything you wanted, but you will never be defeated.”
Josephine is
about searching for that elusive perfect person and expecting yourself to be
similarly perfect in return. Spoiler alert: life isn’t a Disney film. You’re
good enough, flaws and all. Now I sound like an advert for a dating website.
Disclaimer: I’m not getting paid by match.com.
“Could have been what
you need, I wish that I was anyone except for just me.”
Love Forty Down is
the only song I’ve known to successfully weave in tennis references and not
sound completely ridiculous. Frank convincingly sings about making it through
breaking point; a place where we’ve all been, no doubt.
“I’m love forty down,
I’m gonna turn this one around, break point.”
Silent Key has
taken me a while to understand.
…Okay, I still don’t understand it.
The main threads I can pull out are that it’s about still being alive even
though something feels so awful it could kill you (not literally, I hope). NB:
a silent key is actually a deceased radio operator. Cheerful; no, informative;
yes.
“It came as a surprise
to realise that as she lost everything, the world was revealing a transmission
so real that she understood everything; you’re still alive.”
Song for Josh is
a beautiful tribute to Frank’s friend Josh Burdette who unfortunately took his
own life. The live studio recording of the whole album really comes into its
own here; where the emotion in Frank’s voice is almost heart-breaking. Although
it’s not a positive feel-good anthem like the majority of the album, it’s a
powerful end to a powerful sixth album.
“I can’t say for
certain what I would have said, but now I am helplessly silent instead. There’s
a hole in my heart and in my head, why didn’t you call?”
There are only so many words and so many ways to make songs
sound original and brilliant. Many artists fall into the trap of changing some
riffs, warping some words and rinsing and repeating what has worked for them previously
when they produce their later albums. Frank Turner and The Sleeping Souls have
managed to produce another potent masterpiece which tells a powerful story and
demonstrates Frank Turner’s musical career is certainly not dead yet.
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